Cadillac Records: Music From the Motion Picture is the Grammy-nominated soundtrack album to the Golden Globe nominated film Cadillac Records. The soundtrack features covers of classic songs from Chess Records' singers as performed by the film's stars including Golden Globe nominated actress and 16-time Grammy Award winning singer Beyoncé Knowles (as Etta James), Eamonn Walker (as Howlin' Wolf) and Jeffrey Wright (as Muddy Waters). It also features original songs from contemporary artists such as Knowles' sister, R&B singer Solange and Rapper Nas. The soundtrack was nominated for a 2010 Grammy Award for Best Compilation Soundtrack Album for a Motion Picture, Television or Other Visual Media.
ndian percussionist Trilok Gurtu, the son of vocalist Shobha Gurtu, who had played with Don Cherry (1976), with Oregon (1984) and with John McLaughlin (1989), perfected a technique that draws equally from Indian tabla and dhol drums, from jazz music (cymbals, hi-hats) and from other ethnic cultures (gongs, congas, cowbells, snares). He even dipped resonating instruments in buckets of water to produce sounds that he could not produce with traditional instruments. He began his mission with the intense mixture of Indian music, jazz-rock and world-music of the CD Usfret (1988), featuring the likes of trumpeter Don Cherry, guitarist Ralph Towner, Indian violinist Lakshminarayana Shankar, Swedish bassist Jonas Hellborg, French keyboardist Daniel Goyone and his own mother, vocalist Shobha.
Here is a various artists compilation from the label Corazong Records titled 'From The Heart (A Taste Of Corazong Records)' issued in 2000. The selections include tracks from past releases on the label along with previously unavailable or rare tracks from some of the artists.
Bunny Brunel and Stanley Clarke make their presence know on all of the songs on Bass Ball. The two virtuosos (Bunny and Stanley) have very distinctive playing and soloing styles, making it easy to guess who's playing what on the album. In the liner notes, "Bass Ball" carefully outlines each bass player's part. However, If you know your bass players, you'll no trouble identifying these iconic players.
For a man of such talent and influence, New Orleans piano legend James Booker is amazingly under-recorded. This disc and its partner (Spiders on the Keys) offer up some measure of what the folks of the Big Easy might have heard if they caught Booker on one of his "on" nights (he was a known drug user and inconsistent in his playing). He is at his best here (recorded at the Maple Leaf between 1972-1982), focused and intense in his playing, wildly passionate on both keyboards and vocals.
A really special record from a really special group – one of two sublime 70s gems from Azteca – a wicked blend of jazz, funk, Latin, and soul – all put together by a young Coke Escovedo! Coke's ostensibly the leader of the group, but there's also a richly collaborative feel going on – a style that brings together jazz players like Tom Harrell on trumpet, Mel Martin on saxes, George Muribus on Fender Rhodes, and Flip Nunez on organ – and Latin players like Victor Pantoja on congas, Coke Escovedo on timbales, and Pete Escovedo on added percussion. In fact, the set's a key early example of the strength of the Escovedo family – and like their best later efforts, the set really stretches out and pushes the boundaries of conventional genres. There's also some great guest work from Lenny White on drums, Mike Nock on keyboards, and Neal Schon on guitars – and vocals are by a range of singers who really keep things fresh.
The Legacy Collection plunders the deepest depths of the Disney sound archive to collect, with unprecedented completeness, the audio histories of 11 classic animated films from each era of the Disney Studios, from Lady and the Tramp and Aristocats to Little Mermaid and the Lion King to Toy Story and Wreck-It Ralph, with one more CD devoted just to Disneyland. Each disc contains the full score of a film from opening to closing credits, unreleased rarities, and bonus material. Then there's the books.
This aptly named disc showcases James Booker's piano playing; his stretches and runs are breathtaking in their fluidity. This disc (along with its Rounder partner, Resurrection of the Bayou Maharajah) was culled from some 60 or so hours of tapes that John Parsons recorded at the Maple Leaf Bar from 1977 to 1982. The main difference in the music on the two discs is that this one is purely instrumental.
An early Blakey line-up in the years before Mobley/Timmons came on the scene – late 1957. Lets get real here, there is no world shortage of Art Blakey records. The interest is in Hardman and Griffin, a punchy and vigorous front line.
Seasons Change is an album by saxophonist Lee Konitz and vibraphonist/pianist Karl Berger recorded in Zürich in 1979 and released on the German Circle label. A beautiful pairing – the vibes and piano of Karl Berger, and the amazingly sharp alto tone of Lee Konitz!