Coming off an intense and emotionally rough period that surrounded the recording and release of 2013's No Morphine No Lilies, drummer Allison Miller's Boom Tic Boom is in upbeat, adventurous form on 2016's Otis Was a Polar Bear. Which isn't to say that she and her bandmates weren't game for adventure on No Morphine No Lilies. On the contrary, the group found its footing on that album born out of a tumultuous year that included Miller taking care of her sick girlfriend, two of her bandmates having babies, and Miller drawing attention, some unfairly negative, for a Huffington Post article she wrote about being a lesbian feminist in the jazz world.
Chopin's two piano concertos have long been admired more as pianistic vehicles than as integrated works for piano and orchestra. But in his revelatory new recording, Krystian Zimerman suggests otherwise: The opening orchestral tuttis have so much more light, shade, orchestral color, and detail, you wonder if they've been rewritten. Every gesture, every instrumental solo is so specifically characterized that by the time the piano makes a dramatic entrance, the pieces have become operas without words.
This comprehensive Bear Family audiotheque is dedicated to the mid-Sixties German Beat music boom. A total of 30 installments with 20 to 30 titles per CD, all remastered for the best possible sound quality. The author, Hans-Jürgen Klitsch, has written the hugely informative booklets for our CDs. Please note that all liner notes are in German language. Another Bear Family exclusive!
Instructional series in harmony with traditional instruction that specializes in teaching the aspiring pianist all of the important skills.
Gain rare insight into the musical thinking of one of the most influential popular songwriters and arrangers in America. Donald Fagen analyses three Steely Dan hits ("Chain Lightning," "Peg," "Josie") and two solo works from his Grammy-nominated album Kamakiriad ("On The Dunes," "Teahouse On The Tracks"). These songs use familiar blues and R&B structures, and Donald explains how, by altering the bass line and chordal qualities, he transformed them into sophisticated jazz-rock compositions. You'll trace the development of increasingly complex pieces as Donald and Warren Bernhardt reveal each tune's singular structure, harmonic and rhythmic characteristic, intro ideas and other devices.
After having won the Gramophone Award in 2014 for his recording of Prokofiev’s five piano concertos, exclusive Chandos artist Jean-Efflam Bavouzet here explores the complete works for piano and orchestra of another Russian composer of the twentieth century: Igor Stravinsky. Bartók’s Piano Concerto No. 2, Ravel’s Piano Concerto for the left hand, and Stravinsky’s Concerto for Piano and Wind Orchestra make good company. First, Bavouzet considers them ‘the greatest concertos of the twentieth century.