One can't venture very far into contemporary pop without hearing the echoes of '70s-'80's soul, funk and r&b; decades once mocked have seen their vibrant, groove-savvy music re-embraced – often without a trace of kitsch-savvy irony. This triple-disc, 58 track collection may come anthologized with a slightly cheesy conceit–retro-party-soundtrack-in-a-box, with discs devoted to flavoring your soulful soiree's beginning, middle and end–but its potent collection of vintage, era-evoking favorites can't be denied. Disc one/"Kickin' It Off" wends its way from expected jams like Wild Cherry's "Play That Funky Music" and Gap Band's "You Dropped a Bomb on Me" through such funk-fueled grooves as James Brown's sweaty "Payback" and Donna Summer's urgent, torch-song-with-a beat "Last Dance." Disc two/"Getting' Into the Groove" does just that via Top 40 stalwarts like The Spinners, Four Tops and O'Jays, while making room for legends (Al Green, Isley Brothers) and newcomers like the Brothers Johnson and Kool & the Gang alike. The set's final act winds down into late-night sultriness via Marvin Gaye's "Sexual Heraling," Delfonics' "Didn't I Blow Your Mind," Pointer Sister's "Slow Hand" and other sexy charms.
Best known as the drummer in Jimi Hendrix's Band of Gypsys, Buddy Miles also had a lengthy solo career that drew from rock, blues, soul, and funk in varying combinations. He joined his fathers band the Bebops at the age of 12 and then went on to also play drums and provide backing vocals for the likes of Ruby & The Romantics, the Ink Spots, the Delfonics, Mike Bloomfields Electric Flag and Carlos Santana.
"All The Faces Of Buddy Miles" was Buddy’s fifth solo album and followed up on the success of the 1972 "Carlos Santana & Buddy Miles Live!” album.
' A sublime bit of east coast soul and the only full album ever cut by this heavenly-voiced trio! The group have a sound to rival the best of their contemporaries on the harmony soul scene, one that floats along on a light pillow of strings and soul, with just the right amount of heavier touches to give the record a bit more of the HDH depth. The falsetto bits are especially nice drifting out in front of the deeper vocals and the whole thing’s got a solidness that should have made these guys huge. These brothers from St. Louis are the Delfonics of the Mid-West. If you like the style of male vocals from the ’70s, this is a must download. This is a @320 vinyl rip of my original Buddah records with covers.' [email protected]