Barenboim Mozart

Staatskapelle Berlin, Daniel Barenboim : Mozart et Bruckner - 05 janvier 2017 (2017)

Staatskapelle Berlin, Daniel Barenboim : Mozart et Bruckner - 05 janvier 2017 (2017)
Webrip | 1h32min | 720 x 406 | 25.000 fps | MKV | AVC Main@L3.1 @ 1100 Kbps | AAC @ 192 Kbps | 852 MB
Genre : Classical music

Ce qui relie Mozart à Bruckner, c’est le talent et la force d’interprétation de Daniel Barenboim, très tôt repérée dans le répertoire mozartien et qui atteint un degré inégalé de maturité musicale dans la compréhension de l’œuvre de Bruckner. Avec la Staatskapelle Berlin, Barenboim peut compter sur un orchestre qui maîtrise les moindres recoins de cette œuvre exigeante.
Mozart - Le nozze di Figaro (Daniel Barenboim, John Tomlinson, Joan Rodgers) [1991]

Mozart - Le nozze di Figaro (Daniel Barenboim, John Tomlinson, Joan Rodgers)
Classical | Erato 2292-45501-2 | 1991 | TT: 174 | EAC (FLAC, cue, log) | Covers | 711 MB

"Barenboim continues to favour a forceful, big-scale reading with often deliberate speeds for the slower numbers, a musically accomplished, thought-through account of the crucial finales to Acts 2 and 4, lively treatment of the recitative, finely-honed playing of the wind, alert rhythms and an avoidance for the most part of appoggiaturas…John Tomlinson is much better suited by Figaro than he was by Alfonso, but still wants in tonal focus…but he does at all times create a lively personality, a force to be reckoned with…" (Gramophone)
Mozart - Cosi fan tutte (Daniel Barenboim, Lella Cuberli, Cecilia Bartoli) [1990]

Mozart - Così fan tutte (Daniel Barenboim, Lella Cuberli, Cecilia Bartoli)
Classical | Erato 2292-45475-2 | 1990 | TT: 177 | EAC (FLAC, cue, log) | Covers | 665 MB

In the early 1990s Daniel Barenboim recorded the three Da Ponte operas with the Berlin Philharmonic. The BPO had played "Figaro" and "Don Giovanni" many times, but this was the first time that the group had ever tackled "Cosi fan tutte." Perhaps that is why they sound so fresh and energized under the thoughtful baton of Barenboim. Mozart's operas are usually performed with a small chamber or opera house orchestra, but this time the score of "Cosi" (which has so many beautiful, subtle touches, and is almost a celebration of beauty itself) is given the full treatment of perhaps the greatest orchestra in the world. While the resulting sound is somewhat "bigger" and more "lush" than is usual, Barenboim does manage to keep things appropriately light and "classical," just as he has so successfully done in the piano concertos which he is recording with the BPO.
Staatskapelle Berlin, Daniel Barenboim : Symphonie n°3 de Bruckner - 7 janvier 2017 (2017)

Staatskapelle Berlin, Daniel Barenboim : Symphonie n°3 de Bruckner - 7 janvier 2017 (2017)
Webrip | 1h36min | 720 x 406 | 25.000 fps | MKV | AVC Baseline@L3 @790 Kbps | AAC @ 192 Kbps | 680 MB
Genre : Classical music

Dédiée "très respectueusement" à Richard Wagner, la Troisième Symphonie d'Anton Bruckner fut terminée en 1873, avant d'être reprise en 1877 puis en 1888. La création, dirigée par le compositeur, se solda par un échec retentissant. Défendue à la fois par Wagner et par Gustav Mahler, la Troisième, qui se caractérise par l'ampleur de ses mouvements extrêmes, sera néanmoins redonnée à Vienne treize ans plus tard avec le plus grand succès.
Staatskapelle Berlin, Daniel Barenboim _ symphonie n°2 de Bruckner - 6 janvier 2017 (2017)

Staatskapelle Berlin, Daniel Barenboim _ symphonie n°2 de Bruckner - 6 janvier 2017 (2017)
Webrip | 1h23min | 720 x 406 | 25.000 fps | MKV | AVC Baseline@L3 |@788 Kbps | AAC @ 192 Kbps | 586 MB
Genre : Classical music

Premier des concertos de Mozart à être écrit dans le mode mineur, le Vingtième frappe par son dramatisme et par le caractère intimiste du soliloque pianistique. Le divertissement aristocratique s'efface ici au profit d'une confession existentielle qui préfigure le ton de Don Giovanni et la couleur du Requiem. Esquissée en octobre 1871, la Deuxième Symphonie d'Anton Bruckner est contemporaine de sa Messe en fa mineur et en cite plusieurs passages. Elle connaîtra de nombreuses retouches. Introduite par des bruissements irréels, elle fait montre dans certaines sections d'une vigueur, voire d'un déchaînement orchestral qui seront l'apanage des grandes fresques de la maturité.
Mozart - Last 8 Piano Concertos (Daniel Barenboim) (2012/1986-89)

