Revered as one of the originators of swamp rock, Tony Joe White has recast a number of his classic songs on Deep Cuts, proving that time has no jurisdiction over funky. His signature groove, starting from his 1969 hit "Polk Salad Annie," is what he uses to paint a vivid picture of the world he experienced growing up, where poverty provided unity between otherwise divided races and bad-news women were sometimes too good to pass up. Tony Joe cut the tracks with his son Jody providing a rich palette of beats and loops, utilizing both digital and live drums, strings, organs, and the unmistakable timbre of his guitar. White's time-worn baritone is positively haunting, like a restless spirit conjured by the funk that was always the core of his music.
Lou Reed has a new album out although you might not know about it yet. Metal Machine Trio: The Creation of the Universe is an instrumental double album recorded over two nights at Los Angeles' Redcat. These two special live concert recordings of non-vocal music featuring Lou on guitar and electronics, Ulrich Krieger on tenor sax and live-electronics, and Sarth Calhoun on live processing and Fingerboard Continuum.
The second “Bluesin’” volume in the “By The Bayou” series concentrates on musicians from South Louisiana and South East Texas discovered and recorded by J.D. Miller and Eddie Shuler. These two giants of the post-war recording scene were supreme talent-spotters. They knew the sounds that appealed to the local record-buying public, their target audience. What they couldn’t have known, or even guessed at in their wildest fantasies, was that the appeal of their recordings would last so long and encompass the globe.
Few rock & roll or R&B guitarists of the '50s and '60s have a more consistently frantic body of work than the great Mickey Baker, though his name isn't nearly as well-known as Chuck Berry, Bo Diddley, or Ike Turner. Baker did most of his work as a sideman, and his best-known recordings as a headliner found him playing second fiddle to Sylvia Robinson as half of Mickey & Sylvia (whose "Love Is Strange" remains a puzzling delight 50 years after it was recorded), but folks who know and love first-era rock & roll are aware of Baker's greatness, and this collection is a superb overview of his work, both as a bandleader and as a hired gun.
Erroll Louis Garner (1923-1977) was an American jazz pianist and composer known for his swing playing and ballads. His best-known composition, the ballad "Misty", has become a jazz standard. Scott Yanow of Allmusic calls him "one of the most distinctive of all pianists" and a "brilliant virtuoso".
Speakerboxxx/The Love Below is the fifth studio album by American hip hop duo OutKast. It was released on September 23, 2003, by LaFace Records. Issued as a double album, its playtime of more than two hours is distributed over solo albums from each of the group's members. Big Boi's Speakerboxxx is a Southern hip hop album with a P-Funk influence, while André 3000's The Love Below features psychedelic, pop, funk, electro, and jazz styles.
The Blues Masters series, much to Rhino`s credit, adopts an expansive definition of blues, allowing the likes of Count Basie, Blind Lemon Jefferson, Muddy Waters and even Louis Prima admission. There is none of the purist`s quibbling over strict 12-bar form or the relative significance of prewar and postwar styles.
What Rhino delivers instead is the blues in all its myriad guises. This music is old and new, black and white, acoustic and electric, folksy and jazzy, performed by women and men, and yet it is all still blues at its core.
George Bernard "Bernie" Worrell, Jr. (April 19, 1944 – June 24, 2016) was an American keyboardist and composer best known as a founding member of Parliament-Funkadelic and for his work with Talking Heads. He is a member of the Rock and Roll Hall of Fame, inducted in 1997 with fifteen other members of Parliament-Funkadelic. Worrell was described by Jon Pareles of The New York Times as "the kind of sideman who is as influential as some bandleaders."