C.p.bach Harpsichord Tablature

Bach: Harpsichord Concertos, Vol. 1 - Hakkinen, Helsinki Baroque Orchestra (2012)

Bach: Harpsichord Concertos, Vol. 1 - Hakkinen, Helsinki Baroque Orchestra (2012)
EAC Rip | Flac (Image + cue + log) | 1 CD | Full Scans | 399 MB
Genre: Classical | Label: Aeolus | Catalog Number: 10057

In 2012, too, there are prominent treasures to be found: Aapo Häkkinen plays Bach’s Concertos for solo harpsichord and strings – the crown jewels of the harpsichord and piano literature – on a 16’ harpsichord, that is to say, an instrument with an additional, very low sounding register. Although Bach probably used a similar harpsichord himself, this is the first recording of this cycle of works on an instrument of this kind built in a historical manner!
George Malcolm, Sir Neville Marriner - Arne, C.P.E. Bach & J.C. Bach: Harpsichord Concertos (2017)

George Malcolm, Sir Neville Marriner - Arne, C.P.E. Bach & J.C. Bach: Harpsichord Concertos
Classical | MP3 CBR 320 kbps | 74:16 min | 171 MB
Label: Decca | Tracks: 17 | Rls.date: 2017

* Featuring many tracks for the first time on CD. There were many worlds in George Malcolm's (1917–1997) universe – organist, harpsichordist, pianist, composer, choral director and conductor – and this one demonstrates his unique skill as a solo performer who, throughout his career, more than any other individual defined the harpsichord's identity in England.

Nicolas Alstaedt ‎- C.P.E. Bach: Cello Concertos (2016)  Music

Posted by SERTiL at Dec. 15, 2016
Nicolas Alstaedt ‎- C.P.E. Bach: Cello Concertos (2016)

Nicolas Alstaedt ‎- C.P.E. Bach: Cello Concertos
Classical | FLAC (tracks)+cue, log, booklet | 64:31 min | 329 MB
Label: Hyperion | Tracks: 09 | Rls.date: 2016

The unpredictable and 'fantastical' qualities which are so fundamental to the music of C P E Bach are here given free rein by Nicolas Altstaedt, aided and abetted by Jonathan Cohen and Arcangelo in performances of astonishing brio.
Michael Rische, Rainer Maria Klaas, Kammersymphonie Leipzig - C.P.E. Bach: Piano Concertos Wq.22, Wq.43/5, Wq.46 (2014)

Carl Philipp Emanuel Bach - Piano Concertos Wq.22, Wq.43/5, Wq.46 (2014)
Michael Rische, piano; Rainer Maria Klaas, piano; Kammersymphonie Leipzig

EAC | FLAC | Image (Cue&Log) ~ 239 Mb (incl 5%) | Mp3 (CBR320) ~ 143 Mb (incl 5%) | Scans included
Genre: Classical | Label: hänssler CLASSIC | # CD 98.027 | Time: 00:58:45

The previous two CDs from pianist Michael Rische of the Piano Concertos of Carl Philipp Emanuel Bach have been universally acclaimed for their high degree of musicality and the pianist’s passionate commitment to this composer. And in fact, much of the work of this highly original genius remains to be discovered. The 300th Birthday of Bach's second son offers an ideal occasion to become better acquainted with this extraordinary and surprising composer. In addition to the solo concertos, this CD also presents the Concerto for 2 Pianos and Orchestra Wq 46. In each work, Carl Philipp Emanuel Bach makes the claim - once again – of his unique place in the history of music, and as evident in these vital, life-affirming performances, is one of the truly great “rediscovered” composers of the past.
Gaillard, Pulcinella Orchestra - C.P.E. Bach Project, Vol. 2 (2016)

Gaillard, Pulcinella Orchestra - C.P.E. Bach Project, Vol. 2 (2016)
EAC Rip | Flac (Tracks + cue + log) | 438 MB | MP3 320Kbps CBR | 185 MB | 1 CD | Full Scans
Genre: Classical | Label: Aparte | Catalog Number: 118

After the success of their first volume Ophélie Gaillard and Pulcinella propose a second disc devoted to Johann Sebastian Bach's most talented and surprising son, Carl Philipp Emanuel (1714-1788). The Sinfonia in C major expresses multiple emotions, ranging from irrepressible suffering in the Adagio to joyous release and insouciance in the concluding Allegretto, tinged with near-Mozartian grace. The Cello Concerto in B flat reveals the influence of the waning Baroque era and Vivaldi in particular.
Anastasia Injushina - C. P. E., J. C., J. S. Bach: Keyboard Concertos (2013)