Mozart - Last 8 Piano Concertos (Daniel Barenboim) (2012/1986-89)
BluRay | BDMV | MPEG-2 Video / 19973 kbps / 1080i / 24 fps | 255 min | 43,7 Gb
Audio: LPCM Audio / 2.0 / 48 kHz / 1536 kbps / 16-bit

BluRay-rip | AVC | MKV 1920x1080 / 4977 kbps / 24 fps | 255 min | 11,6 Gb
Audio: PCM / 2ch / 48.0 KHz / 16 bits
Classical | EuroArt

The Grammy award-winning pianist Daniel Barenboim, long known for his Mozart interpretations, turns his attention to Mozart's last 8 piano concertos. The music of Mozart has quite literally been an essential driving force of Daniel Barenboim’s entire life. It remains central to his performing career both as a pianist and as a conductor. These illuminating performances of Mozart’s last eight great piano concertos admirably demonstrate Barenboim’s dictum that even when a true musician has already performed a familiar work hundreds of times, he or she ‘never accepts that the next note will be played the same way as it was played before.’
Mozart - Complete Piano Concertos: Daniel Barenboim And English Chamber Orchestra - Box Set 10 CDs (1998)

Mozart - Complete Piano Concertos: Daniel Barenboim And English Chamber Orchestra - Box Set 10 CDs (1998)
Classical | MP3 CBR 320 kbps | 1,51 Gb
Label: EMI | Release Year: 1998

EMI invited Daniel Barenboim to record the complete series, with the English Chamber Orchestra, as conductor and soloist. The recordings were made at London's Abbey Road Studios between 1967 and 1974.
Live in Ramallah: Beethoven- Symphony No. 5 / Mozart- Sinfonia Concertante, K297b (2005)

Live in Ramallah: Beethoven- Symphony No. 5 / Mozart- Sinfonia Concertante, K297b
West-Eastern Divan Orchestra & Daniel Barenboim
EAC+LOG+CUE | FLAC: 319 MB | Full Artwork: 121 MB | 5% Recovery Info
Label/Cat#: Warner Classics # 2564 62781-2 | Country/Year: Europe 2005
Genre: Classical | Style: Viennese School

…Another justification, of course, is the obvious enthusiasm of the young players as they make their way through a curtain-raising Mozart Sinfonia Concertante, with its collection of diverse but harmonious instrumental elements, and through Beethoven's Fifth Symphony, with its durable resonances of hope amid warfare. This concert was recorded live in Ramallah in August 2005, under heavy guard. The logistical preparations of the concert, Barenboim says, could fill a book. But maybe that's a book that should be written, for the bottom line is that the concert took place and ended with an explosion of applause…

Mozart; Verdi - Requiem (Barenboim, Barbirolli)  Music

Posted by ArlegZ at Feb. 5, 2011
Mozart; Verdi - Requiem (Barenboim, Barbirolli)

Mozart; Verdi - Requiem (Barenboim, Barbirolli)
EAC | FLAC+CUE+LOG | SCANS | 2CD | 562.9 MB
Classical | Released: 2002 | Label: EMI Classics

The Verdi Requiem, though is even better, and receives even better performances. When this was made in 1969-70, all four principals were at the top of their form. Montserrat Caballé was at her best in the 60's through around 1972, and here she shows herself to be THE Verdi soprano of the last forty years. Her large, clear, glorious voice, seamless legato and magical pianissimi are heard to great advantage here. Her "Libera me" is a masterpiece of sound and vocal acting. Fiorenza Cossotto was similarly in her prime here, and she is stunning - powerful in the "Liber scriptus" yet capable of soft, tender singing and her "Lux aeterna" haunts the ear. Jon Vickers is an unusual tenor.

Beethoven: Cello Sonatas & Variations - Barenboim (2004)  Music

Posted by indrirocks at Dec. 31, 2010
Beethoven: Cello Sonatas & Variations - Barenboim (2004)

Beethoven: Cello Sonatas & Variations - Barenboim (2004)
EAC Rip | FLAC(tracks + cue + log) | 2 CDs | 712 MB (RAR 3% Rec) | Full Scans
Genre: Classical | Label: EMI Music | Cat No. 5862422

Many listeners who know Beethoven's symphonies, concertos, piano sonatas, or quartets are unfamiliar with his five sonatas for cello and piano. But this genre finds Beethoven at the top of his form. Even though Beethoven composed only five of these works, he wrote them during each of his major styles, from the early works of opus 5, to the great middle-period work, opus 69, and to the final two sonatas of opus 102, similar in style to the late piano sonatas and quartets. Only the symphonies, string quartets, piano sonatas, and the five cello sonatas show Beethoven in all three of his "manners" of composition. The cello sonatas show Beethoven at his best in each period.