Wolfgang Amadeus Mozart Piano Concerto

Marc-Andre Hamelin - Wolfgang Amadeus Mozart: Piano Sonatas (2015) 2CD

Marc-André Hamelin - Wolfgang Amadeus Mozart: Piano Sonatas (2015) 2CD
EAC | FLAC | Image (Cue&Log) ~ 422 Mb (incl 5%) | Mp3 (CBR320) ~ 375 Mb (incl 5%) | Scans included
Genre: Classical | Label: Hyperion | # CDA68029 | Time: 02:34:32

Even though Marc-André Hamelin is world-renowned for his astonishing virtuosity and a massive repertoire of the most demanding piano works, including those of Scriabin, Godowsky, and Sorabji, he has startled many with his sudden turn toward the placid domain of Classical music. First came his critically acclaimed recordings of Franz Joseph Haydn's keyboard sonatas, which were surprise best-sellers for Hyperion, and here he offers a double-CD of the piano sonatas of Wolfgang Amadeus Mozart, with a handful of short pieces to round out the discs. Since Hamelin's fine reputation precedes him, suffice it to say that these are among the most meticulously played and wittily interpreted renditions of these pieces ever recorded. Even though Mozart's sonatas are tamer than the showpieces of pianistic derring-do normally associated with Hamelin, they are endlessly fascinating for their skillfully crafted details, subtle phrases, and elegant expressions. Since the issue isn't how Hamelin manages all the notes, but instead how he shapes them into such entertaining and moving performances, there is much food for thought in this album, and anyone who attentively follows his playing will find a deeper appreciation of Mozart. Highly recommended.

Wolfgang Amadeus Mozart – Piano Concertos 22 & 24 (2009)  Music

Posted by d'Avignon at April 6, 2013
Wolfgang Amadeus Mozart – Piano Concertos 22 & 24 (2009)

Wolfgang Amadeus Mozart – Piano Concertos 22 & 24 (2009)
Classical/1st Viennese School | FLAC lossless | cuesheets+log | covers+booklet | 59m48s | 239mb
Label: Naïve | cat. no. V5184
Noriko Ogawa - Wolfgang Amadeus Mozart: Piano Sonatas Nos. 10-12 (K 330-332) (2012)

Noriko Ogawa - Wolfgang Amadeus Mozart: Piano Sonatas Nos. 10-12 (K 330-332) (2012)
EAC | FLAC | Image (Cue&Log) ~ 258 Mb (incl 5%) | Mp3 (CBR320) ~ 184 Mb (incl 5%) | Scans included
Genre: Classical | Label: BIS | # BIS-SACD-1985 | Time: 01:16:00

While its unpretentious cover photo and small text don't proclaim it as an important recording, Noriko Ogawa's 2012 SACD of Mozart piano sonatas is the kind of sleeper album that quietly asserts its value and convinces purely through the beauty of the music. The three piano sonatas presented here also have that kind of unassuming quality. Mozart composed them as teaching pieces, suitable for players of modest skills, yet they have become extremely popular and rank among his best loved works. Ogawa plays them with a light touch that suits their simplicity, and her interpretations of K. 330, K. 331 (famous for its Rondo alla Turca), and K. 332 are transparent and almost naïve, but for the subtlety of attack, balanced phrasing, and shaded dynamics that reveal her artistry. BIS provides nearly ideal sound quality for Ogawa, offering clean reproduction and reasonably close microphone placement that make listening effortless.
Wolfgang Amadeus Mozart: Piano Concertos No. 21 & 23 (CLASSICAL GOLD: CD 45/50) APE

Wolfgang Amadeus Mozart: Piano Concertos No. 21 & 23
Classical Gold: CD 45/50 | APEs | 201 Mb
Genre: Classical | ES, FF
Wolfgang Amadeus Mozart: Selected Concerto (CLASSICAL GOLD: CD 30/50) APE

Wolfgang Amadeus Mozart: Selected Concerto
Classical Gold: CD 30/50 | APEs | 302 Mb
Genre: Classical | ES, FF
Walter Gieseking - Wolfgang Amadeus Mozart: Complete Solo Piano Works (1990) 8 CD Box Set

Walter Gieseking - Wolfgang Amadeus Mozart: Complete Solo Piano Works (1990)
EAC | FLAC | Image (Cue&Log) ~ 1.35 Gb (incl 5%) | Mp3 (CBR320) ~ 1.27 Gb (incl 5%) | Scans ~ 34 Mb
Genre: Classical | Label: EMI Classics Références | # 7 63688 2 | Time: 09:01:53

The contents of the EMI box are too numerous to list but all the sonatas, variations, and most short pieces are here: absent is the London Sketchbook, which is trite juvenalia.
Maria João Pires, Claudio Abbado - Mozart: Piano Concertos Nos. 17 & 21 (1995) (Repost)

