Anton Brukner

Anton Webern - Schoenberg Quartet - Chamber Music for Strings (2003, Chandos # CHAN 10083) [RE-UP]

Anton Webern - Chamber Music for Strings
Schoenberg Quartet / Sepp Grotenhuis
EAC+LOG+CUE | FLAC: 227 MB | Artwork | 5% Recovery Info
Label/Cat#: Chandos # CHAN 10083 | Country/Year: UK 2003
Genre: Classical | Style: Early 20th Century

"…The whole disc is a great success. Recording quality is first rate, with the necessary clarity tempered by warmth and just the right amount of resonance. Excellent notes are by Dr. Christopher Hailey. Recommended, even if you still find Webern hard work." ~musicweb-international
Engegard Quartet - Edvard Grieg, Jean Sibelius, Olav Anton Thommessen: String Quartets (2015)

Engegård Quartet - Edvard Grieg, Jean Sibelius, Olav Anton Thommessen (2015)
EAC | FLAC | Image (Cue&Log) ~ 327 Mb | Mp3 (CBR320) ~ 171 Mb | Scans included
Genre: Classical | Label: BIS | # BIS-SACD-2101 | Time: 01:12:23

A string quartet was among the very first works that Edvard Grieg presented after completing his studies in 1861, but the Quartet in G minor, Op. 27, was the only such work to be published in his lifetime. In 1878, while composing it, Grieg wrote that ‘it aims at breadth, to soar, and, above all, at vigorous sound’, and the amplitude of the sound is indeed striking: the generous use of double-stops creates an almost orchestral effect, unusual for the genre. This caused some reviewers to criticize the quartet as being unidiomatic, while others, including Liszt, greeted it with enthusiasm. Some thirty years later, when Jean Sibelius composed his D minor quartet Op. 56, he too had previous experience of writing for the medium, but Op. 56 is the only quartet among his mature works. The often used 'nickname' Voces intimae is often taken to refer to the intimate interchange between the four voices in a quartet, but is probably a more specific allusion to a brief passage in the third movement: Sibelius wrote the remark into a score some time after the work had been published.
Anton Bruckner - Symphonie No.5 (1992) (Kurt Eichhorn, BRSO)

Anton Bruckner - Symphonie No.5 (1992) (Kurt Eichhorn, BRSO)
Classical | 1cd | EAC Rip | Flac + Cue + Log | covers
Capriccio/Delta, 10 609 | rel: 1992 | 365Mb

The best creation myth known to me is not the Book of Genesis nor the first chapter in the Gospel of St John; nor is it the marvellous ‘Ainulindalë’ (Tolkein) where the whole shebang is brought into being by the One (Ilúvatar) and a choir of immortals. No, for me, the best indication of what happened 14.3 billion years ago (in a physical and cosmological sense) is Bruckner’s Fifth Symphony.

Anton Steck, Christian Rieger - Porpora: Violin Sonatas (2001)  Music

Posted by tirexiss at Dec. 7, 2016
Anton Steck, Christian Rieger - Porpora: Violin Sonatas (2001)

Anton Steck, Christian Rieger - Porpora: Violin Sonatas (2001)
EAC | FLAC (image+.cue, log) | Covers Included | 73:32 | 455 MB
Genre: Classical | Label: MDG | Catalog: 6201034

Nicola Porpora, a contemporary of Bach, Handel, Vivaldi, and Haydn (and a very young Mozart) is best remembered today as a famous singing teacher and opera composer. During his long career (he lived to age 81) he suffered many employment-related difficulties and disappointments that caused him to move frequently. Naples (where he was born), Venice, Dresden, and Vienna (where he taught Haydn) all enjoyed Porpora's reputable presence, and he even spent a period in London at the behest of a group seeking to unseat Handel and his opera company from its preeminent position. In addition to his operas and vocal music, Porpora wrote instrumental works such as the six violin sonatas featured here, which are drawn from a set of 12. Although anyone familiar with Italian Baroque and early Classical-style solo violin music will discover nothing particularly original on this generally fine recording, if you enjoy that genre and period you'll find much here to indulge and satisfy your taste.

Anton Batagov - Philip Glass: Prophecies (2016)  Music

Posted by Designol at Nov. 3, 2016
Anton Batagov - Philip Glass: Prophecies (2016)

Anton Batagov - Philip Glass: Prophecies (2016)
EAC | FLAC | Image (Cue&Log) ~ 269 Mb (incl 5%) | Mp3 (CBR320) ~ 176 Mb (incl 5%) | Scans included
Genre: Classical, Minimalism | Label: Orange Mountain Music | # 0110 | Time: 01:06:47

Pianist and composer Anton Batagov is one of the most influential Russian musicians of our time. As a performer Batagov introduced the music of John Cage, Morton Feldman, Steve Reich, and Philip Glass to Russian audiences. On this his debut recording with Glass s record label Orange Mountain Music, Batagov offers a recital of Glass s music which is personally important to him, music which has never been heard on solo piano. Three of the four tracks offered on Batagov s program are from Glass s epic opera Einstein on the Beach - Trial, Night Train, and Knee Play 5. These pieces capture the sound of a particularly expansive moment in Glass s career as he transitioned from hard core Minimalism to a more expressive medium. That artistic pivot is captures in Batagov s mystical reading of Prophecies from Koyaanisqatsi. In 2009, after a hiatus of 12 years from live performance Batagov returned to the stage presenting a series of unique solo programs including this program which was recorded in Moscow in November 2015.
Takako Nishizaki, Slovak SPO, Michael Halasz - Anton Rubinstein: Violin Concerto; Don Quixote (1990)

