Manuel Blancafort i de Rosselló was born on 12th August 1897 in the spa town of La Garriga, near Barcelona, into an educated, middle-class Catalan family. His parents owned a famous hotel in the town which was frequented by many artists, intellectuals and politicians. An enterprising man, and an enthusiast for technological innovation, his father had also set up a factory in La Garriga to produce pianola rolls, and this in effect became Blancafort’s music school. It was his meeting with Mompou, in 1914, that was to prove the most significant for the young Blancafort, not only musically but also aesthetically and spiritually. Mompou took on the rôle of elder brother, supporting Blancafort and guiding him as he took his first steps as a composer …….
Ludwig (or Léon) Minkus does not rank very high on anyone’s list of distinguished composers, but his music nonetheless survives thanks to the tuneful scores he turned out for the ballet, particularly for the choreographer Marius Petipa. And it is probably Don Quichotte that is the best-known today, closely followed by La Bayadère . Until the Russian ballet companies began touring the West in the 1950s and 60s, audiences knew only the pas de deux, which was a staple of many a touring company. But once the Kirov and Bolshoi showed us that there was considerably more to the work, productions began to proliferate. Rudolf Nureyev even made a full-length film of the ballet almost 50 years ago with the Australian Ballet Company, which allows us to see the captivating Lucette Aldous. He then went on to stage the piece for many other companies, including the Paris Opera. Aside from the fact that today we don’t know how much of Don Quichotte is actually the work of Petipa, as it was revived and revised by Alexander Gorsky, among a great many others, rendering meaningless the credit “based upon Marius Petipa,” what Nureyev gives us is his version of the ballet as danced by the Kirov during his time with that company.
Guiomar Novaes was a notable pianist. Her style was characterized for a sense of the tonal color as few pianist have been able to have it. This recording is fundamental for you , because the Grieg Concert is played with majesty and avoiding the inherent sentimentalism in which the most of the pianists fail. She knew how to get the involving sound , avoiding the excess of sensibility so typical of the romanticism movement. She turns the melody in a sugerent and impresionist portrait, giving a natural gaze not a picture museum gaze. That is why her Mendelssohn's songs without words have no equal rivals. Try to find it.
Born in Toledo, Manuel Canales (1747-1786) moved to Madrid around 1770 and entered into the service of the Duke of Alba. A frequent visitor to the court of King Carlos III, he likely associated with his more famous contemporary, Luigi Boccherini, who was also in this flourishing cultural center at the same time. Canales' string quartets show a familiarity with his work, as well as with the early compositions of Haydn.
Originally published in London, these 3 quartets form the first half of Op.3. The only known chamber works of Canales, these compositions follow the usual four movement format, although they place the Minuet as the 2nd movement, instead of the more customary 3rd position.
Parce qu’un manuel est fait pour être utilisé dans une classe avec des élèves, la collection Repères a été développée par des enseignants de terrain, pour des enseignants de terrain, dans le but de répondre aux besoins réels des élèves et des professeurs. …