Psychedelic rock group from Israel, came to life in 2005, as four young musicians gathered up from the Israeli country side, growing up in a Kibbutz. As the years passed by, their powerful sound and live performances gave the band the status of a rock movement with Deep Musical roots. TREE is a familiar Sound, with a new artistic statement. TREE has set a reputation of never playing the same show twice, with their ever-growing crowd attending to every gig the fans know to expect the unexpected. But for all of those who never saw TREE live, it is a voyage of a lifetime.
Charlie Parker was a legendary Grammy Award–winning jazz saxophonist who, with Dizzy Gillespie, invented the musical style called bop or bebop. Charlie Parker was born on August 29, 1920, in Kansas City, Kansas. From 1935 to 1939, he played the Missouri nightclub scene with local jazz and blues bands. In 1945 he led his own group while performing with Dizzy Gillespie on the side. Together they invented bebop. In 1949, Parker made his European debut, giving his last performance several years later. He died a week later on March 12, 1955, in New York City.
Although Chet Baker's recordings from late in his life varied dramatically in quality, this series of studio sessions is a high point in his career. After having his trumpet stolen, he plays beautifully with a borrowed flügelhorn throughout most of these songs with a powerful tone, especially on "Baby Breeze" and Hal Galper's intense "This Is the Thing." Baker delivers some strong vocals on the session led by pianist Bobby Scott, though Scott's huge hit "A Taste of Honey" is marred somewhat by his odd honky tonk piano in the background.
It took Frank Rosolino's widow Diane many years to find a label willing to release this music, and that is understandable. Frank Rosolino, one of jazz's greatest trombonists, went crazy on November 26, 1978, shooting two of his sons and killing himself. The completely unexpected turn of events from a trombonist who was witty and always seemed in good spirits was a shock to the jazz world, but he had apparently suffered from depression for years. In addition, the music on The Last Recording, recorded less than four months before the horrible ending, features Rosolino using a Multivider on his horn, an electronic device that gave him a sound in three octaves at once.
CD 1 written & produced by Jake Stephenson (aliases here: Ganja Beats, Bass Meditation, Lunar and more).
CD 2 was compiled by Chris Organic at the Organic Control Centre, London. Heyoka, Mental Flozz, Karmahacker and more.
CD 3 written & produced by Phil Merrall (aliases here: Jupiterhead, Freq, Trance Twin Quartet, Beat System and more).
CD 4 written & produced by Matthew Hillier from Ishq. (Aliases here: Ark, Sunshine Superman, Protein Injection Queen and more).
This double CD collects all of the Dizzy Gillespie Big Band sides from 1946-1949 for the Bluebird and Musicraft labels, including seven previously unissued cuts. These bands were renowned for their hard-swinging styles that accented the toughness of bebop wailing R&B and Latin/Cuban grooves. Some of Diz's sidemen included Milt Jackson, Cecil Payne, Ray Brown, Willie Bobo, Yusef Lateef, Johnny Hartman, Leo Parker, John Lewis, Sonny Stitt, Kenny Dorham, James Moody, Ernie Henry, Al McKibbon, and dozens of others. Here are formidable versions of "Two Bass Hit," "Cubana Bop," "Jump Did-Le-Ba," "Oop-Pop-A-Da," and many others. In addition to the studio sides there is an entire Paris concert included from a radio transcription, making these sides indispensable. The only downside is the lack of liner notes – though full session notation is included.
Each box contains 25 slipcase CDs, a booklet (up to 186 pages) and an index. The booklets contain extensive notes (Eng/Fr) with recording dates and line-ups. 31 hours of music in each box, totalling 1677 tracks Each track has been restored and mastered from original sources. The only reason I can think of for there not yet being a review of these four boxed sets, is that those who own them are just too busy having one hell of a blast listening to them. Some people moan about the 50 year copyright law for audio recordings in Europe, but without it this highly entertaining, eye-opening and educational undertaking could never have taken place. These 100 discs (spread over four boxed sets of 25 discs) tell the story of jazz from 1898 to 1959.