The unprecedented expansion of music in the age of enlightenment
The eighteenth century is probably the most extraordinary period of transformation Europe has known since antiquity. Political upheavals kept pace with the innumerable inventions and discoveries of the age; every sector of the arts and of intellectual and material life was turned upside down.
Nothing like some Scooby-Doo to keep you in the festive mood.Scooby and the gang have their first musical mystery in “Scooby Doo: Song of the Vampire.” It begins when they take a sing-a-long road trip into bayou country to attend the “Vampire-Palooza Festival” – an outdoor fair dedicated to all things Draculian. At first it looks as if they’re in for some fun and lots of Southern snacks, but events soon turn scary when a real live vampire comes to life, bursts from his coffin and threatens all the townsfolk. On top of that, this baritone blood sucker seems intent on taking Daphne as his vampire bride! Could the vampire be a descendant of a famous vampire hunter who is trying to sell his book? Or perhaps he’s the local politician, who has been trying to make his name in the press by attacking the vampires as downright unwholesome. The answers are to be found in a final song-filled showdown in the swamp in which our heroes unmask one of their most macabre monsters yet.
2000 2-CD set featuring 39 classic timeless hits from the millennium including Queen, The Rolling Stones, Peter Gabriel, John Lennon, Paul McCartney & Wings, David Bowie, The Who, Elton John, The Beach Boys, Simon And Garfunkel, Derek & The Dominoes, Prince, U2, Bon Jovi, Blondie, Oasis, Lenny Kravitz, Simple Minds, Supertramp, Dire Straits, Tina Turner, Bob Marley, UB40, Kate Bush, Phil Collins, Roxy Music, Rod Stewart, Bee Gees, Michael Jackson, Abba, Janet Jackson, Diana Ross, Marvin Gaye, Barry White, Pet Shop Boys, George Michael, Massive Attack, Texas.
Nick Saloman of the Bevis Frond once again invites us to join him in the obscure pleasures of little-known pop, R&B, and jazz instrumental sides of the '60s and '70s with this collection. A number of the selections featured on Return of the Instro-Hipsters are so obscure that even Saloman isn't sure just who is responsible for them (though he offers some educated guesses on the artists behind such names as Sharks, Oliver Bone, and the Masked Phantom), but there are a good share of solid grooves and kicky melodies to be found here from a number of gifted little-knowns. If you went to the movies in the '70s, "Soul Thing" by Tony Newman will sound familiar, while flautist Harold McNair solos over a Dave Brubeck-influenced piano groove on "The Hipster," Jerry Allen demonstrates new uses for game calls on "Fuzzy Duck," Thunder Road's synthesized version of "Peter Gunn" beats Art of Noise's variation on the theme by more than 15 years, "The Brooke Bond Beat" by Cliff Adams may be the most swingin' tea commercial ever, and the Outer Limits serve up some tough, moody rock, appropriately titled "Black Boots".
Day of the Dead is an epic tribute to the music and artistry of the Grateful Dead, curated by Aaron and Bryce Dessner of The National. They have brought together some of their favourite musicians to reinterpret the songs and sounds of the Dead for a new generation. 59 tracks and over 5 hours of music makes the album a landmark to get lost in, to discover hidden treasures and to make your own playlists for whatever mood you’re in. Covers by The War On Drugs, Kurt Vile, Bill Callahan, Courtney Barnett, Anohni, Wilco, Mumford & Sons, Unknown Mortal Orchestra, The Flaming Lips, Stephen Malkmus, Cass McCombs, Tim Hecker, Lucinda Williams, Perfume Genius, Fucked Up, Bonnie "Prince" Billy, The Tallest Man On Earth and others.