Vladimir Fedorovski

(Fr5) Empreintes : Vladimir Cosma, tout pour la musique (2012)  Video

Posted by Morocco at April 6, 2013
(Fr5) Empreintes : Vladimir Cosma, tout pour la musique (2012)

(Fr5) Empreintes : Vladimir Cosma, tout pour la musique (2012)
TNT-Rip by Clo2 | French | 55min | 608 x 344 | 25.000 fps | Avi | MPEG-4 XviD @ 794 Kbps | MP3 @ 112 Kbps | 358 MB
Genre : Documentaire, Musique

La musique de Vladimir Cosma, violoniste et compositeur, a accompagné les plus grands succès du cinéma et de la télévision français de ces trente dernières années, de «Rabbi Jacob» à «Diva», en passant par «La Boum», «Châteauvallon» et «L'Amour en héritage». En novembre 2011, après cinquante ans d'exil, il est revenu en Roumanie, son pays natal, où, durant deux soirées d'exception, il a dirigé l'Orchestre symphonique de Bucarest sur la grande scène de l'Atheneum, salle mythique de la capitale roumaine. Face à la caméra, il se confie, raconte ses souvenirs et laisse percer son émotion en retrouvant les lieux de son enfance.
Robert & Clara Schumann - Lieder - Barbara Bonney & Vladimir Ashkenazy [1997]

Robert & Clara Schumann - Lieder - Barbara Bonney & Vladimir Ashkenazy [1997]
EAC Rip | FLAC, IMG+CUE, LOG | Covers | 1cd, 257 MB
Classical | Label: Decca | Catalog Number: 452898 | TT: 1:11;06

Barbara Bonney's recital of the Schumanns' songs is prefaced, in the booklet-note, with a little feminist homily from the singer defending the reputation of Clara as woman and artist. Clara hardly needs that kind of defence nowadays, witness recent CDs by Skovhus and Stutzmann, plus several others not reviewed in these pages; her songs are far from patronized, let alone neglected. Yet, for all the advocacy of these singers, her inspiration remains for me intermittent, though thoroughly conventional songs are occasionally leavened by notably individual ones, such as, here, her very last and unpublished song, Loreley, which vividly conjures up that dangerous creature, particu lady in the hectic piano part, evocatively played by Ashkenazy. Indeed it seems that Heine most inspired her, as "Sic liebten sich beide" from her Op. 13 provoked a setting of economically intense meaning, to which Bonney finely responds.
– Gramophone [9/1997].
The Models of Space, Time and Vision in Vladimir Nabokov's Fiction: Narrative Strategies and Cultural Frames (Tartu Semiotics L

The Models of Space, Time and Vision in Vladimir Nabokov's Fiction: Narrative Strategies and Cultural Frames (Tartu Semiotics Library) by Marina Grishakova
English | Dec. 2, 2006 | ISBN: 9949113067 | 323 Pages | PDF | 1 MB

Because of his rejection of socio-political engagement, Vladimir Nabokov is often regarded as a virtuouso artist of the ivory-tower variety, aloof from the contemporary march of the minds. Marina Grishakova's book, however, points to the relationship between his narrative techniques and some of the scientific, metaphysical, and ethical ideas on the inner agenda of the twentieth century. It connects Nabokov's handling of time, space, and perspective in his fiction with the philosophical models constructed by his contemporaries, also showing in what ways he may have been ahead of his time.
Josef Suk by Helsinki Philharmonic Orchestra under Vladimir Ashkenazy - Asrael (2009) [Digital Download 24bit/96kHz]

Josef Suk performed by Helsinki Philharmonic Orchestra under Vladimir Ashkenazy - Asrael (2009)
FLAC tracks 24bit/96kHz | Front Cover | 1.11GB + 5% Recovery
Studio Master, Official Digital Download, Ondine

Along with the increasing frequency that Josef Suk's Symphony in C minor, Op. 27, "Asrael," is performed and recorded, it's great to see it has finally been released as a hybrid SACD. Though the legendary 1952 recording by Vaclav Talich remains the ne plus ultra for devotees of this searing symphonic requiem, it was recorded in mono, and by virtue of its technology has become a historical document that will be sought out mostly by aficionados. Newcomers to Suk's towering work will be aided in appreciation by the fact that Ondine's DSD recording is as clear and deep as always, and none of the details of the elaborate score are lost.