Anton Rubinstein: Violin Concerto in G major, Op. 46; Don Quixote, Op. 87 (1990)
Takako Nishizaki, violin; Slovak State Philharmonic Orchestra; Michael Halász, conductor

EAC | FLAC | Tracks (Cue&Log) ~ 298 Mb (incl 5%) | Mp3 (CBR320) ~ 148 Mb (incl 5%) | Scans included
Genre: Classical | Label: Marco Polo | # 8.220359 | Time: 00:58:33

The G major Anton Rubinstein violin concerto is a fine and powerful work, quite as good as many a lesser-known Russian example in the same genre, and easily as deserving of wider currency as, say, the Taneyev Suite de Concert, which is just as rarely heard these days. Nishizaki gives a committed and polished reading, though you often feel that this is music written by a pianist who had marginally less facility when writing for the violin. Still, here’s a well-schooled performance, full of agreeable touches of imagination (the Andante shows Nishizaki’s fine-spun tone to particularly good effect) delivered with crisply economical urgency that makes good musical sense even of the work’s plainer and less idiomatic passages.

Anton Chekurov - Extraordinary (2016)  Music

Posted by mark70 at Aug. 25, 2016
Anton Chekurov - Extraordinary (2016)

Anton Chekurov - Extraordinary (2016)
MP3 320 kbps CBR | 57:47 min | 134 MB
Genre: Jazz | Label: Igor Butman Records

Igor Butman Records presents a brand new release Extraordinary, a debut by a young Moscow alto saxophone player Anton Chekurov. Despite Anton’s young age, the album glows with its musical maturity and emotional variety. Of course, last but not least, because of experienced musicians – pianist Alexei Podymkin and bassist Yuri Galkin – are taking part in the recording.
Ingrid Karlen - Variations: Anton Webern, Galina Ustvolskaya, Valentin Silvestrov, Pierre Boulez (1997) {ECM New Series 1606}

Ingrid Karlen - Variations: Anton Webern, Galina Ustvolskaya, Valentin Silvestrov, Pierre Boulez (1997) {ECM New Series 1606}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 167 Mb | MP3 @320 -> 135 Mb
Full Artwork @ 300 dpi (jpg) -> 67 Mb | 5% repair rar
© 1997 ECM Records | ECM New Series 1606
Classical / Modern Classical / Contemporary Classical

Swiss pianist Ingrid Karlen makes her ECM debut with Variations, of which the program is as provocative as the title is vague. Beyond variations in the traditional sense, these are, rather, mise-en-abymes of abstractions. Or so they might at first aural glance seem, for within these sometimes troubling clusters of false starts breathes a unity at once organic and contrived. Anton Webern’s Variations for Piano, op. 27 (1935/36) is the primary example, for the only variations they seem to engender stem from that which cannot be notated. These pieces behave as might a solo violin sonata, jumping fluidly and bow-like through their ephemeral 12-tone links. They are the anti-motif, a stretch of childhood unable to be sifted.
Lucerne Festival Orchestra, Claudio Abbado - Anton Bruckner: Symphony No.9 (2014)

Lucerne Festival Orchestra, Claudio Abbado - Anton Bruckner: Symphony No.9 (2014)
EAC | FLAC | Image (Cue&Log) ~ 273 Mb (incl 5%) | Mp3 (CBR320) ~ 155 Mb (incl 5%) | Scans included
Genre: Classical | Label: Deutsche Grammophon | # 479 3441 GH | Time: 01:03:07

In his final performances with the Lucerne Festival Orchestra in August 2013, Claudio Abbado conducted Anton Bruckner's unfinished Symphony No. 9 in D minor, and this recording is drawn from the best takes from those concerts. Considering that this rendition came near the end of Abbado's life and stands as a worthy testament to his achievements, it's easy to read too much into the interpretation, and to view it as a mystical or transcendent reading because of the circumstances. On the one hand, Abbado's understanding of this symphony was as thorough as any conductor's, and the Lucerne musicians played with seriousness and dedication, offering a version that has impressive power and expressive depth. On the other hand, there are many competitive recordings that either match Abbado's for strength and feeling, or surpass it in purely technical terms of sound quality and reproduction. Certainly the sound is exceptional, according to Deutsche Grammophon's high standards, and this stereo recording is exceptionally clean and noise-free.
Collegium Marianum - Josef Antonín Sehling: Christmas in Prague Cathedral (2014)

Josef Antonín Sehling - Christmas in Prague Cathedral (2014)
Hana Blažíková, soprano; Markéta Cukrová, alto; Tomáš Král, baritone
Collegium Marianum; Jana Semerádová, artistic director

EAC | FLAC | Image (Cue&Log) ~ 340 Mb (incl 5%) | Mp3 (CBR320) ~ 183 Mb (incl 5%) | Scans included
Genre: Classical, Choral, Vocal | Label: Supraphon | # SU 4174-2 | Time: 01:11:17

Precious few countries can boast of a Christmas repertoire as ample and colourful as that possessed by the Czech Republic. The Baroque era imbued the texts of songs with enchanting, tender poetics with awestruck yet perplexed shepherds enthusing about the beautiful infant Jesus. Later on, a growing number of formally more complex pieces (pastorales) were written, most of them taking the form of arias or duets with instrumental accompaniment. A notable composer in this respect was Josef Antonín Sehling. Although still anchored in the Baroque world, he paved the way for the accession of a new musical style. He studied in Vienna and subsequently worked in Prague as a member of Count Václav Morzins renowned orchestra and as second violin at Saint Vitus Cathedral, although standing in as Kapellmeister over the long term (an interesting parallel can be drawn with Zelenka, the counter-bassist at the court orchestra in Dresden). Sehling was Kapellmeister of several Prague churches, including the Church of Our Lady under the Chain, where the present world premiere recording was made.