Bill Evans Moon Beams

Bill Evans - The Riverside Collection (2015)  Music

Posted by Pisulik at March 14, 2017
Bill Evans - The Riverside Collection (2015)

Bill Evans - The Riverside Collection (2015)
EAC Rip | FLAC (Tracks) +cue, log - 1 GB | 03:20:32
Jazz | Label: Not Now Music | Release Year: 2015

Evans, born in New Jersey in 1929, was by far the most individual and influential pianist to emerge during the 'hard bop' era of late-Fifties jazz. He created his own niche and, rather than try to fit into any particular style himself, allowed his own to fit in with others should they be interested. Evans was one of very few white musicians who most (though not all) black musicians were willing to accommodate. Enjoy 5 of his original jazz albums from the Riverside years from this superb 5 disc collection: "Waltz For Debby", "Moon Beams", "How My Heart Sings!", "Interplay" and "Know What I Mean?".
The Bill Evans Trio - Moon Beams (1962) [DSD64 + Remastered FLAC version]

The Bill Evans Trio - Moon Beams (1962/2002;2011)
DSD64 (.dsf) 1 bit/2,8 MHz | Time - 39:13 minutes | 1,09 GB
FLAC (tracks) 24-bit/192 kHz | Time - 49:46 minutes | 1,9 GB
Studio Master, Official Digital Download | Artwork: available

Moon Beams is a pivotal recording from the newly reformed and influential jazz ensemble, The Bill Evans Trio. Following the death of long-time band member Scott LaFaro, Bill Evans enlisted bassist Chuck Israels to perform on this soothing tapestry of jazz ballads. The subtle, yet mind-blowing set, included the haunting Evans' original, "Re: Person I Knew", a jazz rendition of "Stairway to the Stars" and the sublime, "Polka Dots and Moonbeams".
Bill Evans Trio - Moon Beams (1962) [2002, Analogue Productions Stereo SACD]  {RE-UP}

Bill Evans Trio - Moon Beams
SACD ISO (Stereo): 1,57 GB | 24B/88,2kHz Stereo FLAC: 730 MB | Artwork | 5% Recovery Info
Label/Cat#: Analogue Productions # CAPJ 9428 SA | Country/Year: US 1962, 2002
Genre: Jazz | Style: Post Bop, Instrumental, Modal

"…Analogue Productions has produced some of the best sounding piano on SA-CD, and this one is no exception. If you want to listen to Bill Evans' story you owe it to yourself to buy all three discs ('Saturday At The Village Vanguard' and 'Waltz For Debbie' are the other two)." ~sa-cd.net
Bill Evans Trio - Moon Beams (1962) [2002, Analogue Productions Stereo SACD]

Bill Evans Trio - Moon Beams
SACD ISO (Stereo): 1,57 GB | 24B/88,2kHz Stereo FLAC: 730 MB | Artwork | 5% Recovery Info
Label/Cat#: Analogue Productions # CAPJ 9428 SA | Country/Year: US 1962, 2002
Genre: Jazz | Style: Post Bop, Instrumental, Modal

"…Analogue Productions has produced some of the best sounding piano on SA-CD, and this one is no exception. If you want to listen to Bill Evans' story you owe it to yourself to buy all three discs ('Saturday At The Village Vanguard' and 'Waltz For Debbie' are the other two)." ~sa-cd.net
Bill Evans Trio - Moon Beams (2010) {Analogue Productions 45rpm 180g} 24-bit/96kHz Vinyl Rip plus Redbook CD Version

Bill Evans Trio - Moon Beams
Part of Bill Evans Riverside Recordings Box Set

Vinyl rip in 24-bit/96kHz | FLAC (5% Recovery) | m3u & Tech Log, no cue | HQ Artwork
798 MB (24/96) + 231 MB (CD) | RAR 5% recovery | DR Analysis | Jazz | 1962
Analogue Productions ~ APJ-018 (2010)
45rpm Double LP mastered by Kevin Gray ~ Pressed in Germany

is a 1962 album by jazz musician Bill Evans, and the first trio album recorded by Evans after the death of Scott LaFaro. With Chuck Israels on bass taking the place of LaFaro, Evans recorded several songs during these May and June 1962 sessions. contains a collection of ballads recorded during this period. The more uptempo tunes were put on .
The Bill Evans Trio - Moon Beams (1962) {2002 Analogue Productions Remaster}

The Bill Evans Trio - Moon Beams (1962) {2002 Analogue Productions Remaster}
EAC rip (secure mode) | FLAC+CUE+LOG -> 216 Mb | MP3 @320 -> 90 Mb
Full Artwork @ 400 dpi (png) -> 34 Mb
© 2002 RIverside / Analogue Productions | CAPJ 9428 SA
Jazz / Post Bop / Modal Music / Cool


