La Morra is an early music consort led by flautist Corina Marti and lutenist Michal Gondko. They are expertly assisted on this recording by Els Jannsens (voice), Dani Pelagatti (douçaine), and Uri Smilanski (vielle and flute). The songs on "Flour de Beaulté" come from the Torino J.II.9 manuscript, cited in the liner notes as "the largest repository of French music… between the Ars Nova compilations of the fourteenth and the Franco-Burgundian manuscripts of the late fifteenth century".
After being kept in relative obscurity the music of Alessandro Scarlatti is making a glorious come back, and is recognised as at least as innovative, brilliant and profound as the music of his son, the famous Domenico Scarlatti. These “12 sinfonie di concerto grosso” are concertante works, either for a variety of solo instruments (concerto grosso) or for solo recorder and strings. These are delightful baroque concertos, brimming with energy, Italian charm and gusto. Played by Early Music group Capella Tiberina on historical instruments, Corina Marti is the recorder soloist, who already excelled in her recording of the Mancini recorder concertos on Brilliant Classics (BC 94324).
Interrelated traditions of keyboard and lute playing that flourished in German-speaking lands in the age immediately predating the invention of music printing have fascinated us ever since our very first encounter with the surviving repertoire that originated from these traditions. Fifteenth-century music for keyboard and plucked stringed instruments is without doubt an exciting area in the early history of European instrumental music, but one paradoxically seldom visited by performers and thus virtually unknown to the wider public. Many pieces are recorded here for the first time, and it is our hope that the present disc may contribute to restoring the remnants of a once flourishing and highly refined art to the place they deserve in the awareness of music lovers.