The best of The Future Sound of London! FSOL were formed by Brian Dougans and Gary Cobain in the early 90's and are seen to be one of the most respected and influential electronic acts of the past 15 years. Their work enabling them to incorporate elements of classical, hip hop, electronica, industrial, punk and dub to create expansive tracks laden with samples exquisitely produced and pretty unique. FSOL are an important part of the journey from post rave electronica, with music that has successfully experimented and crossed the boundaries of trip hop, ambient, hip hop, jungle and even punk, or certainly a punk-rock attitude.
2009 two CD compilation from the British Electronic duo. Contains hits, album tracks a few rarities and plenty of great Faithless moments guaranteed to keep you up all night. 30 tracks including 'God Is A DJ', 'We Come 1', 'One Step Too Far' (featuring Dido) and many more.
The Story So Far: The Very Best of Rod Stewart is a 2001 Rod Stewart career-retrospective compilation album, which summarizes his solo work beginning with material from his 1971 breakthrough album Every Picture Tells a Story until his 2001 album Human. For contractual reasons, only two songs from his Mercury Records tenure ("Maggie May" and "You Wear It Well") were included (a third song from the Mercury era, "Reason to Believe", was included in a live acoustic version from the Warner Bros. album Unplugged…and Seated). The rest of the material is from different albums released under Warner Bros. Records…
The U.K. collection The Very Best of Michael Bolton – initially released in 2005, repackaged as a slide pack in 2007 – is a good overview of the singer's peak years, containing all the big hits except "Love Is a Wonderful Thing" (only natural, considering the lawsuit surrounding the song) in a 17-track compilation that should give most listeners all the Bolton they need.
The 40 tracks compiled on this two-disc set represent the entire span of pianist and singer Leroy Carr's recording career that spanned a brief seven years, from 1928-1935. The material represented here – all but one of these tracks were recorded for the Vocalion label – features accompaniment by guitarist Scrapper Blackwell on all but one selection, and Josh White on a handful as well. Carr's material here ranges from the classic piano blues of the era that spawned Ma Rainey and Bessie Smith to vaudeville and hokum tunes made popular by artists like Tampa Red and Georgia Tom. Carr's voice is the haunting thing here; it's higher and very clear, sweet almost, as evidenced by most of these sides. But there was an edge, too; one that belied a kind of pathos underneath even the most cheery material – check "Mean Mistreater Blues" or "Bread Baker." But the darker material such as "Suicide Blues" (one of six previously unissued performances), "Straight Alky Blues," or "Shinin' Pistol," is strange and eerie given Carr's smooth approach. Carr may not be the most well-known bluesman of the era, but his contribution is profound and lasting. This collection puts to shame almost all others with the exception of the multi-volume complete recordings on Document.
Whether it was singing with Big Brother And The Holding Company or with her Full Tilt Boogie Band, Janis Joplin had one of the most identifiable, most emotional and most soulful voices ever recorded. Coming to San Francisco from Texas in 1966, Janis soon had the music world’s total attention, simply blowing the audience away at Monterey in 1967 while fronting Big Brother and gaining a record deal with Columbia Records in the process. After that, it was hit after hit with songs like her signature Piece Of My Heart, Cry Baby, and her Number One take of Kris Kristofferson’s present day standard Me And Bobby McGee, all included here. Through it all, Janis Joplin established herself as one of the very best and one of the most important singers and song interpreters ever to hit the music scene.