“Unquestionably one of the greatest pianists of all time” is how Gramophone magazine has described Martha Argerich. Her relationship with Warner Classics goes back to 1965 and her victory at the International Chopin Competition in Warsaw. Over several decades it has produced a rich catalogue of live and studio recordings, embracing a repertoire that spans three centuries, a diversity of genres, and collaborations with such figures as Renaud Capuçon, Charles Dutoit, Nelson Freire, Nikolaus Harnoncourt, Gidon Kremer, Mischa Maisky and Itzhak Perlman.
Since she won the seventh International Frederick Chopin Piano Competition in 1965 at the age of 24, this Argentine concert pianist has mostly avoided the limelight; she remains, however, one of the greatest interpreters of classical music.
Throughout her lengthy artistic career, pianist Martha Argerich has experienced many heights and depths: moments of "crisis" in which she hasn't always seemed prepared to offer the full extent of her artistic insights, but also many, many times when she has managed simultaneously to come into her own and to completely lose herself in music-making. Fortunately it's the latter snapshot of Argerich's career that this CD captures, drawing from two live recitals Argerich gave at Amsterdam's Concertgebouw in 1978 and 1979.
Argentinian pianist Martha Argerich is widely regarded as one of the greatest pianists of the second half of the twentieth century. In celebration of her 75th birthday, Sony Classical is pleased to release Martha Argerich The Complete Sony Classical Recordings, a new 5-CD original jackets collection featuring two albums available for the first time on CD remastered from the original analogue tapes. Argerich rose to international prominence when she won the seventh International Chopin Competition in Warsaw in 1965 at age 24. In that same year, she debuted in the U.S. in Lincoln Center s Great Performers Series.
These three sonatas - composed originally for the viola da gamba and harpsichord - are very musically-appealing compositions. And unlike previous Baroque cahmber-music tradition, the harpsichord is not relegated to mere continuo but projected into the spotlight as co-soloist - perhaps to showcase some of Bach's keyboard virtuosity. There are several fine period recordings of these works on viola da gamba and harpsichord (Savall, Peri, Crum, Wispelwey) or modern cello with harpsichord (Ma, Tortelier). But if your taste favors all modern instuments (cello, piano), then this circa-80's CD by the legendary Martha Argerich and Misha Maisky is the ticket.