After recording the complete solo fortepiano works of Haydn, it was inevitable that Ronald Brautigam would record the complete fortepiano concertos of Haydn. Of course, it helps that while Haydn's complete solo fortepiano works take up 11 discs, his complete fortepiano concertos take up only a single disc, so Brautigam could record it before moving on to record the inevitable complete fortepiano music of Beethoven. On its own, Brautigam's recording of Haydn's concertos is wonderful: light, bright, ebullient, full of humanity, and suffused with poetry. Brautigam's tone is clear but ringing, his touch is graceful but powerful, his interpretations characterful but self-effacing.
Two previously unreleased 1960s performances by Don Cherry in quintet format. The first show was recorded in Denmark in 1963 (but a different date that the release on Storyville) and showcases the New York Contemporary Five, featuring Cherry with Archie Shepp, John Tchicai, Don Moore and J.C. Moses.
This was the first and last time Pepper worked with Jordan, and came about as a result of Pepper's usual pianist, George Cables, being unable to make the dates at Club Montmartre in Copenhagen. To Pepper's dismay, Danmarks Radio decided to record the first gig of the Montmartre series. Pepper need not have worried – the show was a rousing success, with the band tackling a set of standards (and a couple of Pepper originals) with such verve and determination that relatively simple tunes turned into astounding solo workouts (there are several drum and bass solos to be heard on this record), the amazing highlight of which is a shot at "Besame Mucho" that rounds out to twenty-two minutes. Art Pepper was in the process of dying at the time this recording was made, but there's no lack of energy, no loss of vitality. A two-CD live jazz set that's well worth having and should not be overlooked.