Abbado

Evgeny Kissin, Berlin Philharmonic Orchestra, Claudio Abbado - Prokofiev: Piano Concertos Nos. 1 & 3 (1994)

Evgeny Kissin, Berlin Philharmonic Orchestra, Claudio Abbado - Prokofiev: Piano Concertos Nos. 1 & 3 (1994)
EAC | FLAC (image+.cue, log) | Covers Included | 00:42:27 | 177 MB
Genre: Classical | Label: Deutsche Grammophon | Catalog: 439898

The young Kissin was able to work wonders in Prokofiev–above all the Sixth Sonata (Kissin in Tokyo - Yevgeny Kissin). Regrettably, the mature Kissin recently delivered highly disappointing live performances of the Second and Third Concertos (Prokofiev: Piano Concertos Nos. 2 & 3), indeed, regardless of the predictable rave in the British press. This 1994 recording of the First and Third Concertos is unquestionably very good, especially the youthful First, although competition is very strong–from Graffman/Szell (Prokofiev: Piano Concertos Nos. 1 & 3) and Argerich/Dutoit (Prokofiev: Piano Concertos Nos. 1 & 3 / Bartok: Piano Concerto No. 3) in this coupling, and from the complete sets by Berman/Gutierrez/Järvi, Toradze/Gergiev and Krainev/Kitaenko.
Mahler - Symphony No. 5 (Claudio Abbado, Chicago Symphony Orchestra) (2003) {Deutsche Grammophon}

Mahler - Symphony No. 5 (Claudio Abbado, Chicago Symphony Orchestra) (2003)
EAC Rip | (tracks+.cue, log) | Booklet | 328 mb | MP3 CBR 320kbps | RAR | 188 mb
Classical | Label: Deutsche Grammophon / 474 169 - 2

Claudio Abbado was an Italian conductor. One of the most celebrated and respected conductors of the 20th century, particularly in the music of Gustav Mahler, he served as music director of the La Scala opera house in Milan, principal conductor of the London Symphony Orchestra, principal guest conductor of the Chicago Symphony Orchestra, music director of the Vienna State Opera, founder and director of Lucerne Festival Orchestra, music director of European Union Youth Orchestra and principal conductor of the Berlin Philharmonic orchestra.

Rossini - Tancredi (Roberto Abbado) [2012/1995]  Music

Posted by Vilboa at Dec. 26, 2016
Rossini - Tancredi (Roberto Abbado) [2012/1995]

Rossini - Tancredi (Roberto Abbado) [2012/1995]
Classical | Sony 88697985992 | TT: 73.52+67.20+67.33 | EAC (flac, cue, log) | Covers | 763 Mb

The splendidly florid music, and amazing opportunities for bel canto vocalism make up for it. This recording, using the critical edition, is outstanding on the vocal front. The stunning Bulgarian mezzo-soprano Vesselina Kasarova has a rich, full tone and clean, accurate runs. She is well partnered by Eva Mei, whose bright but effective soprano carries a good characterization of a dramatically rather thankless role. Tenor Ramon Vargas nails his coloratura and possesses a ringing tone. They are well supported by the secondary principals, Muenchen Rundfunkorchester and the men of the Chor des Bayerischen Rundfunks, all superbly conducted by Roberto Abbado. As an added bonus, the listener can choose between the original happy ending and the dramatically more viable tragic conclusion with which Rossini later revised the opera. –Sarah Bryan Miller

Rossini - Mose in Egitto (Roberto Abbado) (2012) [Full Blu-ray]  Music

Posted by Vilboa at Sept. 18, 2014
Rossini - Mose in Egitto (Roberto Abbado) (2012) [Full Blu-ray]

