Constrictor is the 16th studio album by Alice Cooper released on September 22 1986. After retiring from the music industry after the release of DaDa, Cooper remained in seclusion for three years. He starred in Monster Dog, a horror film for which he wrote two songs. He also guest starred on the Twisted Sister track "Be Chrool to Your Scuel". It was Alice Cooper's first record to feature bass playing from Kip Winger, who would later gain great fame with his own band, Winger.
Good to See You Again, Alice Cooper is a 1974 feature film starring Alice Cooper. The movie primarily features live concert footage of the Alice Cooper band on their record-breaking Billion Dollar Babies tour, filmed in Texas (mostly at the Sam Houston Coliseum) in April 1973, with some footage from other tour stops, including the Memorial Coliseum, Portland, Oregon, intercut with 'comedy' scenes of a German film director chasing the "Cooper gang" for revenge after they abandoned his would-be masterpiece movie…
Though Alice Cooper's 1989 comeback gave him his first hit album in over a decade, the Trash record left some diehard fans disappointed, as did 1991's Hey Stoopid. Many listeners felt that Cooper had sold himself short, now completely focusing on sleazy sexual anthems, making him just another face in the heavy metal crowd. By the time The Last Temptation was released in 1994, the hair band fad that had fueled Cooper's return was dead, and Cooper was obviously aware of its downfall – the album sounds almost nothing like its two predecessors. Instead of relating to such albums as Motley Crue's Dr. Feelgood, Last Temptation seems more similar to Ozzy Osbourne's No More Tears.
For the Alice Cooper fans who feel his output was spotty before and after the 1989 classic Trash on Epic, Brutal Planet is a cause to rejoice. It is a solid hard rock offering. Cooper is in great voice, and he sounds mean and spirited. The title track would be a blessing on radio today. It has great bottom, sizzling guitars, and wonderful backing vocalists. The most impressive thing about this album is Cooper's lyrics. "Sanctuary" could be Lou Reed meets Deep Purple in their heyday. Back in 1987 Cooper performed with an unruly band all over the map. It was very uncomfortable and a far cry from his heyday of "I'm 18" and "Under My Wheels": guitars too loud, and an artist obviously struggling with his personal demons.
Give him points for persistence: Alice Cooper just won't quit. He's seen it all from the bottom to the top – and done the trip more than once – but still continues on his merry-morbid way, punching out albums like a spry young'un. The first thing one has to say about The Eyes of Alice Cooper is thank Jehovah and all his witnesses that the Mascara'd One has grown out of his metal/industrial phase. That look just never took. Discs like Brutal Planet (2000) and the somewhat better Dragontown (2001) offered little to his legacy or his legion of fans – aside from nascent headbangers discovering the Coop for the first time. Eyes harks back to Alice's overly maligned early-'80s discs Special Forces and Flush the Fashion – albums that suffered by comparison with his landmark '70s releases but remain far more musically appealing than the aforementioned new-millennium fare.
Hey Stoopid is the 19th studio album by rock singer Alice Cooper, released on July 2, 1991. After his smash 1989 hit album Trash, Cooper attempted to continue his success with his follow-up album, which features guest performances from Slash, Ozzy Osbourne, Vinnie Moore, Joe Satriani, Steve Vai, Nikki Sixx and Mick Mars (both of Mötley Crüe). Hey Stoopid was the last music album to feature bassist Hugh McDonald before he joined Bon Jovi as their unofficial bassist in 1995.
Lace and Whiskey is the tenth studio album by Alice Cooper, released in May 1977. After many years of portraying a dark and sinister persona Alice Cooper decided to try something new and donned the persona of a heavy drinking comic PI named "Maurice Escargot" - a fictional character in the same vein as Inspector Clouseau. Cooper is pictured as Escargot on the back cover of Lace and Whiskey, which was still a rock-based album but was stylistically influenced by Cooper’s love for 1940s' and 1950s' movies and music. The album only peaked at #42 in the US and #33 in the UK…