Special Delivery was 38 Special's 1978 follow up to their self-titled debut. The album features songs that epitomize Southern rock styles ranging from hard rock to Southern boogie and anthemic ballads, like the acoustic guitar-driven "Take Me Back."
38 Special is the first album by the southern rock band, 38 Special, released in 1977 on A&M, their first of many for the label.
It wasn't "Labour Of Lust II", but really what could have been?.
While countless rockers started their careers in the New York suburb of Long Island before going on to worldwide success (Billy Joel, Twisted Sister, Steve Vai, Brian Setzer, Blue Öyster Cult, etc.), there have been countless acts that appeared poised for a breakthrough, but for whatever reason, fell short. Many longtime followers of Long Island-based rock would probably agree that tops on the "woulda/coulda/shoulda" list were the Good Rats, a group who played at some of the East Coast's best-known/biggest venues (Madison Square Garden, Nassau Coliseum, the Philadelphia Spectrum) during the '70s, while opening for such big names as Aerosmith, Ozzy Osbourne, the Grateful Dead, Bruce Springsteen, Kiss, Journey, Heart, Styx, Meat Loaf, and Rush, among others…
From its Nagel cover to the haircuts and overall design – and first and foremost the music – Rio is as representative of the '80s at its best as it gets. The original Duran Duran's high point, and just as likely the band's as a whole, its fusion of style and substance ensures that even two decades after its release it remains as listenable and danceable as ever. The quintet integrates its sound near-perfectly throughout, the John and Roger Taylor rhythm section providing both driving propulsion and subtle pacing.
This box contains 16 Apple Records albums, originally issued between 1968 and 1974. There is also a brand-new single compilation Come And Get It: The Best Of Apple Records. Each original album has been re-mastered and the vast majority features bonus material, as well as new packaging that includes updated notes and visuals.
Emmylou Harris was a little-known singer and songwriter playing the folk circuit in Washington, D.C., when she was discovered by Gram Parsons, who invited her to sing on his solo albums and revealed to the world she had a voice of striking beauty and the talent to use it wisely. After Parsons' death, Harris embarked on a solo career that saw her creating a series of outstanding albums that combined the sound and style of classic country music with a progressive feel that made her one of the best respected artists of her generation. This specially priced box set includes Harris' first five albums for Reprise Records in full, featuring some of her most compelling studio recordings. Included in this set are 1975's Pieces of the Sky, 1975's Elite Hotel, 1977's Luxury Liner, 1978's Quarter Moon in a Ten Cent Town, and 1979's Blue Kentucky Girl.
It's both significant and troubling that Billy Bragg's best albums since releasing Talking with the Taxman About Poetry in 1986 were the two Mermaid Avenue volumes, in which Bragg set Woody Guthrie's unpublished lyrics to new music with Wilco serving as his collaborators and backing band, suggesting that this former one-man band suddenly needed plenty of help to communicate with his audience. Bragg sounded confident and all but unbeatable on his first few albums in the '80s, but political and creative uncertainty have dominated much of his work since then. Which is why Mr. Love & Justice is a pleasant and encouraging surprise – while hardly perfect, it's easily Bragg's best and most consistent solo effort since Don't Try This at Home, and finds him coming to terms with maturity and the changing face of the world, two bugaboos that have been dogging his muse for some time.