Daft Punk

Los Prisioneros – La Voz De Los ’80 (1984) Chilevisión/7804628440520 – EU Pressing - LP/FLAC In 24bit/96kHz

Los Prisioneros – La Voz De Los ’80
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz
Label: Chilevisión/7804628440520 | Released: 1984 | This Issue: 2015 | Genre: Post-Punk

Los Prisioneros was maybe one of the most important and seminal Chilean Rock Punk Pop bands in Latin America.
Public Image Limited - Japanese SHM-SACD Reissue Series 2015 (5x SACD, 1978-1984) [PS3 ISO + Hi-Res FLAC]

Public Image Limited - Japanese SHM-SACD Reissue Series 2015 (5x SACD, 1978-1984)
PS3 Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 211:51 minutes | Scans included | 6,4 GB
or FLAC(converted with foobar2000 to tracks) 24bit/88,2 kHz | Full Scans included | 4,38 GB

Public Image Ltd (also known as PiL) are an English post-punk band formed by singer John Lydon. Lydon emerged after the break-up of the Sex Pistols with PiL's Public Image: First Issue (1978). The new band had a more experimental sound than the Pistols: a "droning, slow-tempo, bass-heavy noise rock, overlaid by Lydon's distinctive, vituperative rant". Their early work is often regarded as some of the most challenging and innovative music of the post-punk era. Their 1979 album Metal Box was ranked number 469 on Rolling Stone magazine's 2003 list of the 500 greatest albums of all time. The NME described PiL as "arguably the first post-rock group".

Mission Of Burma - ONoffON (2004) PS3 ISO + Hi-Res FLAC {RE-UP}  Vinyl & HR

Posted by HDAtall at May 29, 2014
Mission Of Burma - ONoffON (2004) PS3 ISO + Hi-Res FLAC {RE-UP}

Mission Of Burma - ONoffON (2004)
PS3 Rip | SACD ISO | DST64 2.0 > 1-bit/2.8224 MHz | 53:27 minutes | Scans included | 978 MB
or FLAC(converted with foobar2000 to tracks) 24bit/88,2 kHz | Full Scans included | 1,11 GB

Lots can happen in 22 years. Babies grow up, graduate college, start families. The onset of maturity is typically harder on rock bands. In 1972, the Stones released Exile on Main Street; by 1994, they were slumming in Voodoo Lounge. So it comes as a terrific surprise that Boston punk experimentalists Mission of Burma, who split shortly after 1982's Vs., sound as cutting edge as ever on this reunion disc. Opener "The Setup" features a midsection that sounds more like a jar of buzzing bees than any conventional solo, thanks to tape manipulator Bob Weston (borrowed from Shellac) putting guitarist Roger Miller through a barrage of effects. On a quieter note, the seductive "Falling" features backing vocals by Tonya Donnelly, while somber strings underscore "Prepared." Through it all, Burma still boast unerring melodic sensibilities; "The Enthusiast" and "Wounded World" are rife with sharp hooks. ONoffON was a long time coming, but well worth the wait.

R.E.M. - The Hi-Res Album Collection (1982-2014) UPGRADED  Vinyl & HR

Posted by HDV at Oct. 19, 2012
R.E.M. - The Hi-Res Album Collection (1982-2014) UPGRADED

R.E.M. - The Hi-Res Album Collection (1982-2014)
FLAC (tracks) 24 bit/192/96/48 kHz | Time - 836:28 minutes | ~ 22 GB
Studio Master, Official Digital Download | Artwork: Front cover(s)

R.E.M. mark the point when post-punk turned into alternative rock. When their first single, "Radio Free Europe," was released in 1981, it sparked a back-to-the-garage movement in the American underground. While there were a number of hardcore and punk bands in the U.S. during the early '80s, R.E.M. brought guitar pop back into the underground lexicon. Combining ringing guitar hooks with mumbled, cryptic lyrics and a D.I.Y. aesthetic borrowed from post-punk, the band simultaneously sounded traditional and modern. Throughout the '80s, they worked relentlessly, releasing records every year and touring constantly, playing both theaters and backwoods dives. Along the way, they inspired countless bands, from the legions of jangle pop groups in the mid-'80s to scores of alternative pop groups in the '90s, who admired their slow climb to stardom.
Alice Cooper - Zipper Catches Skin - (1982) - Vinyl - {First US Pressing} 24-Bit/96kHz + 16-Bit/44kHz

Alice Cooper - Zipper Catches Skin (1982)
vinyl rip in 24/96 & 16/44.1 | 733 MB & 210 MB | FLAC | no cue or log (vinyl)
DR Analysis | FF & FP | Full LP Artwork | First US Pressing
Genre: Rock | Warner Bros. Records ~ 1-23719

Zipper Catches Skin is the 14th studio album by Alice Cooper, released in 1982. Produced by Cooper and his bassist at the time, Erik Scott, Zipper Catches Skin is musically known for its dry and energetic pop-rock style with punk rock and post-punk influences and less emphasis on hard riffs, carrying on a similar musical direction of the preceding Special Forces with sonically slicker and clearer results.