Anastasia Injushina - C. P. E., J. C., J. S. Bach: Keyboard Concertos (2013)
EAC Rip | Flac (Image + cue + log) | 1 CD | Full Scans | 260 MB
Genre: Classical | Label: Ondine | Catalog Number: 1224

This release by Russian-Finnish pianist Anastasia Injushina and the Hamburger Camerata under Ralf Gothóni doesn't fit into any of the usual pigeonholes, and it thus has a fresh, bracing quality. Injushina plays a modern piano, but she neither gives it a consistent, harpsichord-like sound nor plays the music with the full capabilities of the modern piano in mind. Gothóni likewise his small group of Hamburgers in accompaniments that are neither Baroque nor modern. What this enables the musicians to do is depict with uncommon accuracy the musical commonalities and differences among J.S. Bach and his sons.
Friedrich der Grosse - Graun, Nichelmann, C.P.E Bach, Friedrich II: Music for the Berlin court (2012)

Friedrich der Grosse - Graun, Nichelmann, C.P.E Bach, Friedrich II: Music for the Berlin court (2012)
FLAC (tracks) 24 bit/96 kHz | Digital Booklet | 1.32 GB
Genre: Classical | Official Digital Download - Source: Qobuz

The year 2012 marks the tercentenary of the birth of Frederick the Great, whose political and military glory has often relegated his musical talent to the status of a mere hobby. But Frederick II was not only the key personality of Berlin musical life for the whole of the 18th century – as is shown by the works of the composers presented on this CD, all of whom worked at his court at some point in their careers – but also an excellent flautist who left posterity a number of fine flute sonatas from his own pen.
Bach C.P.E. - The Complete Keyboard Concertos Vol.02 (Miklos Spanyi) (1996)

Bach C.P.E. - The Complete Keyboard Concertos Vol.02 (Miklós Spányi) (1996)
Classical | Eac. Flac, Img+Cue, Log | Covers | 423 MB
Label: BIS | Catalog N.: BIS-CD-708 | TT: 67:25

Carl Philipp Emanuel Bach was a German musician and composer, the second of five sons of Johann Sebastian Bach and Maria Barbara Bach. He was a crucial composer in the transition between the Baroque and Classical periods, and one of the founders of the Classical style, composing in the Rococo and Classical periods.
Miklós Spányi. The Hungarian organist, harpsichordist and pianist. For several years Miklós Spányi's work as performer and researcher has been focused on Carl Philipp Emanuel Bach. Today he is one of the world’s most acknowledged C.P.E. Bach scholars and performers.
Bach C.P.E. - The Complete Keyboard Concertos Vol.01 (Miklos Spanyi) (1995)

Bach C.P.E. - The Complete Keyboard Concertos Vol.01 (Miklós Spányi) (1995)
Classical | Eac. Flac, Img+Cue, Log | Covers | 391 MB
Label: BIS | Catalog N.: BIS-CD-707 | TT: 61:53

Carl Philipp Emanuel Bach was a German musician and composer, the second of five sons of Johann Sebastian Bach and Maria Barbara Bach. He was a crucial composer in the transition between the Baroque and Classical periods, and one of the founders of the Classical style, composing in the Rococo and Classical periods.
Miklós Spányi. The Hungarian organist, harpsichordist and pianist. For several years Miklós Spányi's work as performer and researcher has been focused on Carl Philipp Emanuel Bach. Today he is one of the world’s most acknowledged C.P.E. Bach scholars and performers.
Bach C.P.E. - Complete Flute Sonatas (Barthold Kuijken, Bob van Asperen) [1993]

Bach C.P.E. - Complete Flute Sonatas (Barthold Kuijken, Bob van Asperen) [1993]
EAC Rip | FLAC, IMG+CUE, LOG | Covers | 2cd, 457 MB
Classical | Label: Sony | Catalog Number: S2K 53964 | TT: CD1:74’57; CD2:65’02

The title of this release is thoroughly misleading. The album contains nothing like the ''Complete Flute Sonatas'' of C. P. E. Bach but only those for flute with obbligato harpsichord, of which there are but five. Eleven others for flute and continuo are omitted, along with Bach's single work for unaccompanied flute. Instead, the remaining five sonatas in the programme consist of two (BWV1020 and 1031) whose authorship has long been a matter of dispute; a trio for flute, violin and bass (H578) in which the violin part has been taken over by the right hand of the keyboard; another (H543) in which a similar adjustment has been made to Bach's two differently scored originals; and a duet for violin and harpsichord (H504) in which the violin part is taken by the flute. So, you can see that the title of the album is somewhat economical with the truth, though the accompanying essay by Barthold Kuijken clarifies the position.
– Nicholas Anderson, Gramophone [5/1994]