We grew up with soundtracks like “Alien” by Jerry Goldsmith and Bernard Herrmann’s “Psycho”. Reaching to more recent composers, Michael Giacchino (Star Trek) and John Debney (Predators) are an inspiration for us as composers. It triggered a deep longing within us to create a tool series for scoring film in a way that just hadn’t been done before. Tutti opens a new world of rich cinematic orchestral sound and offers you a broad range of unique sounds with a character that is unmatched in richness and quality. What we did was create sections with full orchestral cues spanning 4 to 8 bars. Each cue was recorded in a staggering 5 positions and each of these positions is 100% available for editing in the effective Sonokinetic user interface.