Cadillac Records: Music From the Motion Picture is the Grammy-nominated soundtrack album to the Golden Globe nominated film Cadillac Records. The soundtrack features covers of classic songs from Chess Records' singers as performed by the film's stars including Golden Globe nominated actress and 16-time Grammy Award winning singer Beyoncé Knowles (as Etta James), Eamonn Walker (as Howlin' Wolf) and Jeffrey Wright (as Muddy Waters). It also features original songs from contemporary artists such as Knowles' sister, R&B singer Solange and Rapper Nas. The soundtrack was nominated for a 2010 Grammy Award for Best Compilation Soundtrack Album for a Motion Picture, Television or Other Visual Media.
Passengers is a collaboration between U2 and Brian Eno, so it should come as no surprise that the music on Original Soundtracks 1 is an extension of U2's last album, Zooropa. Under Eno's influence, the group incorporates more ambient electronic soundscapes, which unravel over the course of the album. In fact, Original Soundtracks 1 sounds more like a Brian Eno album than a U2 release, except when the band's knack for anthemic pop songwriting shines through every once and a while.
Born and raised in Philadelphia, Grammy Award winner BILLY PAUL began singing at the age of 12 and sometimes performed on local radio shows. Drawing inspiration from his family's collection of 78's, Paul would incorporate Jazz, R&B and Pop into his style, resulting in a unique sound that became synonymous with Philadelphia International Records throughout the 1970's. Billy became well known on his local circuit, singing in clubs and later around college campuses all over the country, which later led to him performing live with some of the biggest names in black music of the 60's and 70's including Dinah Washington, Miles Davis, Nina Simone and Roberta Flack to name a few.
In the 22 months that passed between the release of Rosanne Cash's wonderfully articulated Rules of Travel and Black Cadillac, she became an orphan. She lost her stepmother, June Carter Cash, in May of 2003; her father, Johnny, passed away in September of that same year; and in May of 2005, her mother, Vivian Liberto Cash Distin, left this world as well…
8 CD collection of soundtracks to the creation of the famous British surreal comedy group.
The first solo album by Juhani Aaltonen, a rarity since its original release in 1974 on Love Records. Saxophonist and flautist Juhani “Junnu” Aaltonen is a living legend among Finnish jazz musicians, having also performed stints with rock groups such as Tasavallan Presidentti. Encouraged by the ubiquitous Edward Vesala, with whom Aaltonen recorded several albums over the years, he ended up in the recording studio as a band leader. Vesala’s influence is evident on the resulting album Etiquette, which also features a host of other remarkable musicians as well, such as guitar hero Hasse Walli, bassist Pekka Sarmanto and saxophonist Sakari Kukko in his pre-Piirpauke days.
FIRST CHOICE, a female vocal trio hailing from Philadelphia, spent much of the 1970s signed to Philly Groove Records under the management of legendary Salsoul guitarist, songwriter and producer, Norman Harris. They released a string of hits throughout the mid to late 70s, the most prominent of which has to be their 1977 hit, Let No Man Put Asunder from the album Delusions which has almost 50 samples to its name, not including the countless samples of the 1983 Frankie Knuckles and Shep Pettibone remixes.
When Gillian Welch released her debut album, Revival, in 1996, plenty of listeners and critics were taken aback by her strikingly accomplished re-creation of the sound and mindset of country music of the '20s and '30s, as if she'd miraculously stepped out of Harry Smith's Anthology of American Folk Music into Nashville in the late 20th century. It soon became common knowledge that Welch was born in New York City and had attended the Berklee School of Music, leading many to question the sincerity of the artist and the validity of the work. Twenty years later, Welch has released Boots No. 1: The Official Revival Bootleg, a collection of outtakes, demos, and alternate versions committed to tape before or during the making of Revival.
It was always going to be a dangerous mission. Trevor Churchill’s brainchild, THE GOLDEN AGE OF AMERICAN POP, had been in development for some time and the prototype was about to be launched into the fray with a bundle of seemingly undifferentiated repertoire. The potential embarrassment factor was high with risk of heavy flak on the way and snipers on the ground in the landing zone. Trevor was calling for volunteers. There was a lot of nervous shuffling among the ranks. Some of the lads took to studying their toecaps, while others took an inordinate interest in the state of their cuticles, or tried to look inconspicuous by melting into the background.