Alicia Myers (born November 20, 1957), is an American R&B musician. She started her music career with the band Al Hudson & the Soul Partners. Her first solo release, Alicia, was released in 1981 with MCA Records, and it was her breakthrough release upon the Billboard magazine charts, placing on the R&B Albums.
This was Alicia de Larrocha’s finest account of Nights in the Gardens of Spain, fully capturing the Andalusian atmosphere of this evocative score. After all, it’s not a work about landscapes and flowers – it’s about love. Rafael Frühbeck de Burgos does a superb job of drawing perfume and color out of an English orchestra.
Alicia Keys' debut album, Songs in A Minor, made a significant impact upon its release in the summer of 2001, catapulting the young singer/songwriter to the front of the neo-soul pack. Critics and audiences were captivated by a 19-year-old singer whose taste and influences ran back further than her years, encompassing everything from Prince to smooth '70s soul, even a little Billie Holiday. In retrospect, it was the idea of Alicia Keys that was as attractive as the record, since soul fans were hungering for a singer/songwriter who seemed part of the tradition without being as spacy as Macy Gray or as hippie mystic as Erykah Badu while being more reliable than Lauryn Hill. Keys was all that, and she had style to spare – elegant, sexy style accentuated by how she never oversang, giving the music a richer feel. It was rich enough to compensate for some thinness in the writing – though it was a big hit, "Fallin'" doesn't have much body to it – which is a testament to Keys' skills as a musician.
Victor Aloysius Meyers was born in mid -1898 as the 15th of 16 children in Little Falls, Minnesota. Vic's father was County Treasurer for Morris County, Minnesota, a position he held for 30 years. When the family moved West to Oregon in the mid-'teens, Vic started on a musical career. He could play violin, but by the age of 18, he was a drummer in a three piece group that played each summer at Seaside, an ocean resort. At 21, in 1919 he got a two year contract to play with a full size band in the Rose Room in Seattle’s Hotel Butler, located at the corner of 2nd Avenue and James Street. Its construction started around 1900 and when it opened it "immediately became the jewel in the City’s crown. Its lavish Rose Room grill featured magnificent cuisine in an atmosphere of top recording orchestras, cut-glass chandeliers, thick imported carpets and sterling silver."
Alicia Bridges scored big in 1978 with "I Love the Nightlife (Disco 'Round)," a celebratory disco single that reached number five on the Billboard Hot 100. It was her biggest moment in music and made her self-titled debut, released on Polydor, a definite part of the feel-good disco scene of the late '70s. The blues-tinged "Diamond in the Rough" and "Broken Woman" were mildly successful, but Bridges never regained her disco reign. She released one more album for Polydor, 1979's Play It as It Lays, then settled into a series of independent recordings and compilations, such as 1984's Hocus Pocus, 2007's Say It Sister and 2008's FauxDiva XX – that explored a wider range of inspirations. "I Love the Nightlife" has been included on dozens of disco compilations, including the soundtrack for The Last Days of Disco (which also features an update from Masters at Work's Nuyorican Soul project.
One Way was an American R&B/Funk band that was very popular in the late 1970s and throughout most of the 1980s. One Way was formed in 1979 in Detroit, Michigan as the newer incarnation of a band originally known as Soul Partners. The original members were Al Hudson, Alicia Myers, guitarists Dave Roberson and Cortez Harris, bassist Kevin McCord, drummer Gregory Green and keyboardist Jonathan Meadows. They first recorded as "Al Hudson and the Partners", scoring an R&B hit on the ABC label called "You Can Do It" in 1979.
Alicia de Larrocha's stature as a pianist was in inverse proportion to her height: though a mere 4ft 9in she was universally acknowledged as the finest interpreter of Spanish music – especially Albéniz and Granados – and a superlative Mozart player. Herbert Breslin, her agent, said: "There are two kinds of repertory Alicia plays – things she plays extremely well, and things she plays better than anyone else".