A totally excellent bit of funk from Chico Hamilton – working with a great group that more than helps their leader live up to the album's title! The record's a real lost gem – and it's got Chico working in much funkier territory than before, grooving with complicated rhythms, and a heavy sound that features lots of work on organ and guitar. Lowell George (of Little Feat fame) is playing slide guitar in the group, giving the sound a great, muddy propellant – which only gets stronger with the help of Simon Nava and Sam Clayton on congas, plus heavy organ and piano by Stu Garner, Jerry Aiello and Bill Payne. Includes the killer Latin groover "Conquistadores 74", plus "Stu", "Feels Good", "Fancy", "Stacy", Gengis" and "I Can Hear The Grass Grow".
Chico Hamilton Trio Introducing Freddie Gambrell is an album by drummer and bandleader Chico Hamilton released on the World Pacific label. Freddie Gambrell was a little known West Coast pianist playing at San Franciscos Bop City club when, in 1956, Chico Hamilton heard him for the first time. I was so impressed while listening to him play that I felt I must play with this guywhich often happens to a musician when he hears something that he really digs, especially if he is right there when its happeningand so I did, said Hamilton. Gambrells fresh, lively talent was immediately accepted throughout the jazz scene when his playing was heard on his first album, under Chico Hamiltons leadership.
Features 24 bit remastering and comes with a mini-description. Other than two selections put out on a sampler and the soundtrack from the 1958 Newport Jazz Festival, this LP is quite significant for having the first recordings of Eric Dolphy with the Chico Hamilton Quintet. Dolphy's solos (on alto, flute and bass clarinet) are brief, but he already sounded fairly distinctive. The third version of Hamilton's popular Quintet also included the drummer/leader, cellist Nate Gershman, guitarist Dennis Budimir and bassist Wyatt Ruther. On this album, half of the tunes are played by the basic quintet, while the remaining five songs have an added string section. The West Coast jazz chamber music generally holds one's interest, but has been out of print for some time.
This set combines two Chico Hamilton LPs from Impulse Records, El Chico and Further Adventure of El Chico, both issued in 1966 separately. The 18 tracks include pleasant arrangements of the standards "The Shadow of Your Smile," "My Romance," "Stella by Starlight," and pop songs of the era “Monday, Monday,” “Daydream,” and “People.” While the drummer’s choice of musicians on these sessions, including Clark Terry, Charlie Mariano, Gabor Szabo, and Jimmy Cheatham is impeccable, it’s the addition of Latin percussionists Willie Bobo and Victor Pantoja that make these recordings stand out.
Chico Hamilton in the 70s just can't miss – he's really changed loads from his mellow 50s work in LA, and has a tendency to go for a hard grooving sound – but also one that's slightly left of center than the work of most other 70s jazz drummers – and we mean that in a good way! This cooking set for Blue Note is a great example of that offbeat approach – a tight set of fusion tracks with a warm finish and an edgey approach to the rhythms – awash with some really compelling numbers that will have you hunting down the rest of Chico's work from the decade!
The original Chico Hamilton Quintet was one of the last significant West Coast jazz bands of the cool era. Consisting of Buddy Collette on reeds (flute, clarinet, alto, and tenor), guitarist Jim Hall, bassist Carson Smith, and the drummer/leader, the most distinctive element in the group's identity was cellist Fred Katz. The band could play quite softly, blending together elements of bop and classical music into their popular sound and occupying their own niche. This six-CD, limited-edition box set from 1997 starts off with a Hamilton drum solo from a 1954 performance with the Gerry Mulligan Quartet; it contains three full albums and many previously unreleased numbers) by the original Chico Hamilton band and also has quite a few titles from the second Hamilton group (which has Paul Horn and John Pisano in the places of Collette and Hall).
Features 24 bit remastering and comes with a mini-description. Different is right – as this obscure early 60s side shows Chico Hamilton really opening up, moving past the modern chamber style of the late 50s, into the freer modal rhythms that characterized his incredible work of the 60s! The group's the beginning of that sound too – with Charles Lloyd on tenor and flute, Gabor Szabo on guitar, and Albert Stinson on bass – joined by George Bohannon on trombone, who slides around the grooves to expand the bottom of the album's sound nicely!
One more amazing chapter in the mighty development of drummer Chico Hamilton – a killer 70s session for Blue Note – and a record that goes way beyond his earlier experiments of the 50s, modal grooves of the 60s, and funk work for the Flying Dutchman label! The style here is fusion, but way fresher than the usual type – neither jamming rock-styled, nor mellow and smooth – and instead always tickled by Hamilton's sense of a unique rhythm, and his continued great ear for inventive use of reeds – in this case handled by Arthur Blythe on alto and Arnie Lawrence on soprano and tenor sax. The set's also got Steve Turre on bass and trombone, and both Barry Finnerty and Joe Beck on electric guitars – but the real genius is Chico himself, who handled arrangements and wrote most of the album's great tracks. Titles include the exotic number "Abdullah & Abraham" – plus "Andy's Walk", "Peregrinations", "It's About That Time", "Sweet Dreams", "On & Off", "Little Lisa", and "Space For Stacy".