The chiming notes of a very Mahavishnu Orchestra sounding guitar open the tension-rich "Fire Mountain" hotly pursued by Theo Travis' intense tenor sax soloing and coruscating axe work from Mike Outram. A change of pace is heard in the title track, beginning slowly but gradually building-up in pace and volume, Outram's fuzzy guitar twinned with Travis' sax comprise the melodic driving force, all underpinned by organ from Pete Whittaker and crackling drums from seasoned percussionist Nic France. The pressure continues to build courtesy of a keen ensemble riff reaching a climax until it dies back into the opening reflective sax-led balledic theme.
‘Discretion’ is the brand new album by pioneering guitar legend Robert Fripp and flautist/saxophonist Theo Travis made available for Bowers & Wilkins Society of Sound in stunning 24 bit high quality digital format. The music follows on from the duo’s previous album releases and combines almost telepathic interplay with a deep understanding of musical texture and space, the building of long slow melodies, and the creation of slowly shifting harmonic soundscapes.
Although the titles to several of the tracks may be the same as those at Broad Chalke, the performance in front of a large audience has a much grander and at times, darker feel, to the previous evening. The difference can be heard almost immediately in the opening track. Whereas, The Apparent Chaos of Stone was a more languorous affair at Broad Chalke, here at Bishop’s Cleeve, Fripp begins to throw some startling curve-balls of pensive guitar after only a few minutes. Given the slow silky tones that makes up much of the opening piece it can be easy to miss some of the detailed interplay that occurs between the two players.
Following on from the previous evening’s performance at Wimborne Minster, Travis & Fripp decamp to Broad Chalke. Around 50 or so people gratefully exchanged the sweltering heat outdoors for All Saints’ cool stone walls and lofty wooden rafters. Working in a productive mixture of agreed areas (such as a key or a “feel”) and complete improvisation, the performance is a delicately tightrope walk between two worlds. Perhaps due to differences of venues, times and the occasion (this was ostensibly a fund-raiser for the local school), the music seemed lighter in tone compared to the more sombre mood struck the previous evening.
The most versatile of the R&B-steeped bar bands that played the club circuit in the Pacific Northwest in the early '60s, Paul Revere & the Raiders at their best somehow managed to merge Spike Jones, King Curtis, James Brown, the Byrds, the Beatles, the Beach Boys, the Kinks, and the Rolling Stones into one rollicking pop pastiche. They also had energy, drive, and ambition, and they knew how – and were willing – to play the game. This three-disc, 66-track set collects all of the singles, both A- and B-sides, the group released for Columbia Records between 1963 and 1975.
This 60 min class is perfect for those days when you are looking for something super sweet, gentle and meditative.
How do you keep that thumb-bass independent so it doesn't get derailed when your fingers pick the melody? Fred Sokolow makes it easy for beginners or intermediate guitarists by breaking it all down and taking each song step by step. First you learn the melody, then add the bass, then add the syncopation that makes it all swing.
A well-rounded, Level 2, 60-minute class led by Travis Eliot, this Vinyasa-style session focuses on strength, super sweaty flow, and cardio. You’ll begin this class in Child’s Pose.