Elmore Leonard's brittle novel is brought to the screen in this adaptation by director Abel Ferrara and screenwriter James Borrelli. Peter Weller plays George Moran, a Miami hotel owner who in times past fought in Santo Domingo during the American intervention into that country. George finds himself drawn back to Santo Domingo to try to find a woman who had given him the moniker of Cat Chaser. Instead of the woman he is looking for, George finds Mary (Kelly McGillis), and as it comes to all men, George ends up having a passionate affair with Mary – so passionate, in fact, that Mary announces to her husband Andres (Tomas Milian) that their marriage is over. Unfortunately for Mary and George, Andres, who at one point in the past was the head of the Santo Domingo secret police, has other ideas concerning the dissolution of their marriage.
In a way, this is the veteran duo's version of Fathers and Sons, a meeting of old black bluesmen with young white admirers that Muddy Waters and Otis Spann cut with Mike Bloomfield and Paul Butterfield…
"Take My Time" is the debut album by UK pop singer Sheena Easton. Released in January 1981, the album reached #17 in the UK and earned her a Gold Disc. Two months later, a ten track version of the album was released in the USA and Canada as "Sheena Easton". The album went Gold in the USA and Platinum in Canada.
1980 and 1981 release by Thelma Houston on one CD. Breakwater Cat - Suspicious Mind, Down The Backstairs Of My Life, Understand Your Man, Lost And Found, Something We May Never Know, Breakwater Cat, Long Lasting Love, Before There Could Be Me, Gone, What Was That Song. Never Gonna Be Another One - Never Give You Up, Too Many Teardrops, Tears, There's No Runnin Away From Love, Never Gonna Be An Another One, If You Feel It, Don't Make Me Over, Hollywood.
This disc is supposed to hurt. Just look at the program: it starts with Crumb's Black Angels for electric string quartet, a work that is the aural equivalent of Coppola's Apocalypse Now, and ends with Shostakovich's String Quartet No. 8, a work that is either the aural equivalent of a monument to the victims of war and fascism written in the ruins of Dresden or the musical equivalent of a suicide note written before the composer joined the Communist Party. With the spooky and evocative performances of Thomas Tallis Spem in Alium, Istvan Marta's Doom. A Sigh, and Charles Ives' There They Are!, this disc is so painful it could be the soundtrack for an unmade Kubrick movie. The question is, is this disc supposed to hurt so much? The Kronos Quartet is a harsh and aggressive ensemble with an angular approach to rhythm and structure and an overwhelming need to assert its individual and collective identity.