An all-too-rare new recording from Polyphony and Stephen Layton presents highlights from the choral repertoire by four twentieth-century American giants: Samuel Barber, Leonard Bernstein, Aaron Copland and Randall Thompson. Framed by Thompson’s understated favourites Alleluia and Fare Well, the programme includes Bernstein’s Missa brevis, Copland’s early set of four motets, and—of course—Barber’s inimitable Agnus Dei.
This anthology brings together representative works from the mainstream of contemporary American choral music. Charles Ives’s Psalm 90 evokes a mood reminiscent of congregational Sunday singing in New England. Copland’s In the Beginning recalls his Fanfare for the Common Man, while Lukas Foss’s Behold, I Build An House shows the stylistic influence of Copland. Vincent Persichetti’s Flower Songs reveal his deep commitment to his favourite poet E.E. Cummings, and favours the women’s voices. In Fern Hill, set for alto, chorus and orchestra, composer John Corigliano sings of the joys of youth.
This album is either the latest example of a classical label prostituting itself in search of a larger audience, or a legitimate attempt at crossover within an orchestral pops vein, given added appeal through the presence of the Roger Dean cover graphics and the near-suppression of the Telarc identification. The "classics" done up in 60-piece orchestral majesty include "Born to Run," "Tears of a Clown," "Superstition," "Hey Joe," "Ain't No Mountain High Enough," "I Heard It Through the Grapevine," "God Only Knows," and "The First Time Ever I Saw Your Face" (which hardly belongs here, as the product of Scottish songwriter Ewan MacColl)…
American Idiot - the seventh studio album by the American punk rock band Green Day - achieved success worldwide, charting in 27 countries and peaking at number one in nineteen of them, including the United States and the United Kingdom. Since its release, American Idiot has sold over 14 million copies worldwide. The album won a number of awards, including a Grammy for Best Rock Album, and received acclaim by critics. In 2009, Kerrang! named American Idiot the best album of the decade. Rolling Stone also listed "Boulevard of Broken Dreams" and "American Idiot" among the 100 best songs of the 2000s…
This double DVD presents three and a half hours of footage from the promotional tour that turned four lads from Liverpool, quite literally, into the music phenomenon of the century. A comprehensive document with coverage from 24 American cities, this painstakingly researched and edited collection gives the viewer a new insight into the Beatlemania that gripped America in the summer of 1964.
Here at Ace Towers we usually have a pretty realistic advance idea of how many copies we’re likely to sell of any CD that we release. But once in a while we put out something that catches the public imagination in a manner that exceeds our expectations in terms of sales and acclaim. Such was the case with our “Special Country Edition” of our “Golden Age Of American Rock’n’Roll” series, which has already sold almost twice as many copies as we initially anticipated, and which is still selling strongly six years on from its initial release.
Ace’s flagship “Golden Age” series continues to be among our best selling and most highly respected releases. After a short hiatus, we’re pleased to announce this new volume featuring 28 country recordings that made the Billboard Hot 100 between 1955 and 1963. As “More Country Hits” is in the “Golden Age Of American Popular Music” series, the content is more melodic overall than a “Golden Age Of American Rock’n’Roll” edition might be. Nevertheless, there’s a generous helping of up-tempo hillbilly and borderline rockabilly among the straight-ahead country to give listeners a bit of light and shade. As usual, the CD comes with a generously illustrated and copiously annotated booklet.