This is the tenth volume in the Dacapo's acclaimed series of the complete symphonies by W.A. Mozart, recorded by the Danish National Chamber Orchestra and their renowned Austro-Hungarian chief conductor Adam Fischer.
Mozart complete! Seven years of work with W.A. Mozart’s symphonies come to completion with this monumental release, containing 45 symphonies, including eight unnumbered youth works.
This set of Annie Fischer’s complete EMI recordings represent her during a particular decade, when she had made her European reputation. These recordings helped spread that reputation and increased her prominence among pianists. As studio recordings, they form an unusual part of Fischer’s legacy – during most of her time as a performer, she avoided recording studios as she did not believe in playing in a studio without the presence of an audience. She shared this view with her eminent colleague Sviatoslav Richter, who said of her, ‘Annie Fischer is a great artist, imbued with a spirit of greatness and genuine profundity.
Mozart complete! Seven years of work with Mozart’s symphonies come to completion with this monumental release of 45 symphonies, including eight unnumbered youthful works. Strongly influenced by historical performance practice, but with modern instruments and in fantastic sound quality, the Danish National Chamber Orchestra and their Austro-Hungarian chief conductor Adam Fischer make Mozart’s music sound more vital and inventive than ever.
In 1964 Deutsche Oper Berlin still had no General Music Director. But Artistic Director Gustav Rudolf Sellner made a virtue out a necessity and – in addition to the permanent conductor Heinrich Hollreiser and the regular guest conductor Karl Böhm – brought in further conductors from home and abroad for individual productions. For Don Carlos he invited Wolfgang Sawallisch, who since 1957 had been making a name for himself at the Bayreuth Festival, above all with Tannhäuser and the Flying Dutchman and since 1960 had been acting General Music Director in Hamburg. He had at his disposal an ensemble of outstanding soloists…
This CD is an exhilarating and important new contribution to the romantic cello literature. Manuel Fischer-Dieskau is the son of Dietrich Fischer-Dieskau and the cellist Irmgard Poppen and has made a genuine rediscovery here. These works were only found recently.