Continuing his impressive series of Anton Bruckner's symphonies on CPO, Mario Venzago leads the Bern Symphony Orchestra in period style performances of the Symphony No. 3 in D minor (1889 version) and the Symphony No. 6 in A major (1881 version), using scores edited by Leopold Nowak. Venzago strives for historically informed performances that give varying perspectives on Bruckner's development, employing different orchestras with each release to reveal important differences in the composer's orchestral conceptions and to show that there wasn't one prescription of how the symphonies should sound. Instead, Venzago rejects the massive and heavy-handed interpretations of the early 20th century and tries to re-create the 19th century sound world in all its variety and intimacy. The glistening, vibrato-less string tone, pungent woodwinds, and crisp brass and timpani are easily distinguished from the more homogenized tone colors of a modern symphony orchestra, and Venzago ensures that these distinctive timbres aren't obscured by keeping the orchestral sections lean and discrete.
López-Cobos is an excellent conductor with a wide repertory, best known for late-Romantic and the more colorful early 20th century literature. López-Cobos first led the Deutsche Oper Berlin in 1970, and would serve as general musical director for that company from 1981 to 1990. López-Cobos was named principal guest conductor of the London Philharmonic and served there from 1981 to 1986. In 1986, López-Cobos was named principal conductor and music director of the Cincinnati Symphony. With Cincinnati he would embark on an extensive recording schedule with Telarc, resulting in recordings of works by Respighi, Ravel, Richard Strauss, Wagner, Bruckner, Mahler, Falla, Bizet, Franck, and Dukas…
The warm and tuneful music of Atterberg – one of Sweden’s leading composers in the twentieth century – meets the idiomatic spirit and commitment of the Gothenburg Symphony Orchestra conducted by Neeme Jarvi, for volume four in this series. The third of his nine symphonies, featured here, is a set of three ‘West Coast Pictures’. These contrasted movements (‘Summer Haze’, ‘Storm’, and ‘Summer Night’) were inspired by the atmosphere and landscape of the archipelago on the Swedish west coast and written between 1914 and 1916.
Like his father, Neeme Järvi, Paavo Järvi is an internationally renowned classical music conductor of Estonian heritage with a deep catalog of recordings. Born on December 30, 1962, in Tallinn, Estonia, he and his family moved to the United States in 1980. His education includes studies at the Tallinn School of Music, the Curtis Institute of Music, and the Los Angeles Philharmonic Institute. For a decade he served as music director of the Cincinnati Symphony Orchestra prior to being named music director of the Orchestre de Paris.