101 is a live album and documentary by Depeche Mode released in 1989 chronicling the final leg of the band's Music for the Masses Tour and the final show at the Pasadena Rose Bowl. Group member Alan Wilder is credited with coming up with the name; the performance was the 101st and final performance of the tour (and coincidentally also a famous highway in the area).
Music for the Masses is the sixth studio album by Depeche Mode. It was released by Mute Records on 28 September 1987. The album became the band's highest-charting in the US upon its release, reaching #35 on the Billboard 200. It also contained more hit singles than any of their previous releases. While there was no extremely popular single from the album ("People Are People" from Some Great Reward reached #13 on the Billboard Hot 100), the three singles that were released all made it onto the Hot 100, a feat that hadn't been achieved by any Depeche Mode single after those from Some Great Reward. Moreover, all three singles achieved modest success on the chart.
SONGS OF FAITH AND DEVOTION - LIVE features songs from the studio version in the same sequence.
SONGS OF FAITH AND DEVOTION finds the band reinventing itself somewhat via lyirics that largely abandon the bleakness of the band's previous forays in favor of cautious optimism and spiritual questions.
Depeche Mode's tenth album, SONGS OF FAITH AND DEVOTION, finds the band reinventing itself somewhat. Not that it'd been exactly treading water, but its last several albums had explored and refined a particular aesthetic of dark lyrical themes and minor-key synthesizer atmospherics.
Spirit is the fourteenth studio album by English electronic music band Depeche Mode, released on 17 March 2017 by Columbia Records. It is the band's second album released under Columbia. On 11 October 2016, the band announced on its website that it would embark on the Global Spirit Tour to support the album, produced by James Ford. The Summer 2017 European stadium tour will begin in Stockholm on 5 May 2017 and end in Cluj-Napoca, Romania on 23 July.
Vitamin takes on the brood and sway of Depeche Mode with this string quartet tribute, running through nine of the band's songs with the aid of violin, cello, acoustic bass, viola, and a bit of percussion. Like most string interpretations of pop music, the album can grow tedious over the long haul. However, there's plenty to like incrementally, especially for fans. Highlights include "Personal Jesus," with its hint of mouth percussion during the breakdown, and the violins aping the tradeoff vocals of "Master and Servant." There are a few glaring omissions – "Everything Counts" and "Policy of Truth" among them. Even still, Depeche Mode completists should get a kick out of the novelty and slight decadence of this collection.
Depeche Mode returned in February with the snarling single "Where's The Revolution," which feels pretty important in this political climate. The song's chorus is a call to arms: “Where’s the revolution / Come on people you’re letting me down.” The group is releasing a remix EP of the single on March 3, which will include a rework of the track by shoegaze rockers Autolux, which is premiering on The FADER today.
Depeche Mode's Martin Gore told the FAD