Album compilation by the Andalusian poet and songwriter Jose 'Carlos Cano' Fernández (1946-2000), the singer that with his voice and his sober guitar recovered and revitalized the popular ballad, the song of the people and especially set which has been called Andalusian song, which he claimed beyond the Spanish copla label. His repertoire was extended by many different styles (habanera, pasodoble, carnival murga, fado, cueca, tango, bolero, samba, etc..) Here are some of his best works published before 1995.
The greedy relatives of an amnesic and paralytic 45 years old millionaire try him to recover his memory by any means. Surreal look at a family's attempts to shock, bully, frighten, coach, and cajole Antonio Cano into regaining his memory and his management powers after an auto accident. He's middle-aged, wealthy, the leader of a family corporation. After the accident he can't remember his Swiss bank account numbers, can't sign documents, and can't lead his board of directors.
Jordi Savall has brought us yet another treasure on his own Alia Vox label, this time a mixed bag of music by Reformation Era composers and a handful of slightly earlier works. It’s all taken from a concert program Savall gave last year under the aegis of “greatest hits of the court of Charles V”. The composers presented are mostly court musicians for that Holy Roman Emperor, but Josquin and Heinrich Isaac also are included, the latter as a nod to Charles’ grandfather, Maximilian I, who was responsible for getting Charles the crown. Savall combines his first-rate instrumental ensemble, updated to Hespèrion XXI, with his own vocal group, La Capella Reial de Catalunya. The results are captivating. Savall’s musicians are tops in the field, and their collective talents, constantly on display in this varied program, are simply a joy to hear.