Britten

English String Orchestra, Benjamin Britten, William Boughton, Roger Best - Works for String Orchestra (1985)

English String Orchestra, Benjamin Britten, William Boughton, Roger Best - Works for String Orchestra (1985)
EAC Rip | FLAC (tracks+.cue, log) | Artwork (600dpi, png) | 415 mb | MP3 CBR 320kbps | RAR | 321 mb
Classical, Modern | Label: Nimbus Records - NI 5025

Here is the 1985 Nimbus release 'Benjamin Britten: Works for String Orchestra' performed by English String Orchestra conducted by William Boughton with Roger Best on viola. This particular Nimbus release has been out of print for some time now, but all of these works by Britten has been included on various later and more recent Nimbus releases.
Li-Wei Qin, London PO, Zhang Yi - Edward Elgar; Benjamin Britten; William Walton: Cello Concertos (2014)

Edward Elgar: Cello Concerto; Benjamin Britten: Four Sea Interludes
William Walton: Concerto for Violoncello and Orchestra (2014)
Li-Wei Qin, cello; London Philharmonic Orchestra; Zhang Yi, conductor

EAC | FLAC | Tracks (Cue&Log) ~ 315 Mb | Mp3 (CBR320) ~ 173 Mb | Scans ~ 92 Mb
Genre: Classical | Label: Decca | # 8896661 | Time: 01:15:26

An offering of two iconic British cello concertos, recorded with the London Philharmonic Orchestra and distinguished cellist Li-Wei Qin, separated by an atmospheric and musically detailed recording of Britten’s Four Sea Interludes conducted by Zhang Yi.
Ida Haendel, Bournemouth SO, Paavo Berglund - Benjamin Britten & William Walton: Violin Concertos (1978) Reissue 1992

Benjamin Britten & William Walton: Violin Concertos (1978) Reissue 1992
Ida Haendel (violin); Bournemouth Symphony Orchestra, conducted by Paavo Berglund

EAC | FLAC | Tracks (Cue&Log) ~ 270 Mb | Mp3 (CBR320) ~ 152 Mb | Scans included
Genre: Classical | Label: EMI Classics | # CDM 7 64202 2 | Time: 01:02:27

Ida Haendel’s sinewy and athletic reading of the often under-rated Britten combines toughness with a cumulative dramatic impetus which is hard to resist. Berglund and the Bournemouth players respond with a terse and argumentative vigour, suitably balanced between resignation and defiant rhetoric, especially in the closing Passacaglia. The Walton Concerto, also dating from 1938-9, is played with an apposite blend of inscrutable panache, as in the irrepressibly brilliant central movement, and elsewhere, a sensuous, if occasionally over-indulgent languor. Rare lapses in the finale can be safely overlooked, in a performance of eloquence and undisputed stature.

Noémi Boutin - Britten Cello Suites (2017)  Music

Posted by Pisulik at Jan. 18, 2017
Noémi Boutin - Britten Cello Suites (2017)

Noémi Boutin - Britten Cello Suites (2017)
Classical | MP3 CBR 320 kbps | 01:14:05 | 171 MB
Label: NoMadMusic | Release Year: 2017

Britten's works for the cello were the result of a close friendship with Mstislav Rostropovitch. The cellist inspired the composer with his Symphony for Cello and Orchestra, his Sonata for Cello and Piano, and the following three Suites - undoubtedly the most important corpus of cello music since the Bach Suites. This is a completely new music, totally unclassifiable and marked by the personality of Britten; A kind of re-reading of a baroque form that contains some of the most overwhelming pages that have been composed for the cello. Often absent from concert programs, the young French cellist Noémi Boutin chose to record them because, she says, "they possess the density, delicacy and visionary sensitivity of the greatest works.
Joo Yeon Sir & Irina Andrievsky - Britten, De Falla, Gershwin, Milhaud & Schnittke: Suites & Fantasies (2017)

Joo Yeon Sir & Irina Andrievsky - Britten, De Falla, Gershwin, Milhaud & Schnittke: Suites & Fantasies (2017)
Classical | MP3 CBR 320 kbps | 01:17:41 | 179 MB
Label: RUBICON | Release Year: 2017

Making their debut at the Festival in 2016, this scintillating duo brought the house down. Virtuosity on tap allied with subtle sensitivity is their trademark, and this year’s programme presents them with the opportunity to dazzle and enchant once again. The Waxman Carmen Fantasy was written with Jascha Heifitz in mind although it was Isaac Stern who first played it and only the brave and confident even think to take it on. With Irina Andrievsky as her regular accompanist, this duo, as one, promises tenderness, brilliance and committed music making of the highest order.
Emerson String Quartet - Chaconnes and Fantasias: Music of Britten and Purcell (2017)

Emerson String Quartet - Chaconnes and Fantasias: Music of Britten and Purcell
Classical, Chamber Music | WEB FLAC (tracks) & d. booklet | 73:33 min | 304 MB
Label: Decca | Tracks: 13 | Rls.date: 2017

Celebrating its 40th anniversary, the Emerson String Quartet releases Chaconnes and Fantasias – Music of Britten and Purcell.

