Au tournant du XIXe et du XXe siècle, Raspoutine traversa la vaste scène de l'histoire russe en jouant simultanément les rôles de séducteur, de mystique, de gourou et d'homme d'Etat. …
The 1981 Jean-Jacques Beineix film Diva is a dizzying cornucopia of delights, with a strong sense of urban cool and a cast of characters whose alternating detachments and obsessions hint at the legacy of pain and loneliness that helped form them. Its score, composed by Vladimir Cosma, is inseparable from the film, which, after all, is about music itself, and the ways that it links to desire and longing. From the beautiful arias of Wilhemina Wiggins Fernandez (who plays an opera singer in the film) to the eerie, achingly beautiful instrumental pieces composed by Cosma to set the mood for images of rain-slicked streets, Taiwanese music pirates, teenaged Vietnamese thieves, jaded middle-aged art sages, motorbikes and car chases, the score for Diva remains one of Cosma's masterpieces, a perfect companion to a film that became an international underground hit.
Rachmaninov's opus 1, his first piano concerto, deserves to be heard more often. The opening bars have that heroic sound that raises the hair on the back of the neck. Indeed those first moments rank alongside those of the Grieg and Tchaikovsky piano concertos for their ability to thrill. Ashkenazy's breathtaking playing on a superb piano is matched by that of the Concertgebouw Orchestra under Haitink's direction.
This recording contains Einojuhani Rautavaara’s Third Piano Concerto "Gift of Dreams" (1998), featuring Vladimir Ashkenazy as soloist and conductor of the Helsinki Philharmonic Orchestra. Ashkenazy commissioned this work as a concerto which he could conduct while playing the solo part. Having performed the world première, he here delivers the concerto’s first recording.
Both accomplished soloists with impressive international careers, violinist Judith Ingolfsson and pianist Vladimir Stoupel began their successful collaboration in 2006. The duo devotes themselves to the discovery and performance of uncommon repertoire.