Der Singende Geist

Peter Kooij, L'Armonia Son - De profundis clamavi - German Sacred Cantatas: Weckmann, Biber, Bruhns, Schmelzer, Geist (2006)

De profundis clamavi - German Sacred Cantatas: Weckmann, Biber, Bruhns, Schmelzer, Geist (2006)
Peter Kooij, bass; L'Armonia Sonora; Mieneke van der Velden, direction

EAC | FLAC | Image (Cue&Log) ~ 339 Mb (incl 5%) | Mp3 (CBR320) ~ 161 Mb (incl 5%) | Scans included
Genre: Classical, Vocal, Sacred | Label: Ramée | # RAM 0604 | Time: 01:06:20

This is a gem of a CD. It's a well-chosen, well-performed and well-presented anthology of mid-Baroque German sacred cantatas. Bass Peter Kooij and the seven-person L'Armonia Sonora are directed by gambist Mieneke Van der Velden. They have a close and warm affinity not only with one another, but also for the music; it's music as varied as it's beautiful. Its rich, sustained sonorities will stay with you long after you have finished the uplifting experience of listening to the CD. Released on the enterprising Ramée label De profundis clamavi comprises seven sumptuous examples of the music written in the north German Länder in the period after the Thirty Years War. It's music which not so much 'reflects' that profound conflict, as is 'affected' by it – weighed down with detached regret and unselfconscious resignation.
Manuel Tomadin - Leyding, Kneller, Geist: Complete Organ Music (2013)

Manuel Tomadin - Leyding, Kneller, Geist: Complete Organ Music (2013)
EAC Rip | Flac (Image + cue + log) | 317 MB | MP3 320Kbps CBR | 177 MB | 1 CD | Full Scans
Genre: Classical | Label: Brilliant Classics | Catalog Number: 94716

Manuel Tomadin follows up his first album for Brilliant Classics, of Weimar-composed chorales by J.S. Bach (94456), with some little-known musical treasures from Hamburg c.1700 complemented by a bona-fide rarity by Bach, a chorale fantasia believed to date from between 1705 and 1710 and rediscovered as recently as 2008.
Danzi- Hofkapelle Stuttgart, Bernius - Der Berggeist (2013, Carus # 83.296)

Franz Ignaz Danzi - Der Berggeist- Oder: Schicksal und Treue
Kammerchor Stuttgart / Hofkapelle Stuttgart / Frieder Bernius
EAC+LOG+CUE | FLAC: 328 MB | Full Artwork: 148 MB | 5% Recovery Info
Label/Cat#: Carus # 83.296 | Country/Year: Germany 2013
Genre: Classical | Style: Opera, Singspiel, Early Romantic

"…Man spürt in jedem Takt dieser spannenden konzertanten Live-Aufführung, bei der man die angestaubten Dialoge weggelassen hat, die hohe Motivation und den Herzensein­satz aller Beteiligten, sodass Bernius hier weit über seine archäologische Pflicht hinaus eine „Weltersteinspielung“ von bestechendem interpretatorischen Niveau, also eine echte Modellaufführung, abgeliefert hat." ~audio
VA - Rock von der Eastside 80er (Original Amiga Classics) (2017)

VA - Rock von der Eastside 80er (Original Amiga Classics) (2017)
MP3 CBR 320 kbps | 3:57:46 | 544 Mb
Genre: Rock, Pop / Label: Sony Music

Universal Music Presents Rock von der Eastside 80er (Original Amiga Classics) album 64 original hits by the original artists. Includes tracks by Kommt mit Scheselong (82 – 87), Mona Lise, Michael Barakowski (Rampenlicht), Keks und Rosalili (Süße Sünde – Die AMIGA Singles).
Giuseppe Sinopoli, Orchester der Bayreuther Festspiele - Wagner: Parsifal (2014/1998) [Blu-Ray]

Wagner - Parsifal (Giuseppe Sinopoli) (2014/1998) [Blu-Ray]
BluRay | BDMV | MPEG-4 AVC Video / 14298 kbps / 1080i / 29,970 fps | 268 min | 43,0 Gb
Audio1: German / LPCM Audio / 2.0 / 24-bit | Audio2: DTS-HD Master Audio / 5.1 / 48 kHz / 4069 kbps / 24-bit

BluRay-rip | AVC | MKV 1280x720 / 6215 kbps / 29,97 fps | 268 min | 14,5 Gb
Audio: German / DTS / 6ch / 48.0 KHz / 24 bits
Classical | C Major | Sub: German, English, French, Spanish, Japanese, Korean

