Erstwhile 10,000 Maniacs frontwoman Natalie Merchant continues her highly successful solo career with LIVE IN CONCERT, a show that was recorded at New York's Neil Simon Theater. The set opens, somewhat appropriately, with one of the songs that got Merchant's solo career off to a blazing start, "Wonder." As she usually does in live performance, Merchant plays with the lyrical phrasing of the song to add unexpected melisma and daring tonal gambits. Merchant lends the dark and ephemeral "San Andreas Fault" a lightly sultry quality not found on the studio version. Other familiar favorites include "Beloved Wife," "Carnival," and "Ophelia." Merchant revisits the Maniacs' catalog only once, for a rousing take on "Gun Shy." Two unexpected covers spice the middle of the set: a haunting and powerful reading of David Bowie's "Space Oddity," and a beautiful take on Neil Young's "After the Gold Rush".
While his tenure as the frontman for the legendary Roxy Music remained his towering achievement, singer Bryan Ferry also carved out a successful solo career that continued in the lush, sophisticated manner perfected on the group's final records.
Let Us Burn – Elements & Hydra Live in Concert (or simply Let Us Burn) is a live album, DVD and Blu-ray Disc from Dutch symphonic metal band Within Temptation. It was scheduled to be released in November, 2014…
On January 20, 1973, Freddie King and a tight quartet performed at a TV studio in Dallas, Texas. "It was humming in there," recalls director Jim Rowley. "Absolutely cooking." King was 38 and enjoying what he called "the Fillmore circuit" in America as well as the adulation of throngs (including adoring rock stars) in Europe, especially England.
A live performance from the band from Paris in 1970,(2 tracks appeared on the Vol 1 DVD) but now you get the whole thing from the intoduction,to the set opener (at the time) 'Paranoid' into 'Hand of Doom','Iron Man','Black Sabbath','NIB','Behind the Wall of Sleep','War Pigs' and finally 'Fairies Wear Boots'.
It is 13 CDs dedicated to some of the most beautiful pages of the concertos for violin and orchestra, ranging from the age 'Baroque to the Romantic period, the first half of the twentieth century, as if to emphasize the unsurpassed expressive ductility of this Polish Master, naturalized Mexican . His performances range from Bach to Bartok, Beethoven and Berg, Brahms and Lalo, from Mendelssohn to Mozart, Paganini to Ravel, Saint-Saens by Khachaturian, from Tchaikovsky to Vivaldi, and so on.
Tony Bennett's career has enjoyed three distinct phases, each of them very successful. In the early '50s, he scored a series of major hits that made him one of the most popular recording artists of the time. In the early '60s, he mounted a comeback as more of an adult-album seller. And from the mid-'80s on, he achieved renewed popularity with generations of listeners who hadn't been born when he first appeared. This, however, defines Bennett more in terms of marketing than music.