Copy Secrets I’ve Used to Generate $914,328 in Freelance Writing Revenues Over the Past Two Years. !!
Can You Take A Simple Photograph? If yes, you could make $200 to $2,000 a week taking snapshots in your own backyard … on your family vacations … or anywhere in the world you care to travel. You don’t need fancy equipment. And you don’t need to know a thing about photography to get started. Turns out all you really need are the few simple secrets behind taking the kinds of photos that sell best. They’re easy to learn. And you can make $150 … $400 … even $800 per sale …
Adobe Photoshop is so packed with tools, features, and options that it can feel intimidating. Photoshop expert Andy Anderson blows away all of your fears in this overview of the software and an in-depth look at the best ways to use it.
With the vast array of digital cameras and advanced software available to photographers today, quality images are abundant and easier to create than ever before. The overwhelming amount of images flooding the market has ignited a resurgence in the art of “color gelled photography.” If standing out from the sea of image overload and creating vibrant, colorful images that “wow” your clients is your goal, this tutorial will give you the tools necessary to master the nuances of colored gel photography and propel your photography to the next level.
You need more than just great lighting and equipment to create an exceptional portrait. Sometimes a shoot doesn’t go as planned. The location is drab, the client isn’t in the best mood, or you forget to charge your camera batteries. Great portrait photographers are able to think on their feet and connect with their subjects.
Adobe Photoshop is a premier photo editing program. In this course targeted at photographers, students will learn about the Raw format, white balance, exposure, and color and clarity. Students will learn to work with Adobe Camera Raw, updating, resetting and setting preferences. Then Students will work with the tools within Camera Raw; working with color, cropping images, retouching the image, using filters, rotating images, working with exposure settings, creating grayscale images, managing corrections and effects, and creating image adjustments. Lastly, students will discover plugins and explore workflows.
Join Moose Peterson as he takes you through his workflow for post-processing some of his favorite historical aircraft photos. Moose takes you through the basics of how he uses Bridge, Camera Raw, and Photoshop to finish his aviation photographs, and then each subsequent lesson builds on those basics and shows you how to tackle increasingly more complicated situations.
Great photography goes beyond knowing about how lenses and f-stops work. It’s about creative problem solving under real-world conditions. Taking great photographs means knowing how to choose the right tool or apply the right technique to capture your subject in the best possible way. Photographers who wish to excel—professional and recreational alike—need to have a solid foundation of technical skills and the ability to apply that knowledge intuitively to a wide range of scenarios and subjects.
Learn to take your photographs from Photoshop to professional prints from an inkjet printer. In Inkjet Printing for Photography, Dan Boardman will show you how to set up an inkjet printer for printing on cut sheet and paper rolls, and get the ink and settings prepared. You'll then learn how to adjust your prints in photoshop to match your ideal version, as well as match your prints to what you see on your screen. Dan will also explain key concepts when it comes to color management between printers and computers. By the end of this course, you will understand the process of taking your photos from idea to finished inkjet print
For nearly 20 years, cinema production and post-production has been based upon the conceptual model of film acquisition: Even if digitally acquired, imagery was typically processed using the Cineon/DPX model– technically, Cineon Printing Density (CPD) coding. That coding incorporates the technical parameters of film; in particular, the S-shaped tone response and the colour crosstalk of film are built-into the image encoding. Because CGI and VFX computations are best performed in linear-light, the CPD scheme has made CGI and VFX difficult.