Love's 1967 masterpiece Forever Changes was an album so beautiful and timeless that it tends to dwarf everything else in the group's repertoire, and its gentle balance of grace and dread has made a lot of people forget just how hard Love could rock when Arthur Lee and his bandmates were of a mind…
Love were one of the most extraordinary bands to emerge from Los Angeles during one of the most remarkable periods in music, the dawn of the rock era in the mid ‘60s. Led by the colourful and charismatic Arthur Lee, they made only three albums in their original incarnation and were revered by many of their fellow LA musicians, including their label mates The Doors.This 2 CD compilation includes the best of their albums Love, Da Capo and Four Sail (the last featuring Lee as the only original member), and their masterpiece Forever Changes in its entirety.
John Arthur Lee was an Alabama bluesman who recorded five sides ("Baby Blues," "Baby Please Don't Go," "Down at the Depot," "Alabama Boogie," "Blind's Blues") for Federal Records in July 1951 in Montgomery, AL. He also recorded an album for Rounder Records in the 1970s (which went unissued on CD). Lee was born May 24, 1915, in Lowdnes County, AL. He learned his distinctive knife slide guitar style from his uncle, Ellie Lee, and spent the 1930s playing jukes and house parties before settling in Montgomery in 1945. Federal's Ralph Bass auditioned him there, and impressed with what he heard, recorded the five sides in 1951.
Even in the increasingly crowded field of electronic music, Kelly Lee Owens’ debut album arrives as a wonderful surprise. An album that bridges the gaps between cavernous techno, spectral pop, and krautrock’s mechanical pulse, 'Kelly Lee Owens' brims with exploratory wonder, establishing a personal aesthetic that is as beguiling as it is thrillingly familiar.