Rossini - Mosè in Egitto (Roberto Abbado) (2012)
BluRay | BDMV | MPEG-4 AVC Video / 28683 kbps / 1080i / 29,970 fps | 150 min | 43,2 GB
Audio1: Italian / LPCM Audio / 2.0 / 48 kHz / 2304 kbps / 24-bit
Audio2: Italian / DTS-HD MA 5.1 / 48 kHz / 3857 kbps / 24-bit (DTS Core: 5.1 / 48 kHz / 1509 kbps / 24-bit)
Classical | OPUS ARTE | Sub: English, Francais, Deutsch

This thought-provoking, modern-day interpretation of Rossini’s “Mosè in Egitto” sets the scene for superior music-making at the prestigious Rossini Festival in Pesaro. For conductor Roberto Abbado, the transposition of the action to the present day releases the energy of Rossini’s music. At his disposal is a cast of top-quality vocalists such as the “refined bel canto artist” (Bresciaoggi) Sonia Ganassi as Elcia, and the “outstanding” Dmitry Korchak as the Pharaoh’s son, two lovers fatefully drawn into the political turmoil and catastrophes of their time. Also among the protagonists are the “thoroughly brilliant” (DeutschlandRadio Kultur) baritone Alex Esposito as Faraone and, in his Rossini Festival debut, young, full-bodied bass Riccardo Zanellato as Moses. Conductor Roberto Abbado “inspired his musicians to deliver a spectacular performance” (Salzburger Nachrichten).

Rossini - Zelmira (Roberto Abbado) (2012) [Blu-Ray]  Music

Posted by Vilboa at Aug. 12, 2014
Rossini - Zelmira (Roberto Abbado) (2012) [Blu-Ray]

Rossini - Zelmira (Roberto Abbado) (2012) [Blu-Ray]
BluRay | BDMV | MPEG-4 AVC Video / 1080i / 29,970 fps | 192 min | 41,9 Gb
Audio1: Italian / LPCM Audio / 2.0 / 24-bit | Audio2: DTS-HD Master Audio / 5.1 / 48 kHz / 24-bit

BluRay-rip | AVC | MKV 1920x1080 / 6215 kbps / 29,97 fps | 192 min | 10,4 Gb
Audio: Italian / DTS / 6ch / 48.0 KHz / 24-bit
Classical | DECCA | Sub: English, French, German, Italian, Spanish

Juan Diego Flórez stars in the only available blu-ray version of Zelmira, filmed at the celebrated Rossini Festival in the composer s home town of Pesaro. The final opera Rossini wrote for Naples is a dramatic and musical tour de force and a magnificent showcase for the bel canto superstar of our time. Recorded in high definition at the 2009 Festival, Giorgio Barberio Corsettis production places the classical tale, set during the Trojan Wars, in modern times and modern dress. Joining Juan Diego Flórez are a major international cast, described as near miraculous by Opera Today and led by American mezzo-soprano Kate Aldrich in the virtuosic title role. The evening remained another distinguished triumph for Juan Diego Flórez as Prince Ilo, whose arrival in his homeland, to rescue Zelmira, was marked by a dazzling tenorial display which evoked a nearly twenty-minute ovation (Opera Today) .
(Arte) Claudio Abbado - Entendre le silence, esquisses pour un portrait (2014)

(Arte) Claudio Abbado - Entendre le silence, esquisses pour un portrait (2014)
TNT-Rip by Clo2 | French | 59min | 720 x 576 | 25.000 fps | MP4 | AVC High@L3.1 @ 700 Kbps | AAC @ 128 Kbps | 351 MB
Genre : Documentaire, Musique

Chef d'orchestre exceptionnel, Claudio Abbado est mort le 20 janvier dernier, à l'âge de 80 ans. Il fut pendant douze ans à la tête de l'Orchestre philharmonique de Berlin. Paul Smaczny, qui l'a longuement filmé, avait réalisé en 2003 un émouvant portrait de ce grand musicien.
Schubert - Fierrabras, D. 796 (Claudio Abbado; Arnold Schoenberg Chor; The Chamber Orchestra of Europe) [1991/2004]

