The violin concertos of Belgian-born composer/virtuoso Henri Vieuxtemps have been recorded by various players, including the young Russian-American virtuoso Misha Keylin heard here. But these shorter pieces, which would have been the stock-in-trade of Vieuxtemps' active touring life (during one American tour he made 121 appearances in six months, without benefit of planes, automobiles, or in many cases trains), are a good deal rarer. They don't have the main virtue of the concertos, which is that there's a certain amount of structural interest to go with the Paganini-like fireworks, but they're a great deal of fun.
It's nearly impossible to single out any of Aretha Franklin's early-'70s albums for Atlantic as being her best, particularly given the breadth of her output during this era. In terms of albums rather than singles, it's probably her strongest era, and if you count live albums like Amazing Grace, choosing a standout or a favorite record isn't any easier. Yet of this stunning era, Young, Gifted and Black certainly ranks highly among her studio efforts, with many arguing that it may be her greatest. The album is Top 10 Gold-certified. The album won Aretha a 1972 Grammy Award for Best Female R&B Vocal Performance of the year.
The different versions of Hamlet constitute one of the most vexing puzzles in Shakespeare studies. In this groundbreaking work, Shakespeare scholar Terri Bourus argues that this puzzle can only be solved by drawing on multiple kinds of evidence and analysis, including book and theatre history, biography, performance studies, and close readings.
This book provides a wealth of creative, imaginative activities with integrated language practice. …
Features the high-fidelity SHM-CD format (compatible with standard CD player) and the latest 24bit 192kHz remastering. A real stroke of genius from pianist Andrew Hill – and a surprising one too! After an initial legacy of groundbreaking experimental sides for Blue Note, Hill returns to his "grass roots" on this excellent session of straight ahead, fairly funky, soul jazz piano tunes! In the notes, Hill claims a desire to get back to the people – and in a really unusual turn, he shakes off his previous modernist trappings and goes for territory that's much more in the mode of Lee Morgan, Horace Silver, or Hank Mobley on Blue Note!
"This is one of those albums that can be listened to on two levels: one for the enjoyment of the rich, heavily ornamented sound of Andrew Lawrence-King's Baroque triple harp (the term refers to the instrument's three rows of strings, a configuration that survives today in Welsh folk music), and one for the music involved and how it fit into the musical and cultural universe of its time. (…) The sound picks up every little detail of Lawrence-King's harp, some of which are as quiet as the sounds of a Chinese zither." ~AMG, 4,5/5