The Bill Evans Trio - Moon Beams (1962) {2002 Analogue Productions Remaster}

Bill Evans was left reeling by the accidental death of his brilliant bassist Scott LaFaro in mid-1961 and didn't feel ready to record with his new bassist until nearly a year later. When he did go into the studio in May and June of 1962 with Chuck Israels and drummer Paul Motian, the "second trio" produced material for two albums that were to be among Evans's most popular. Moonbeams includes ballad material from the sessions.
Bill Evans - Momentum, Vol. 2 (1972) {2015 Japan Timeless Jazz Master Collection Complete Series}

Bill Evans - Momentum, Vol. 2 (1972) {2015 Japan Timeless Jazz Master Collection Complete Series}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 272 Mb | MP3 @320 -> 116 Mb
Full Artwork @ 600 dpi (png) -> 225 Mb | 5% repair rar
© 1972, 2015 Timeless Records / Solid Records Japan / Ultra-Vibe | CDSOL-6392
Jazz / Post Bop / Modal Music / Piano Trio

Reissue with the latest remastering. Features original cover artwork. Magical live material from Bill Evans in the early 70s – a double-length collection that showcases a time when Evans had an especially fluid, open touch on the keys of the piano! The group here features the great trio with Eddie Gomez on bass and Marty Morell on drums – and unlike some other live Evans albums of this nature, which tend to mike the piano more than the rhythm, this one really has all three points of the trio coming out strongly together – especially Gomez' wonderfully rich, round tones on the bass.
Bill Evans - Momentum, Vol. 1 (1972) {2015 Japan Timeless Jazz Master Collection Complete Series}

Bill Evans - Momentum, Vol. 1 (1972) {2015 Japan Timeless Jazz Master Collection Complete Series}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 252 Mb | MP3 @320 -> 102 Mb
Full Artwork @ 600 dpi (png) -> 222 Mb | 5% repair rar
© 1972, 2015 Timeless Records / Solid Records Japan / Ultra-Vibe | CDSOL-6391
Jazz / Post Bop / Modal Music / Piano Trio

Reissue with the latest remastering. Features original cover artwork. Magical live material from Bill Evans in the early 70s – a double-length collection that showcases a time when Evans had an especially fluid, open touch on the keys of the piano! The group here features the great trio with Eddie Gomez on bass and Marty Morell on drums – and unlike some other live Evans albums of this nature, which tend to mike the piano more than the rhythm, this one really has all three points of the trio coming out strongly together – especially Gomez' wonderfully rich, round tones on the bass.
Bill Evans Trio - Sunday At The Village Vanguard (1961) [2002, Analogue Productions Stereo SACD]

Bill Evans Trio - Sunday At The Village Vanguard
SACD ISO (Stereo): 2,75 GB | 24B/88,2kHz Stereo FLAC: 1,30 GB | Artwork
Label/Cat#: Analogue Productions # CAPJ 9376 SA | Country/Year: US 1961, 2002 | 5% Recovery Info
Genre: Jazz | Style: Post Bop, Instrumental, Modal

"Most of the APO analog to DSD conversions are great, but this one is probably the best from a sonic perspective. And if you like jazz trio's with articulate bass playing and a clear and purposeful piano technique, then you are in for a treat. This is a live recording set at the New York Village Vanguard jazz club with accompanying audience 'participation', though that never distracts. The Stereo separation is rather absolute left/right, with the piano in the right speaker and the rest in the left. There is virtually no center image…." ~sa-cd.net
The Bill Evans Trio - Moon Beams (1962) {2012 Riverside} [OJC Remasters Complete Series] (Item #21)

The Bill Evans Trio - Moon Beams (1962) {2012 Riverside} [OJC Remasters Complete Series] (Item #21)
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 288 Mb | MP3 @320 -> 119 Mb
Full Artwork @ 600 dpi (png) -> 159 Mb | 5% repair rar | 24-bit remaster
© 2012 Riverside / Concord | 0888072337183
Jazz / Post Bop / Modal Music / Piano

Concord Music Group releases three new titles in its Original Jazz Classics Remasters series. Enhanced with 24-bit remastering by Joe Tarantino, bonus tracks on each release (some previously unissued), and new liner notes to provide historical context to the originally released material, the series showcases pivotal recordings of the past several decades by artists whose influence on the jazz tradition continues to reverberate among jazz musicians and audiences well into the 21st Century.