EJECTA is the story of two men who witness an unexplainable event in the atmosphere on the eve of a historic solar storm and must survive a terrifying life form that's hunting them. An anonymous group will stop at nothing to unearth the truth behind what happened that night to the men and prove to the world that we were never alone in the universe.
EJECTA is the story of two men who witness an unexplainable event in the atmosphere on the eve of a historic solar storm and must survive a terrifying life form that's hunting them.
Michael Gira claims that Swans' The Seer took 30 years to make: "it's the culmination of every previous Swans album as well as any other music I've ever made, been involved in or imagined." This is not hyperbole. Two years after My Father Will Lead Me Up to a Rope to the Sky, The Seer is the most sprawling, ambitious, thoughtfully conceived and tightly performed recording in the band's catalog – also not hyperbole – over two discs, two hours, and 11 tracks. And it is not an endurance test, but an argument for compulsive listening. It's an exquisitely wrought journey through post-rock, electronic soundscapes, haunting acoustic songs, punishing noise, and (lots of) percussion.
Montreal mother and daughter, who have always shared a passion for music, take their partnership to the next level with a new album. Dreamers is a delight. The globe-trotting, stylistically voracious collection of duets is a tribute to the pair’s varied influences, from the breezy Quantas Voltas Dá Meu Mundo, by Brazil’s Djavan; to the mischievously twisted Somebody, by late American jazz saxophonist Steve Lacy; Valser en mi Bémol, by Quebec’s Catherine Major; classical great Benjamin Britten’s Corpus Christi; and Turkish treat Ben Seni Sevdugumi, by the late Kazim Koyuncu.