With her marriage on the rocks and looking for a fresh start, Carole King moved to Los Angeles in 1967. More specifically, Laurel Canyon, where she fell in with the nascent singer/songwriter crowd. She and bassist/boyfriend Charles Larkey (formerly of the Myddle Class, a band she and then-husband Gerry Goffin had signed to their record label) soon formed a band, adding old friend from NYC, guitarist Danny Kortchmar. The trio spent time at King's house working on a batch of songs she had written with Goffin (some previously released by other acts, some not), plus some co-written by another member of Myddle Class, Don Palmer, and fellow Brill Building refugee Toni Stern. Thanks to their industry connections it wasn't long before they had a record deal. Adding drummer Jim Gordon and naming themselves the City, they hit the studio with Lou Adler producing. The outcome of the sessions was the thoroughly charming Now That Everything's Been Said LP. Released in 1968 on Ode Records, the album had one foot in the kind of radio pop bands like the Monkees and the Mamas & the Papas were cranking out and another in the earthy, homegrown realm of singer/songwriters like Joni Mitchell and, a few years later, King herself.
British jazz-funk combo Shakatak formed in London in 1980. Originally comprising keyboardists Bill Sharpe and Nigel Wright, guitarist Keith Winter, bassist Steve Underwood, and drummer Roger Odell, the group quickly scored an underground hit with its debut single "Steppin'," cracking the British Top 50 the following year with the singles "Livin' in the UK" and "Brazilian Dawn." Their debut LP, Drivin' Hard, was also well-received, and with the 1982 follow-up Nightbirds, Shakatak (which replaced Underwood with bassist George Anderson) scored their first Top 20 hit in "Easier Said Than Done"; the disc's title track also rocketed into the Top Ten. Nightbirds also introduced singer Jill Saward, who emerged as Shakatak's lead vocalist with the band's fifth album, 1984's Down on the Street, which notched the hit "Watching You"; 1985's Live preceded the release of the group's next studio effort, Day by Day.
Reissue with the latest remastering and the original cover artwork. Comes with a description written in Japanese. George Adams and Don Pullen knock it out of the park on this one – finding great company in each other's presence, and really moving things forward in the process! The set begins with a long track titled "Mingus Metamorphosis", and that really sums up the spirit of the record – an 80s reworking of all the ideas that the players had learned from Mingus, but with an individual, personal sense that's all their own – and very different than some of the more standard modes of the Mingus Dynasty group that continued the legacy in a more direct manner. Adams is bold one minute, lyrical the next – and plays both tenor and flute – alongside Pullen on piano, Cameron Brown on bass, and Dannie Richmond on drums.
The Disregard of Timekeeping is the debut album of British hard rock band Bonham, released in 1989. It was produced by Bob Ezrin, who had previously worked with Alice Cooper, Pink Floyd and Kiss; in addition to his usual production duties, he also co-wrote three of the tracks. The album features Trevor Rabin as a guest, who was the lead guitarist and songwriter with Yes from 1982 to 1994.
Recorded in just five days in the deep south of Nashville, Tennessee, Music City Soul sees one of Britain's most accomplished urban talents, Beverley Knight, return to her roots following the underperformance of 2004's highly commercial Affirmation. Despite its recording location, the Wolverhampton diva's fifth studio album hasn't gone all country, but instead focuses on the Southern soul sounds of the '60s that influenced her early career.