Daniel Mueller Schott

Julia Fischer, Jonathan Gilad, Daniel Muller-Schott - Mendelssohn: Piano Trios Nos. 1 & 2 (2006) [Official Digital Download]

Julia Fischer, Jonathan Gilad, Daniel Muller-Schott - Mendelssohn: Piano Trios Nos. 1 & 2 (2006)
FLAC (tracks) 24-bit/96 kHz | Time - 59:01 minutes | 989 MB
Studio Master, Official Digital Download | Artwork: Digital booklet

“Since the foundation of PentaTone Classics in 2001, their enterprising programming; appealing contemporary presentations; consistently high quality performances and state of the art recordings have been nothing short of astonishing. I look forward enthusiastically to each of their stylish new releases and this hybrid Super Audio CD of Mendelssohn’s two Piano Trios was no exception. After a check of the accompanying marketing information it seems that this disc has already been selected as a Gramophone ‘Editor’s Choice’ and the recipient of a Diapason d’Or award.
Daniel Muller-Schott, Angela Hewitt - Bach: Gamba Sonatas (2007)

Daniel Muller-Schott, Angela Hewitt - Bach: Gamba Sonatas (2007)
Carl Philipp Emanuel Bach (Composer), Johann Sebastian Bach (Composer)
EAC Rip | FLAC+CUE+LOG | 238 MB | no scans
MP3 CBR 320kbps | 126 MB
Baroque/Cello/Piano | Orfeo | 54:42

Its amazing to realize how diverse and varied music JS Bach wrote in his lifetime (1685-1750). Originally written for the gamba and harpischord, these compositions translate well to the modern cello and piano as their sunny, pleasant sonorites attest. The last sonata by Bach's most musically innovative son, CPE Bach, is an added treat.Having recorded all of the major keyboard works of Bach, Angela Hewitt now picks up these "minor" pieces with cellist Daniel Muller-Schott. The compositions are not necessarily "virtuostic" - like those of Beethoven - but they among the first to give more equal partnership of the keyboard beyond continuo. These sonatas brim forth with effortless melody and quality musical development that Bach was so marvelous in composing which gives them a universal appeal.

Mozart – Piano Trios K. 502, 542, 548 (2006)  Music

Posted by p.cedric at Aug. 4, 2006
Mozart – Piano Trios K. 502, 542, 548 (2006)

Mozart – Piano Trios K. 502, 542, 548 (2006)
Chamber | FLAC | 225 MB | 61’20 | No cover
Julia Fischer, Daniel Müller-Schott - Brahms: Violin & Double Concerto (2007) [Official Digital Download 24/96]

Julia Fischer, Daniel Müller-Schott - Brahms: Violin & Double Concerto (2007)
FLAC (tracks) 24-bit/96 kHz | Time - 72:53 minutes | 1.11 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

Regardless of her age, this stunning disc confirms her as one of the world's leading musicians… Here it feels as if she is off the leash a bit, allowing herself to broaden out and savour the moment. She channels great feeling (at times the violin fairly weeps) without sounding lachrymose. Muller-Schott matches her for lyricism and virtuosity in the Double Concerto, which he, Fischer and Kreizberg invest with beauty and, increasingly, a sense of urgency. In all, a fabulous disc, which repays playing again and again. Actually, you probably won't be able to help yourself.

Daniel Melero - Piano Volumen 2 (2015)  Music

Posted by delpotro at April 25, 2017
Daniel Melero - Piano Volumen 2 (2015)

Daniel Melero - Piano Volumen 2 (2015)
EAC Rip | FLAC (tracks+log+.cue) | 00:36:46 | 174 Mb
Piano, Pop, Ballad, Lounge | Label: UltraPop

It was more than a pleasure when Rodrigo Ottaviano an old-new friend and manager of Daniel Melero confirmed to me that Daniel wanted to work with me the art of this record! Piano (1999) was a classic record that I listened to thousands of times, I keep listening … I hope volume 2 also becomes such. It was during a trip to Olot, in Catalonia that I thought to use the volcano on the album cover, and in Mexico came the idea of ​​the nonexistent piano, the piano that in fact Daniel does not play on the disc. Talking with Daniel is always a pleasure, it seems that you can tackle any topic with him, and that's what we talked about during the making of the album art, any subject … of volcanoes, arrangements, things that do not need to be fixed, books , Of my books, told me that during the recording of his last albums my books had been there very present, as anticipating this collaboration. The day that Piano 2 appeared in Buenos Aires, the ashes cloud of the Chilean volcano Calbuco that had erupted a few days before, arrived at Buenos Aires. The coincidences do exist, of course.