Schubert - Fierrabras, D. 796 (Claudio Abbado; Arnold Schoenberg Chor; The Chamber Orchestra of Europe) [1991/2004]
EAC Rip | FLAC, IMG+CUE, LOG | Covers | 2cd, 676 MB
Classical | Label: Deutsche Grammophon | Catalog Number: 427 341-2 | TT: CD1`68:26, CD2`75:27

Fierrabras is a three-act German opera with spoken dialogue written by the composer Franz Schubert in 1823, to a libretto by Josef Kupelwieser, the general manager of the Theater am Kärntnertor (Vienna's Court Opera Theatre). Along with the earlier Alfonso und Estrella, composed in 1822, it marks Schubert's attempt to compose grand Romantic opera in German, departing from the Singspiel tradition.
Maria João Pires, Claudio Abbado - Mozart: Piano Concertos Nos. 17 & 21 (1995) (Repost)

Maria João Pires, Claudio Abbado - Mozart: Piano Concertos Nos. 17 & 21 (1995)
EAC | FLAC (image+.cue, log) - 262 MB | MP3 (CBR 320 kbps) - 178 MB | Covers + Digital Booklet | 56:24
Genre: Classical | Label: Deutsche Grammophon | Catalog: 439941

This work is very hard to characterize emotionally, but it sighs and it sings enigmatically. Surprisingly, so many performances are very straightforward, never capturing these soulful, longing qualities that almost approach reverie at times. Not so this time. The interplay here is amazing, Pires' delicate approach is ideal for this music, and the conducting is elastic in that "Furtwanglerian" way. But don't get the impression this is bloated, Romantic Mozart…it's not. (Maybe Furtwangler wasn't the right name to evoke after all.
Maria João Pires, Wiener Philharmoniker, Claudio Abbado - Mozart: Piano Concertos Nos. 14 & 26 (1993)

Maria João Pires, Wiener Philharmoniker, Claudio Abbado - Mozart: Piano Concertos Nos. 14 & 26 (1993)
EAC | FLAC (image+.cue, log) - 241 MB | MP3 (CBR 320 kbps) - 149 MB | Covers + Digital Booklet | 52:00
Genre: Classical | Label: Deutsche Grammophon | Catalog: 4375292

Maria-Joào Pires has recorded these concertos before, for Erato, and this experience shows in assured playing. In K449 I find the sound of the Vienna Philharmonic, recorded in Vienna's Musikverein, too big: the string section seems large and the hall over-reverberant. Furthermore, the piano sounds plummy, and even those who dislike the fortepiano may question its suitability. With these reservations, one can enjoy Pires's deft and sensitive performance, without strong individuality but offering consistent intelligence, and the brisk finale shows her and Abbado at their best. Even so, this is a romanticized slow movement; the gooey orchestral sound does not help, but the pianist is also partly responsible in a way that I have sometimes noted in her performances of Mozart's sonatas.
Maria João Pires, Claudio Abbado - Schumann: Piano Concerto, Piano Quintet (2000)

Maria João Pires, Claudio Abbado - Schumann: Piano Concerto, Piano Quintet (2000)
XLD Rip | FLAC (tracks+.cue, log) - 249 MB | MP3 (CBR 320 kbps) - 150 MB | Covers Included | 01:02:03
Genre: Classical | Label: Deutsche Grammophon | Catalog: 463179

Deutsche Grammophon has another excellent Schumann Concerto in its catalog, the Pollini/Abbado, with the Berlin Philharmonic, coupled with a good but not great Schoenberg Piano Concerto. Not surprisingly, Pollini is more muscular and evenly balanced in the Schumann, even if he is, as usual, a bit straitlaced. Pires is always the sensitive and probing artist, or so it seems. Here, she is alert from the opening descending chords to the expressive potential in every bar. She puts much more thinking and feeling in her interpretation than Pollini and most others I've heard.