Digitally remastered two CD set containing expanded editions of a pair of albums from the singer, songwriter and producer. His first album, Runt (1970), features the hit single 'We Gotta Get You a Woman' as well as the nine-minute Rock epic 'Birthday Carol'. This edition features, for the first time ever on CD, all the different mixes, performances and exclusive songs from the November 1970 mis-pressing of the album. The Ballad of Todd Rundgren (1971) features more of Todd's Laura Nyro-inspired Soul/Pop ballads, and another hit in 'Long Flowing Robe'. The four bonus tracks are all radio performances from this era. The package contains ephemera and rare photos, all the lyrics, and extensive notes by Paul Myers, extracted from his recent definitive book on Todd Rundgren.
Something/Anything?, released in 1972, is Todd Rundgren's third solo album. It peaked at #29 on the Billboard 200 and was certified gold three years after its release, and remains the singer-songwriter's best-selling album. In 2003, the album was ranked number 173 on Rolling Stone magazine's list of the 500 greatest albums of all time.
Out of all the releases issued thus far in the Todd Rundgren/Utopia Official Bootleg series, it turns out that Vol. 5 – Oops! Wrong Planet Tour – is one of the most "bootleg sounding" of the bunch, as it's less than stellar audio quality suggests it is an audience recording. Despite not possessing as clear a sound as the other volumes (which appear to be mostly soundboard recordings), Oops! Wrong Planet Tour does a good job of capturing the group during one of the most transitional periods of its career. Beginning the year (1977) as a prog rock band (RA) and ending it as a new wave-ish arena rock outfit (Oops! Wrong Planet), both sides of the group are showcased on this double-disc set, while a generous helping of solo Rundgren material is included as well, given a Utopia makeover.
Easily, 1980 could have gone down as the year that Utopia broke through to the mainstream. With the commercial success achieved with the album Adventures in Utopia and its single, "Set Me Free," it appeared as though Rundgren and company were well on their way with their next release. But instead of issuing another album of new wave-esque pop, the group completely switched gears and released a twisted Beatles parody, Deface the Music. While longtime fans loved it, the release obviously confused and alienated their newfound mainstream following, as it failed to follow its predecessor's strong chart showing (and with John Lennon's death just two months after its release, a Beatles parody wasn't exactly what many rock fans wanted to hear at that point in time). As a result, the group only performed selections from the Deface album during its short supporting tour. Now fans can finally hear what the songs sounded like on the concert stage, with Vol. 6 of Rundgren's bootleg series, Deface the Music Tour.
By the release of 1984's Oblivion, Utopia was inching its way toward a sound that was very popular with the mainstream pop bands of the time – glossy production and electronic drums (a sound popularized by the likes of the Cars and Def Leppard). While the aforementioned groups benefited from this musical approach, Utopia did not – especially due to the fact that drummer Willie Wilcox helped propel many of the group's tracks before this "electronic makeover." It turns out that on the album's supporting tour, Wilcox merged both traditional drums with electronic ones (which improved many of the cold-sounding Oblivion tracks), as evidenced from Vol. 9 of the ongoing Todd Rundgren/Utopia Official Bootleg series, Oblivion Tour. Although its days as a band were drawing rapidly to a close (Utopia would only issue one more album, 1985's POV), the group sounds in fine form here, as such new tracks as "Cry Baby," "Itch in My Brain," and "Love With a Thinker" turn out to be highlights, as well as such older nuggets as "You Make Me Crazy," "Caravan," and "Last of the New Wave Riders".