Maria João Pires, Claudio Abbado - Mozart: Piano Concertos Nos. 17 & 21 (1995)
EAC | FLAC (image+.cue, log) - 262 MB | MP3 (CBR 320 kbps) - 178 MB | Covers + Digital Booklet | 56:24
Genre: Classical | Label: Deutsche Grammophon | Catalog: 439941

This work is very hard to characterize emotionally, but it sighs and it sings enigmatically. Surprisingly, so many performances are very straightforward, never capturing these soulful, longing qualities that almost approach reverie at times. Not so this time. The interplay here is amazing, Pires' delicate approach is ideal for this music, and the conducting is elastic in that "Furtwanglerian" way. But don't get the impression this is bloated, Romantic Mozart…it's not. (Maybe Furtwangler wasn't the right name to evoke after all.
Maria João Pires, Wiener Philharmoniker, Claudio Abbado - Mozart: Piano Concertos Nos. 14 & 26 (1993)

Maria João Pires, Wiener Philharmoniker, Claudio Abbado - Mozart: Piano Concertos Nos. 14 & 26 (1993)
EAC | FLAC (image+.cue, log) - 241 MB | MP3 (CBR 320 kbps) - 149 MB | Covers + Digital Booklet | 52:00
Genre: Classical | Label: Deutsche Grammophon | Catalog: 4375292

Maria-Joào Pires has recorded these concertos before, for Erato, and this experience shows in assured playing. In K449 I find the sound of the Vienna Philharmonic, recorded in Vienna's Musikverein, too big: the string section seems large and the hall over-reverberant. Furthermore, the piano sounds plummy, and even those who dislike the fortepiano may question its suitability. With these reservations, one can enjoy Pires's deft and sensitive performance, without strong individuality but offering consistent intelligence, and the brisk finale shows her and Abbado at their best. Even so, this is a romanticized slow movement; the gooey orchestral sound does not help, but the pianist is also partly responsible in a way that I have sometimes noted in her performances of Mozart's sonatas.
Radu Lupu, Murray Perahia, English CO - Wolfgang Amadeus Mozart: Concertos for Two and Three Pianos (1991)

Wolfgang Amadeus Mozart - Concertos for Two and Three Pianos (1991)
Radu Lupu, piano; Murray Perahia, piano; English Chamber Orchestra

EAC | FLAC | Image (Cue&Log) ~ 242 Mb (incl 5%) | Mp3 (CBR320) ~ 155 Mb (incl 5%) | Scans included
Genre: Classical | Label: Sony Classical | # SK 44 915 | Time: 01:02:09

Radu Lupu and Murray Perahia should have recorded all of Mozart's piano music for four hands, which includes several neglected masterpieces. This disc reflects their ideal partnership, two artists of great sensitivity collaborating in performances that feature constant interplay of parts, alertness to each other's work, and superb playing as individuals. The Concerto for Two Pianos ripples along without a care in the world, just as it should, and the English Chamber Orchestra doesn't seem to care that nobody is conducting it. The pieces without orchestra are a bit less significant (as is the Concerto for Three Pianos), but the playing is so beautiful you won't care.
Mozart - Double Concerto; Chick Corea & Friedrich Gulda - Compositions (1995)

Mozart - Double Concerto; Chick Corea & Friedrich Gulda - Compositions (1995)
Concertgebouw Orchestra, conducted by Nikolaus Harnoncourt; Chick Corea & Friedrich Gulda, piano

EAC | FLAC | Image (Cue&Log) ~ 195 Mb (incl 5%) | Mp3 (CBR320) ~ 144 Mb (incl 5%) | Scans included
Genre: Classical | Label: Teldec | # 2292-42988-2 | Time: 00:47:09

Believed to have been composed between August 1775 and January 1777, the Concerto In E Flat Major for two pianos technically counts as being the tenth of Mozart's twenty-seven concertos, that huge and prodigious body that would set the standards for all piano concertos from Mozart's time forward. Although it is not performed with the same frequency as his later works (especially the final eight concertos, 20-27), this "Double" piano concerto, believed to have been composed by Mozart for performance by him and his sister Maria Anna ("Nannerl"), is nevertheless a fascinating experiment of Mozart's, one that requires a pair of solid keyboard virtuosos to do (and for the composer's Seventh piano concerto, you needed three soloists). Fortunately on this 1984 Teldec recording, we have the required two keyboard virtuosos, both of whom come from very divergent musical backgrounds. Austrian-born pianist Friedrich Gulda came from a classical music background and began exploring jazz later on in his life; while Chick Corea is one of the best-known pianists in American jazz music, and, like fellow jazz musicians Wynton Marsalis and Herbie Hancock, developed a great feel for classical music.