Thunderstorm: A Surround Sound Experience SACD will completely transform any living space into the heart of a crackling thunderstorm. Specially designed and produced for SACD (Super Audio Compact Disc), but playable on any standard CD player, you will experience 64 times the clarity, depth, and audio resolution of a traditional CD. And featuring true 5.1 high-resolution surround sound, this Solitudes Thunderstorm SACD offers an audio experience like no other. It really is the next best thing to being there.
This lesser-known Sonny Clark session (his only studio album not made for Blue Note) is sometimes issued under drummer Max Roach's name, too. They are joined by bassist George Duvivier for a set of generally obscure Clark originals including "Minor Meeting," "Blues Mambo," and "My Conception" (which is taken as an unaccompanied piano solo). Although not obvious while listening to his recording, Clark's life was in decline and this would be his penultimate date as a leader.
Throughout her lengthy artistic career, pianist Martha Argerich has experienced many heights and depths: moments of "crisis" in which she hasn't always seemed prepared to offer the full extent of her artistic insights, but also many, many times when she has managed simultaneously to come into her own and to completely lose herself in music-making. Fortunately it's the latter snapshot of Argerich's career that this CD captures, drawing from two live recitals Argerich gave at Amsterdam's Concertgebouw in 1978 and 1979.
The SACD mix on this album is amazing. Sting never sounded better. Makes the album come alive and seem like STing is right in the living room. The 5.1 mix is very well done. Just wish they would do the same for Ten Summoners Tales.
The Zombies are a British pop group, first active in the 1960s. Following The Beatles in 1964 as part of "The British Invasion" of the USA, they were the second UK group to score an American #1 hit. The Zombies were uniquely different, with a subtler style, often jazzier and more inventive chord structures, the prominent keyboards of Rod Argent, and the distinctive voice of Colin Blunstone. She's Not There and Tell Her No were quick hits, but despite continually stunning musical output that has influenced other artists ever since, another hit record was more than four years away, after they'd broken up! This collection, remastered for SACD, covers the Zombies' short and tasteful career, spanning their 1964-1967 years for Decca Records, and their single album, the classic Odessey & Oracle, for Epic Records in 1968…
This hybrid SACD contains stereo and 4.0 multi-channel audio and I think it's fantastic!
In essence, Tomita's The Planets is an electronic rendition of The Planets by Gustav Holst. The idea of messing with a classic like The Planets might offend some, but not me - I love it! His interpretation is incredibly imaginative and works a treat because each piece manages to capture some of the mood and emotion of the original as scored by Holst, yet also adds something to make it sound truly special. Not only does it work tremendously well as a piece of music, it sounds great too i.e. it sounds spectacular in stereo and multi-channel, as hi-res music should.
David Chesky, born in Miami in 1956, settled in New York City in the 1970s and now identifies himself as an "urban orchestral composer." His Urban Concertos, of which he has written nearly a dozen, constitute his most substantial output. In the program notes for this recording of three of his concertos, he wrote, "Perhaps one can say my style is neo-impressionist. But I do not live on some quaint idyllic country farm, I live in the city that never sleeps! It is a hard-driving concrete jungle that pulsates around the clock." "Pulsating" is an apt descriptor for Chesky's music, which is notable for its restlessly high energy and rhythmic propulsiveness.