Man's importance in the history of Welsh rock music cannot be understated. Fusing the worlds of Psychedelia, Blues, Rock and Roll and West Coast inspired rock, they were simply one of Britain's most original groups of the 1970's. Along with label-mates Hawkwind, Man were true champions of the "underground" spirit.
Man - Revelation (1969). Digitally remastered and expanded edition of the Welsh rockers' 1969 debut album including four bonus tracks. A fabulous blend of Psychedelia and Acid Rock, the set is now regarded as an early classic by the band…
This album features 5 discs celebrating 5 legendary progressive rock labels! Part of the successful EMI Global Prog Rocks! Campaign, highlighting the work of some of the World's greatest artists associated with the genre. Featuring classic Prog riches from Harvest, Charisma, Virgin, Liberty / UA and newer, more cutting edge progressive rock from the enterprising Inside Out label. This compilation serves as the ideal introduction to the wide variety of bands and musical styles on these labels and offers a broad insight into the delights of progressive music! Syd Barrett, Electric Light Orchestra, Barclay James Harvest, Van Der Graaf Generator, The Nice, Peter Hammill, Gong, Hatfield And The North, Tangerine Dream, Steve Hillage, Daevid Allen, Hawkwind, Pain Of Salvation, Riverside and many more.
This is the Trashmen's first album in 25 years and it's full of the great Minnesota surf sound you know and love from the "Surfin' Bird" hitmakers.
When this live in the studio performance was taped for German television Martin Ace had only been back in the band for just over two weeks. His recall to the ranks of Man was due to the sudden departure of the previous bassist in Man, Ken Whaley who departed just before the end of the American tour…
This recording follows on a successful reading by the same forces of Bernstein's Symphony No. 3 ("Kaddish") of 1963. You can see why they started with the later work first, although the 1965 revision of the Symphony No. 2 ("The Age of Anxiety") actually postdates the earlier-numbered work. All three works share a common theme, namely the crisis of faith, but the oratorio-like "Kaddish" Symphony has a dramatic quality that makes its concerns explicitly.
A stunningly sophisticated leap into modern musical textures, I'm Your Man re-establishes Leonard Cohen's mastery. Against a backdrop of keyboards and propulsive rhythms, Cohen surveys the global landscape with a precise, unflinching eye: the opening "First We Take Manhattan" is an ominous fantasy of commercial success bundled in crypto-fascist imagery, while the remarkable "Everybody Knows" is a cynical catalog of the land mines littering the surface of love in the age of AIDS.