The box contains a perfect overview of VIVARTE’s legendary catalogue of ancient music ranging from Vivaldi to Brahms. Most of the recordings received critical acclaim all over the world, many of them won prestigious awards and many are reference recordings.
Sony in Germany are to issue Falco 60, a new best of/rarities collection across a number of formats, to celebrate what would have been the 60th birthday of Austrian singer-songwriter Falco, who scored a memorable transatlantic number one back in 1985 with Rock Me Amadeus.
Falco 60 is being issued as a three-CD deluxe set which includes the hits, rarities and four new remixes by contemporary Austrian artists such as Ogris Debris and Parvov Stelar.
Celine Dion's A l'Olympia was recorded live at the legendary Parisian venue shortly after she scored her first U.S. chart-topper with "The Power of Love," which is included here. Therefore, the material on this disc consists mostly of early English-language hits ("Where Does My Heart Beat Now" and "Love Can Move Mountains"), and selections from her first U.S. French-language release, Dion Chante Plamondon, including the rousing "Des Mots qui Sonnent," "Le Blues du Businessman," and "Ziggy." There are two tracks on this collection which are unique to this album, those being the beautiful "Elle" and her version of the Bagdad Café theme…
Two classic easy-listening albums by Paul Mauriat and His Orchestra, originally released in 1977 and 1978 on the Philips label, together on one CD and remastered from the original analogue stereo tapes for Vocalion's trademark crystal-clear sound.
Verve Records was originally the product of the vision of jazz impressario Norman Granz (1918-2001). He formed the label in 1956 and moved all of the recordings released on his earlier Norgran Records and Clef Records labels to create the new Verve catalog.
In 1989, Steps Ahead consisted of Mike Mainieri on MIDI vibraharp, synclavier and acoustic piano, the young saxophonist Bendik doubling on keyboards, guitarist Steve Kahn, Tony Levin on electric bass and Chapman stick, and drummer Steve Smith. The powerful band did not have a great deal of subtlety by this era, but it helped to keep the much-maligned genre of fusion alive, mixing the sound of rock with jazz improvising.