David Bowie had dropped hints during the Diamond Dogs tour that he was moving toward R&B, but the full-blown blue-eyed soul of Young Americans came as a shock. Surrounding himself with first-rate sessionmen, Bowie comes up with a set of songs that approximate the sound of Philly soul and disco, yet remain detached from their inspirations; even at his most passionate, Bowie sounds like a commentator, as if the entire album was a genre exercise. Nevertheless, the distance doesn't hurt the album – it gives the record its own distinctive flavor, and its plastic, robotic soul helped inform generations of synthetic British soul.
Diamond Dogs is a concept album by David Bowie, originally released by RCA Records in 1974. Thematically it was a marriage of the novel Nineteen Eighty-Four by George Orwell and Bowie's own glam-tinged vision of a post-apocalyptic world. Bowie had wanted to make a theatrical production of Orwell's book and began writing material after completing sessions for his 1973 album Pin Ups, but the late author’s estate denied the rights. The songs wound up on the second half of Diamond Dogs instead where, as the titles indicate, the Nineteen Eighty-Four theme was prominent.
40th Anniversary Heavyweight Vinyl & Hi Res Audio Edition. Here's the edition of Ziggy Stardust everyone has been waiting for since David Bowie executed the character onstage nearly 40 years ago. Originally released through RCA Victor on June 6, 1972, Ziggy Stardust was Bowie’s fifth album, co-produced by Bowie and Ken Scott. The album eventually peaked at #5 on the UK Album Chart. Its influence is immeasurable, as it converted legions of fans, becoming the zeitgeist and a major influence on the next generation, particularly to those involved in the punk movement. Famously, Bowie killed Ziggy at his peak at London’s Hammersmith Odeon, on July 3rd, 1973. Pop music was never the same again.
Excellent addition to any rock music collection
What a story! We have the latest David Bowie's work, and I ask you: What about the first? Is pointing to pure psychedelia, and he with his unmistakable voice and only 20 years old!
David Bowie returned to relatively conventional rock & roll with Scary Monsters, an album that effectively acts as an encapsulation of all his '70s experiments. Reworking glam rock themes with avant-garde synth flourishes, and reversing the process as well, Bowie creates dense but accessible music throughout Scary Monsters. Though it doesn't have the vision of his other classic records, it wasn't designed to break new ground – it was created as the culmination of Bowie's experimental genre-shifting of the '70s. As a result, Scary Monsters is Bowie's last great album. While the music isn't far removed from the post-punk of the early '80s, it does sound fresh, hip, and contemporary, which is something Bowie lost over the course of the '80s. –Allmusic.
David Bowie fired the Spiders From Mars shortly after the release of Pin Ups, but he didn't completely leave the Ziggy Stardust persona behind. Diamond Dogs suffers precisely because of this – he doesn't know how to move forward. Originally conceived as a concept album based on George Orwell's 1984, Diamond Dogs evolved into another one of Bowie's paranoid future nightmares.
Taking the detached plastic soul of Young Americans to an elegant, robotic extreme, Station to Station is a transitional album that creates its own distinctive style. Abandoning any pretense of being a soulman, yet keeping rhythmic elements of soul, David Bowie positions himself as a cold, clinical crooner and explores a variety of styles. Everything from epic ballads and disco to synthesized avant pop is present on Station to Station, but what ties it together is Bowie's cocaine-induced paranoia and detached musical persona. At its heart, Station to Station is an avant-garde art-rock album.