Cock Sparrer - Three Singles 24-bit/96kHz Vinyl Rip  Vinyl & HR

Posted by son-of-albion at Dec. 2, 2011
Cock Sparrer - Three Singles 24-bit/96kHz Vinyl Rip

Cock Sparrer - Three Singles (1977/1982)
Vinyl rip @ 24/96 | FLAC | Artwork | 433mb
Megaupload, Multiupload | Punk, Oi! | 3 x 45rpm UK singles

Cock Sparrer formed in 1972 in the East End of London. Although they never enjoyed much commercial success, they are considered one of the most influential street-punk bands. Their style was influenced by pub rock, glam rock and raw 1960s beat music as delivered by bands like the Small Faces and The Who.

La Düsseldorf - La Düsseldorf (Decca 1976) 24-bit/96kHz Vinyl Rip  Vinyl & HR

Posted by son-of-albion at July 29, 2011
La Düsseldorf - La Düsseldorf (Decca 1976) 24-bit/96kHz Vinyl Rip

La Düsseldorf - La Düsseldorf (1976)
Vinyl rip @ 24/96 | FLAC | Artwork | 727Mb
Rapidshare, Hotfile | Krautrock, Progressive Rock | 1976 UK LP | Decca SKL-R 5252

On the break up of legendary Krautrock duo Neu!, drummer Klaus Dinger formed La Düsseldorf with his brother Thomas and keyboard player Hans Lampe. This, their self-titled debut, was recorded in 1975 and is a staggering mix of Dinger's trademark motorik rhythms, glammy synths, pulsing organs, and urgent guitar work that altogether create a sound that, at times, predates both punk and post-punk…
Roaring Jack - Street Celtability (Mighty Boy MBEP00002) (AUS 1987) (Vinyl 24-96 & 16-44.1)

Roaring Jack - Street Celtability
FLAC | Artwork | 24Bit 96kHz: 449 MB | 16Bit 44.1kHz: 162 MB
Cat#: Mighty Boy MBEP00002 | Country/Year: Australia 1987
Genre: Celtic Folk, Folk Rock | Hoster: Filesonic/Uploaded

Roaring Jack is an Australian Celtic punk/Folk punk band of the 1980s and 1990s. The band built a cult following by playing the Sydney pub circuit eventually scoring regular slots at the Harold Park Hotel in Glebe and the Sandringham Hotel in Newtown. Their music had a strong political focus with emphasis on Scottish sectarianism, Aboriginal Rights and union activism. The band went on to support the likes of Billy Bragg, the Pogues and The Men They Couldn't Hang during their Australian tours.

Discipline - Downfall of The Working Man (I Scream 2005) 24-bit/96kHz Vinyl Rip  Vinyl & HR

Posted by son-of-albion at June 20, 2011
Discipline - Downfall of The Working Man (I Scream 2005) 24-bit/96kHz Vinyl Rip

Discipline - Downfall of The Working Man (2005)
Vinyl rip @ 24/96 | FLAC | Artwork | 1042MB
Rapidshare, Hotfile | Street Punk, Oi!, Hardcore | 2005 European LP | I Scream 88.887.01

Holland's Discipline mix the sounds and spirit of old British Oi!, classic punk, traditional hardcore, and American rock ‘n’ roll. ‘Downfall of The Working Man’ is quite extraordinary, because it’s filled with instant hardcore meets oi classics. If you’re into oi, street punk, hardcore or full-on rock ‘n’ roll, be sure to catch this album.
Urban Verbs - Early Damage (Warner BSK 3533) (US 1981) (Vinyl 24-96 & 16-44.1)

Urban Verbs - Early Damage
FLAC | Artwork | 24Bit 96kHz: 876 MB | 16Bit 44.1kHz: 277 MB
Cat#: Warner BSK 3533 | Country/Year: US 1981
Genre: Post Punk, New Wave | Hoster: Uploaded/Filesonic

In 1977 Urban Verbs rehearsed in the Atlantis Bldg at 930 "F" St. NW Washington D.C.. Robert Goldstein began to book bands in a derelict bar in the building named The Atlantis Club: which was where Urban Verbs played their first shows and became a nexus of the DC New Wave / Punk rock scene. In 1980 the Atlantis Club became the 9:30 Club. Urban Verbs played CBGB’s in 1978 with the Cramps and producer Brain Eno was in the audience. The band received numerous positive reviews in the New York Times, the Washington Post, and the City Paper among others. Urban Verbs became the darlings of the DC avante garde art scene playing numerous shows at the Washington Project for the Arts, DC Space, the Pension Building and the Corcoran School of Art.