V.A. - Benjamin Britten: The Collector's Edition (37CDs, 2008)  Music

Posted by Discograf_man at April 17, 2017
V.A. - Benjamin Britten: The Collector's Edition (37CDs, 2008)

V.A. - Benjamin Britten: The Collector's Edition (37CDs, 2008)
Classical, 20th century | MP3 CBR 320 kbps | 5,68 Gb
Label: EMI Classics

This Collector's Edition presents a challenge to reviewers. There's so much of it. I could never do it any sort of justice if I approached this as if reviewing a smaller set. This, after all, comprises 37 CDs. As it is all I have been able to do is to sample, reminisce about known recordings and write around the subject. With this caveat stated, let's make a start.
There are three principal strands of Britten recordings. These are broadly tied into and defined by record companies, artists and eras. First we have Britten recording Britten for Decca.

(Arte) Benjamin Britten War Requiem (2016)  Music

Posted by Morocco at Oct. 15, 2016
(Arte) Benjamin Britten War Requiem (2016)

(Arte) Benjamin Britten War Requiem (2016)
Webrip | Subtitles : French | 1h41min | 1280 x 720 | 25.000 fps | MKV | AVC Main@L3.1 @ 2725 Kbps | AAC @ 125 Kbps | 2,03 GB
Genre : Classical music

Le War Requiem op. 66 compte parmi les œuvres majeures de Benjamin Britten. Ode à la mémoire des morts de toutes les guerres, elle exprime tour à tour l'affliction et la réconciliation. Dans ce cri de révolte lancé contre la guerre, le compositeur britannique entremêle le texte traditionnel de la messe de requiem en latin et les vers déchirants de Wilfred Owen, «poète de guerre» tombé au champ d'honneur à l'âge de 25 ans, quelques jours avant l'armistice de 1918.
Britten / Debussy / Ravel & Others - Robert Shaw Festival Singers - Appear & Inspire (1996, Telarc # CD-80408) [RE-UP]

Britten / Debussy / Ravel & Others - Robert Shaw Festival Singers - Appear & Inspire
EAC+LOG+CUE | FLAC: 198 MB | Full Artwork | 5% Recovery Info
Label/Cat#: Telarc # CD-80408 | Country/Year: US 1996
Genre: Classical | Style: Vocal

The great contribution of Robert Shaw to choral music has brought the listener to expect that nearly any recording or live performance under Shaw's direction will be thoroughly stunning, refreshing and performed with remarkable musical insight…

Mozart - Idomeneo (Benjamin Britten) (2008/1969)  Music

Posted by Vilboa at Sept. 6, 2016
Mozart - Idomeneo (Benjamin Britten) (2008/1969)

Mozart - Idomeneo (Benjamin Britten) (2008/1969)
NTSC 4:3 (720x480) VBR | English (LinearPCM, 2 ch) | (Dolby AC3, 6 ch) | 6.78 Gb+4.03 Gb (DVD9+DVD5) | 163 min
Classical | DECCA | Sub: English, Francais, Deutsch, Espanol, Chinese

This DVD of the recently issued Britten/Pears mini series recorded by the BBC for television way back in the 1960's and the 70's is for all intents and purposes another resounding success. All four priceless documents were thought lost, but this Idomeneo seems to have had a charmed life more than others. Indeed, three days before the Aldeburgh première, the hall was left in cinders and it is something of a miracle that the television production could actually go ahead. First broadcast in May 1970, critics and viewers alike were unanimous in their praise. Sung in English to a version prepared by Maisie and Evelyn Radford, Mozart's first operatic masterpiece is even more telling. A lot of credit should go to Britten himself, who not only conducted with committed ardour, but also prepared a musical edition all of his own. The staging has a classical dignity and avoids austerity altogether and both Pears and Harper give impressive performances. (Gerald Fenech)