Reissue with the latest remastering. Features original cover artwork. This Timeless CD is a bit unusual in that guitarist Charlie Byrd sings the first six numbers; it is only the second time in his career he has taken vocals on record. His singing is simple and generally effective if not too memorable. The final 11 numbers are instrumentals (odd programming) and also surprising in that the emphasis is on standards, often from the swing era; there is only one Brazilian song (Antonio Carlos Jobim's "So Danca Samba"). Byrd (in a trio with bassist Joe Byrd and drummer Chuck Redd) is in generally fine form overall although it is doubtful that he will get too many requests to feature his singing in the future.
Herb Ellis, Tal Farlow and Charlie Byrd exemplify the breadth of American jazz. These elder statesmen of the instrument have well over a century of combined knowledge and experience, and their styles cover a vast spectrum of the music, from straight-ahead swing, to be-bop, to bossa nova and beyond. Herb Ellis established an impeccable standard for swinging, mainstream jazz guitar through his extensive work in concert and on record with numerous great jazz instrumentalists including Oscar Peterson, Ray Brown, Harry Edison and singer Ella Fitzgerald.
Having been a major part of Stan Getz's very popular Jazz Samba album, it was only fitting that guitarist Charlie Byrd would start recording his own bossa nova records. This CD reissue brings back the 12 songs originally on the Riverside LP Bossa Nova Pelos Passaros plus six of the 11 tunes from Once More! Bossa Nova. Byrd and his trio (which included bassist Keter Betts and drummer Bill Reichenbach) are augmented on some selections by strings, extra percussion, plus horns.
Tasteful, low-key, and ingratiatingly melodic, Charlie Byrd had two notable accomplishments to his credit applying acoustic classical guitar techniques to jazz and popular music and helping to introduce Brazilian music to mass North American audiences.
Charlie's extraordinary technique and unique arrangements have influenced guitarists everywhere.
Charlie Byrd was that rarest of birds in the ornithology of music- one who could shape his plumage to fit into virtually any setting. Not content to rest on his laurels as a virtuoso jazz guitarist, Byrd was equally comfortable negotiating a tightly composed classical chart, sculpting a lilting Bossa Nova, strumming out a down-home blues or testing his nimble plectrum on a time-tested pop tune. The fact that he was fortunate enough to jam with guitar maestros as varied as Django Reinhardt and Andres Segovia added further to his mystique. ~ AllAboutJazz
Since the kick-off early 2012 of “K(ing) (O)f (T)he W(orld)” (Erwin Java – guitar, Fokke de Jong – drums/backing vocals, Govert van der Kolm – Hammond/backing vocals and Ruud Weber – lead vocals/bass) things have developed prosperously for this Dutch blues-, rhythm & roots band. In less then 4 years the band built a solid name in the blues scene through the release of 2 studio – and 1 live album (Can’t go home 2013, KOTW 2014 and Live at Paradiso 2015). All 3 albums scored sheer positive reviews as well in the Dutch as in the foreign music press. But also a great live reputation has been built up through shows at the North Sea Jazz Festival…
Reissue with the latest remastering and the original cover artwork. Comes with a description written in Japanese. West coast meets Dutch jazz – in this sweet set that features Bob Cooper on tenor and Conte Candoli on trumpet – both musicians who rose to fame in the LA scene of the 50s, but who still stand plenty strong here with the trio of Rein DeGraaff in the 90s! Cooper and Candoli continued to play often over the years – even after both had lost the opportunity to record much as leaders – and the musicians are in fine form here, with strong backing from Rein's trio that also features Koos Serierse on bass and Erik Ineke on drums.