A timelessly classical Parsifal from the 1998 Bayreuth Festival in a mystically poetic staging that exerts an unbroken fascination not least as a result of its expressive lighting effects. Under the direction of the great Wagner conductor Giuseppe Sinopoli, the four main roles are taken by Poul Elming, Linda Watson, Falk Struckmann and Hans Sotin - one of the strongest line-ups in Bayreuth´s more recent history. "Giuseppe Sinopoli coaxed an outstanding performance from the Festival Orchestra and Chorus, throwing light on the elaborate score from an agreeable distance and investing the music with a meditatively flowing quality rather than the usual bombast" (Opernglas)
Howard Shelley - Louis Spohr: Symphonies Nos. 3 & 6, Overture "Der Fall Babylons" (2010) (Repost)

Howard Shelley - Louis Spohr: Symphonies Nos. 3 & 6, Overture "Der Fall Babylons" (2010)
EAC | FLAC (image+.cue, log) | Covers + Digital Booklet | 64:02 | 275 MB
Genre: Classical | Label: Hyperion | Catalog: CDA67788

In his long life, Louis Spohr found himself to be a contemporary of Ludwig van Beethoven, Hector Berlioz, Franz Liszt, and Richard Wagner, yet in spite of living in the turbulent first half-century of the Romantic era, he continued to emulate the music of Wolfgang Amadeus Mozart and stayed rather close to the practices and expressions of the late Classical era.
Ensemble L'Arte della Fuga - J.S. Bach: Die Kunst der Fuge, BWV 1080 (In der Fassung von H.E. Dentler) (2017)

Ensemble L'Arte della Fuga - J.S. Bach: Die Kunst der Fuge, BWV 1080 (In der Fassung von H.E. Dentler)
Classical, Baroque, Chamber Music | WEB FLAC (tracks) & d. booklet | 94:49 min | 516 MB
Label: Oehms Classics | Tracks: 23 | 2017

Hans-Eberhard Dentler, a graduate medical physician but also an outstanding cellist and pupil of the renowned Pierre Fournier and founder of a Bach Society in Italy, has occupied himself with this opus over the course of many years. Because he finally wanted to realize Bach's score in a manner true to its spirit and sound, he found a concept for his ensemble „L’Arte della Fuga“ that unifies its more profound scholarly background with practical musical and artistic aspects.
Theatre of Voices, Paul Hillier - Dietrich Buxtehude and his Circle: Geist, Bruhns, Tunder, Förster (2016)

Theatre of Voices, Paul Hillier - Buxtehude and his Circle (2016)
Dietrich Buxtehude - Christian Geist - Nicolas Bruhns - Franz Tunder - Kaspar Förster

EAC | FLAC | Image (Cue&Log) ~ 347 Mb | Mp3 (CBR320) ~ 180 Mb | Artwork included
Genre: Classical, Baroque | Label: Dacapo | # 6.220634 | Time: 01:15:31

Dietrich Buxtehude was not only the greatest organ virtuoso of his time and a celebrated composer of both sacred and secular music; he was also a highly enterprising and innovative artist with a unique ability to form networks around himself. This CD, conceived by Theatre of Voices and Paul Hillier, gives a rare insight into the circle around Buxtehude – a musical circle of time, place, friendships, teacher-pupil relationships and even family ties; a network of excellent composers from northern German musician families, all of whom worked in or migrated to Scandinavia in the course of the 1600s.
Rastatter Hofkapelle, Jurgen Ochs - Keiser: Dialogus von der Geburt Christi (Christmas oratorio) (2008)

Rastatter Hofkapelle, Jurgen Ochs - Keiser: Dialogus von der Geburt Christi (Christmas oratorio) (2008)
EAC | FLAC (tracks+.cue, log) | Covers Included | 45:00 | 243 MB
Genre: Classical, Choral | Label: Carus | Catalog: 83.417

This world premiere recording of this Christmas oratorio by Reinhard Keiser (1674-1739) makes available one of the few surviving sacred works by a musician who was highly regarded by his contemporaries, primarily as a composer of operas. Well-known Christmas chorales, opulently scored, with rich polyphony, depict with great delicacy, the scene around the crib at Bethlehem.
Wagner - Wiener Philharmoniker, Solti - Der Ring des Nibelungen [1997, Decca # 455 555-2] {14CD-Box} [RE-UP]

Richard Wagner - Der Ring Des Nibelungen
Wiener Philharmoniker / Sir Georg Solti
14 CD Box | FLAC, EAC, LOG & CUE | Partial Artwork | Size: 4,62 GB
Label/Cat#: Decca 455 555-2 | Country/Year: Europe 1997 [1958, 1962, 1964, 1965]
Genre: Classical | Style: Opera, Romantic

This first complete studio recording of Wagner's Der Ring des Nibelungen, made between 1958 and 1966, was a groundbreaking technical and artistic achievement, the most ambitious and intricately involved opera recording project of the 20th century. Produced for Decca by John Culshaw, whose vision and untiring devotion brought the gargantuan project to completion, the 14 ½-hour release set a new standard for opera recordings. The details Culshaw lavished on the production, which included building new musical instruments, precisely calculating the placement and choreography of each singer to maximize the theatricality of each scene, and creating an array of fabulous special effects resulted in a landmark recording that has lost none of its power with the passage of time.