Artist Vladimir Proklov  Graphics

Posted by ringman at Jan. 12, 2017
Artist Vladimir Proklov

Artist Vladimir Proklov
13 JPG | ~1270x1500 | 12.6 Mb

New works Vladimir Kush  Graphics

Posted by ringman at Jan. 12, 2017
New works Vladimir Kush

Art by Vladimir Kush
230 JPG | ~700x1200 | 34.5 Mb
Vladimir Kush is a Russian-born surrealist painter and sculptor

Vladimir Jankélévitch: The Time of Forgiveness  eBooks & eLearning

Posted by ksveta6 at Jan. 9, 2017
Vladimir Jankélévitch: The Time of Forgiveness

Vladimir Jankélévitch: The Time of Forgiveness (Perspectives in Continental Philosophy (FUP)) by Aaron T. Looney
2015 | ISBN: 0823262960 | English | 400 pages | PDF | 3 MB
Esther Yoo & Vladimir Ashkenazy - Sibelius & Glazunov: Violin Concertos (2016) [TR24][OF]

Esther Yoo & Vladimir Ashkenazy - Sibelius & Glazunov: Violin Concertos
Classical | FLAC (tracks) 24-bit/96 kHz | 66:57 min | 1.14 GB | Front Cover
Label: Deutsche Grammophon | Tracks: 08 | Rls.date: 2016

Vladimir Ashkenazy collaborates with Esther Yoo in a new recording of Sibelius and Glazunov Violin Concertos with the Philharmonia Orchestra. Yoo first came to international attention in 2010 when, aged 16, she became the youngest prize-winner of the 10th International Sibelius Violin Competition. She made her London debut in 2014, performing Mozart's Violin Concerto No. 3 under the late Lorin Maazel at Royal Festival Hall. That same year, she was a soloist on the Philharmonia’s South America tour under Ashkenazy.
Vladimir Ashkenazy, Itzhak Perlman, Lynn Harrell - Beethoven: Piano Trios, Vol.1 (2003) (Repost)

Vladimir Ashkenazy, Itzhak Perlman, Lynn Harrell - BeethovenЖ Piano Trios, Vol.1 (2003)
EAC | FLAC (image+.cue, log) | Covers Included | 02:11:50 | 529 MB
Genre: Classical | Label: EMI classics | Catalog: 7243585493

If these performances of Beethoven's earlier Piano Trios by Itzhak Perlman, Vladimir Ashkenazy, and Lynn Harrell are suave and sophisticated with a soupçon of sentimentality, well, that's what modern performance practice was like in the '80s. And if that sounds like an appealing manner in which to perform Beethoven's earlier Piano Trios, this is the recording to hear. Perlman, Ashkenazy, and Harrell lean into Beethoven's music, singing everything grandly, sounding everything gloriously, and souping everything up completely. One might argue that Beethoven's Piano Trios, Op. 1, are too Viennese High Classical to respond well to their approach, that the works seem more maimed and mauled then persuasively performed, but one cannot deny that Perlman, Ashkenazy, and Harrell put every iota of their expressivity and virtuosity into their overpowering performances. EMI's early digital sound has been pleasantly remastered for this CD reissue.
Tchaikovsky - The Nutcracker (Nadja Saidakova, Vladimir Malakhov) (1999)

Tchaikovsky - The Nutcracker (Nadja Saidakova, Vladimir Malakhov) (1999)
PAL 16:9 (720x576) VBR | (LinearPCM, 2 ch) | (Dolby AC3, 6 ch) | 6.23 Gb (DVD9) | 118 min
Classical | Opus Arte

P. I. Tchaikovsky is considered to be Russia’s great symphonic composer. In his music he achieved a synthesis of the national musical language of Russia and the compositional forms of the western European Romantics. His most famous ballets enjoy a position of honor in the Classical Ballet repertoire on account of their melodic intensity and instrumental brilliance. In the fairy tale “The Nutcracker and the King of the Mice” written by the German Romantic E. T. A. Hoffmann and published in 1814, on which Tchaikovsky’s ballet is based, Christmas provides the realistic setting for a fantastic plot. Fiction and reality are woven together by means of strange and wondrous occurrences to produce a fascinating and unfathomable labyrinth. Both Hoffmann and Tchaikovsky, who began to compose the ballet in his fiftieth year, could identify with the literary figure of the watchmaker Drosselmeier, who gives order to his life through his work. In 1999, exactly 107 years – to the day – after the first performance in St. Petersburg, Patrice Bart’s choreography of Tchaikovsky’s worldwide success The Nutcracker was premiered at the Staatsoper Unter den Linden in Berlin. Bart placed a prologue before the ballet in which Marie is abducted as a child and in which everything is placed in a modern context.