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One of the most obvious "common denominators" that I found when I was meeting guys who were "naturals" with women… was their ability to make women LAUGH and SMILE. The more I saw this, the more I thought that these guys must understand how to be "funny". This turned out to be only PART of the equation. The REST of the equation was the HOW.
Imagine: You’re a young man living 10,000 years ago… in a tribe with 50 others. In your tribe, there is a dominant, charismatic, powerful male leader. You admire and respect him, but also fear him. Every time you see him, you avert your gaze to avoid direct eye contact. Lately, you’ve noticed that you’re thinking more and more about becoming a leader yourself. You can imagine being admired by others and being the one to lead the hunts for food. You’ve also noticed that your temper and emotions are becoming harder to control. Something seems to be happening inside of you that is making you more and more irritable. You’ve also noticed hair growing on your face and muscles growing on your body…
David Atherton made a fine reputation for himself as a contemporary music conductor back in his salad days with the London Sinfonietta, nowhere more so than in his three-disc (now two-CD) set of music by Kurt Weill. He certainly hasn’t lost his magic touch in the intervening years. These performances of the two symphonies sweep the (not very full) board. Swift, lean, incisive, and always exciting, Atherton reveals all of this music’s anger, irony, and bittersweet lyricism without a trace of histrionics or self-indulgence. Indeed, a certain coolness is part of the point too. And so in the marvelous Second Symphony, Atherton catches the neo-classical temper of its outer movements with impeccable wit and grace, making the passionate intensity of the magnificent central slow movement all the more shocking as a result.
By the time David Lindley made his move to a solo career, he was already a legend. Having toured and recorded with such names as Jackson Browne, Linda Ronstadt, and Crosby & Nash, his reputation as a multi-instrumentalist (on almost any stringed instrument) was awesome. Lindley scored a contract with Elektra Records and put together an excellent band that was able to keep up with his eclectic vision. Combining blues, rock & roll, Cajun, Zydeco, Middle Eastern music, and other elements, his debut album is an absolute joy.