What’s so instantly striking about Crosby, Stills and Nash’s CSN, their second group album in eight years, is that it sounds so much like the debut LP even though its makers are so vastly changed. Since CS&N, and later Y, were always at the vanguard of the conspicuous counterculture (always ready to hoist their tie-dyed freak flag at a moment’s notice), their current reflection and hesitancy are especially interesting. And, because the music is so eerily familiar, the album communicates a kind of time warp (imagine if we knew in 1969 what we know now) that’s compelling and troubling.
Essential: a masterpiece of progressive rock music
After the lacklustre Unfortunate Cup of Tea, the next album was going to be a watershed for Horslips. In the end, they returned broadly to the formula that had brought them so much acclaim for The Tain and produced a concept album based on Irish mythology and full of great songs based on Irish traditional tunes. And it works just as well as The Tain, having brought them enormous critical acclaim. If anything, they show their amazing musicianship off even more, with Charles O’Connor’s fiddle and mandolin swopping riffs with Johnny Fean’s scything lead guitar and Jim Lockhart’s flute,whistle, pipes and keyboards.
Essential: a masterpiece of Folk music
Brady’s first solo album, Welcome Here Kind Stranger is his second (and final) folk recording prior to his embarking on a successful, long-term foray into the realm of mainstream rock. Its title is a phrase taken from one of the album’s songs: “The Lakes of Pontchartrain”. The album was initially released (vinyl and cassette) on Dónal Lunny’s Mulligan label (LUN024) in 1978 and was voted “Folk Album of the Year” by Melody Maker magazine. The album was never officially released on CD due to a breakdown in the relationship between Brady and the Mulligan label and remained out of print for many years, until finally re-mastered and released in 2009 on Brady’s own label, PeeBee Music.
Originally released in 1983, this album was recorded in between the 2 Toto albums "IV" and "Isolation", and includes most of the Toto band members, plus almost all the best studioperformers of L.A. at the time (Tom Kelly, Billy Steinberg a.m.o). The songs are well written and powerfully recorded. The 2 best known songs are the title track "Taking A Cold Look" and "Alone". The last one was also released some years later by the band Heart, but I personally like this original version better. If you like the mid-80's AOR/Westcoast sound, this album is a MUST, and the sooner you buy it, the better - for you!
Excellent addition to any prog rock music collection
A sublime collection of wonderful timeless music to treasure.
Upon seeing the `New Age Collection’ tag on the front cover of Rick Wakeman’s `Country Airs’, I expected to find a disc full of faceless digital synths to backing sounds of nature and stormy rainforests. What a pleasure to find not a single cold machine, instead a stunning collection of solo piano pieces.
The gravest danger in the resurrection of Planxty was always that, in attempting to recreate the extraordinary verve and majesty of their original incarnation, they neglected natural current instincts and succeeded only in becoming a parody of their former selves. That they managed with ease to avoid this considerable pitfall alone makes this a great record.
Despite being major contenders for a decade, Trivium have made a habit of taking subtle detours with each album and never quite nailing their colours to one musical mast.