Jill Miles by Daniel Tetzel for B-Authentique  Girls

Posted by nrg at April 25, 2017
Jill Miles by Daniel Tetzel for B-Authentique

Jill Miles - Daniel Tetzel Photoshoot 2017
10 jpg | up to 1280*1920 | 5.85 MB
German model
Saito Kinen Orchestra, Daniel Harding - Strauss: Eine Alpensinfonie, Op. 64 (2014) [Official Digital Download 24/96]

Saito Kinen Orchestra, Daniel Harding - Strauss: Eine Alpensinfonie, Op. 64 (2014)
FLAC (tracks) 24-bit/96 kHz | Time - 51:47 minutes | 919 MB
Studio Master, Official Digital Download | Artwork: Digital booklet

This sonically spectacular recording of Richard Strauss’ Alpine Symphony was made with the internationally hand-picked players of the Saito Kinen Orchestra and recorded at the Saito Kinen Festival, Matsumoto, at the heart of the Japan Alps. Daniel Harding was specially invited to conduct the orchestra in the absence of Seiji Ozawa who, at that time, was still recuperating from treatment for cancer.
Anna Dennis, William Towers, Nicholas Daniel - Elena Langer: Landscape with Three People (2016)

Anna Dennis, William Towers, Nicholas Daniel - Elena Langer: Landscape with Three People (2016)
EAC | FLAC (image+.cue, log) | Covers Included | 59:57 | 243 MB
Genre: Classical, Vocal | Label: Harmonia Mundi | Catalog: HMU 907669

The Russian composer Elena Langer, now resident in Britain, draws on influences from her native country (Shostakovich, especially in the chamber orchestration of these songs), from Britain (from Britten to Thomas Adès), and from continental Europe. As a song composer she is able to convey lightness even when dealing with serious material such as the title song cycle setting poems by Lee Harwood (most of the songs on the album are in English). These songs subtly depict love triangles, some of them with both straight and gay elements. Even better are the genuinely playful pieces.

Storie di pirati. Dal capitano Barbanera alle donne corsaro - Daniel Defoe  eBooks & eLearning

Posted by Maroutan at April 21, 2017
Storie di pirati. Dal capitano Barbanera alle donne corsaro - Daniel Defoe

Storie di pirati. Dal capitano Barbanera alle donne corsaro - Daniel Defoe
Italian | 2004 | 372 Pages | ISBN: 8804529407 | EPUB | 2.16 MB

Pubblicato nel 1724 e accolto da uno strepitoso successo, questo libro intendeva illustrare al pubblico inglese dell'inizio del '700 il pericolo derivante per la potenza mercantile britannica dal grande sviluppo della pirateria in quegli ultimi sette anni. Firmata da un fantomatico capitano Charles Johnson, l'opera è stata attribuita a Defoe solo nel 1932. Le avventure dei bucanieri inglesi che infestavano il Mar dei Caraibi, le coste africane e l'Oceano Indiano rivivono, nella scrittura di Defoe, illuminate da una luce nuova: non quella della narrativa, ma quella della realtà di uomini e donne che temevano più di tutto non la morte, ma solo l'infamia del carcere o dell'impiccagione.
Kiri Te Kanawa, Jessye Norman, Daniel Barenboim - Hector Berlioz: Les Nuits d'ete, Op. 7; La Mort de Cleopatre (1982)

Hector Berlioz: Les Nuits d'été, Op. 7; La Mort de Cléopâtre (1982)
Kiri Te Kanawa, soprano; Jessye Norman, soprano
Orchestre de Paris; Daniel Barenboim, conductor

EAC | FLAC | Tracks (Cue&Log) ~ 184 Mb | Mp3 (CBR320) ~ 120 Mb | Scans ~ 58 Mb
Classical, Vocal | Label: Deutsche Grammophon | # 445 594-2 | Time: 00:52:19

Kiri Te Kanawa does well by these songs, avoiding the billowing excesses of sentiment that in other hands (or vocal chords) can make them sound much too soggy. Although Berlioz gathered them all together under the present title, all of the songs were composed at different times for different singers, so they aren't really a cycle at all. I seldom listen to all of them at once, and you should feel free to take them in any order that suits you. "The Death of Cleopatra" is an early cantata that perfectly suits Jessye Norman's stately delivery. She's always at her best playing royalty, and if they're dying in mortal agony, so much the better.