Dmitry Orlov

Dmitry Orlov, "Absolument Positif : Essai sur l'effondrement de la civilisation industrielle"

Dmitry Orlov, "Absolument Positif : Essai sur l'effondrement de la civilisation industrielle"
Publisher: D.Orlov | 2012 | ISBN: n/a | ASIN: B00AD9YMVQ | French | EPUB | 174 pages | 0.3 Mb

Je prédis l'effondrement depuis plus de cinq ans. Ma prédiction est que les États-Unis s'effondreront financièrement, économiquement et politiquement dans l'avenir prévisible…

The Five Stages of Collapse: Survivors' Toolkit (Repost)  eBooks & eLearning

Posted by roxul at Dec. 11, 2016
The Five Stages of Collapse: Survivors' Toolkit (Repost)

The Five Stages of Collapse: Survivors' Toolkit by Dmitry Orlov
2013 | ISBN: 0865717362 | English | 288 pages | PDF | 2 MB

The Five Stages of Collapse: Survivors' Toolkit  eBooks & eLearning

Posted by ksveta6 at Feb. 11, 2014
The Five Stages of Collapse: Survivors' Toolkit

The Five Stages of Collapse: Survivors' Toolkit by Dmitry Orlov
2013 | ISBN: 0865717362 | English | 288 pages | PDF | 3 MB

Dmitry Baevsky - The Day After (2017)  Music

Posted by SERTiL at July 29, 2017
Dmitry Baevsky - The Day After (2017)

Dmitry Baevsky - The Day After
EAC Rip | FLAC (tracks)+cue, log, m3u, artwork | 67:16 min | 423 MB
Label: Jazz Family ‎– JF017 | Tracks: 10 | Rls.date: 2017
Jazz

Imagine a group that, in large measure, references the bebop revolution of nearly seventy-five years ago, yet steers clear of the pitfalls of nostalgia, hero worship, and blatant imitation, and ultimately wins the day with an adroit blend of teamwork and compelling individual voices. For those who believe that nothing good can come from contemporary players choosing to work an all-too-familiar vein of the jazz tradition, I suggest a visit with Dmitry Baevsky's band. Over the past several years, the alto saxophonist's quartet featuring pianist Jeb Patton, bassist David Wong, and drummer Joe Strasser, has often performed at Smalls Jazz Club in New York City. The fruits of their labor are documented for the first time in The Day After, Baevsky's sixth record date as a leader.
Ginevra Petrucci, Gleb Kanasevich, Dorotea Racz & Dmitry Samogray - Muczynski: Chamber Music (2017)

Ginevra Petrucci, Gleb Kanasevich, Dorotea Racz & Dmitry Samogray - Muczynski: Chamber Music
Classical, Chamber Music | WEB FLAC (tracks) & d. booklet | 68:35 min | 250 MB
Label: Brilliant Classics | Tracks: 22 | Rls.date: 2017

Often cited as the most distinguished neoclassical composer of post-war America, Robert Muczynski (1929-2010) was born in Chicago to Polish parents. This album of chamber music surveys an output which is always restless and unpredictable thanks to the embrace of both Bartokian harmonies and structures as well as the more lyrical yet open-ended language of Samuel Barber.
Shrinking the Technosphere: Getting a Grip on Technologies that Limit our Autonomy, Self-Sufficiency and Freedom

Shrinking the Technosphere: Getting a Grip on Technologies that Limit our Autonomy, Self-Sufficiency and Freedom by Dmitry Orlov
English | 2016 | ISBN: 0865718385 | 256 pages | EPUB | 1 MB
Royal Liverpool PO, Vasily Petrenko - Dmitry Shostakovich: Symphony No. 11 'The Year 1905' (2009)

Dmitry Shostakovich: Symphony No. 11 in G minor, Op. 103 'The Year 1905' (2009)
Royal Liverpool Philharmonic Orchestra, conducted by Vasily Petrenko

EAC | FLAC | Image (Cue&Log) ~ 217 Mb (incl 5%) | Mp3 (CBR320) ~ 141 Mb (incl 5%) | Scans included
Genre: Classical | Label: Naxos | # 8.572082 | Time: 00:57:35

The good news is this recording of Shostakovich's Eleventh Symphony is in the same class as the best ever made. The even better news is it's the start of a projected series of recordings of all the Soviet master's symphonies. Vasily Petrenko has demonstrated before this disc that he is among the most talented of young Russian conductors with superb recordings of Tchaikovsky's Manfred Symphony and of selected ballet suites. But neither of those recordings can compare with this Eleventh. Paired as before with the Royal Liverpool Philharmonic Orchestra, Petrenko turns in a full-scale riot of a performance that is yet tightly controlled and cogently argued. Said to depict the failed revolution of 1905, Shostakovich's Eleventh is not often treated with the respect it deserves, except, of course, by Yevgeny Mravinsky, the greatest of Shostakovich conductors whose two accounts have been deemed the most searing on record. Until now: Petrenko respects the composer's score and his intentions by unleashing a performance of staggering immediacy and violence, a virtuoso performance of immense drama, enormous tragedy, and overwhelming power.

Stalin's Agent: The Life and Death of Alexander Orlov (Repost)  eBooks & eLearning

Posted by step778 at Dec. 30, 2016
Stalin's Agent: The Life and Death of Alexander Orlov (Repost)

Boris Volodarsky, "Stalin's Agent: The Life and Death of Alexander Orlov"
2015 | pages: 832 | ISBN: 0199656584 | PDF | 6,6 mb
Russian PO, Dmitry Yablonsky - Dmitry Shostakovich: Hamlet - Music for the 1964 Film, Op. 116 (2004)

Dmitry Shostakovich - Hamlet, Op. 116:
First Complete Recording of the Published 1964 Film Score (2004)
Russian Philharmonic Orchestra, conducted by Dmitry Yablonsky

EAC | FLAC | Tracks (Cue&Log) ~ 280 Mb (incl 5%) | Mp3 (CBR320) ~ 191 Mb (incl 5%) | Scans included
Genre: Classical, Score | Label: Naxos | # 8.557446 | Time: 01:02:26

This disc is the first ever to offer the complete Shostakovich score to the 1964 Grigori Kozintsev film Hamlet. Actually, it contains a bit more: track 6 for example, "The Ball," presents music not heard in the film, music the composer wrote apparently because he wanted to reach a logical ending, even if in the film the music just fades away. There are 23 numbers in all, with a total timing of over 62 minutes. Stylistically, the music is related to the Eleventh (1957) and Thirteenth (1962) symphonies, but is of course less developmental and more programmatic, coming across as a sort of tone poem made up of many short movements. While there is a fair amount of bright, even happy music in the score, the mood is generally dark and intense, appropriately so considering the subject matter: Shakespeare's Hamlet is, after all, hardly a comedy. The music doesn't skim surfaces, either – it haunts, it sasses, it laughs, and it plumbs the depths.
Royal Liverpool PO, Vasily Petrenko - Dmitry Shostakovich: Symphony No. 10 (2010)

Dmitry Shostakovich - Symphony No. 10 (2010)
Royal Liverpool Philharmonic Orchestra, conducted by Vasily Petrenko

EAC | FLAC | Image (Cue&Log) ~ 245 Mb (incl 5%) | Mp3 (CBR320) ~ 128 Mb (incl 5%) | Scans included
Genre: Classical | Label: Naxos | # 8.572461 | Time: 00:52:08

This performance goes right to the top. Not since the amazing mono Ancerl recording has there been a version of this work of such intensity, such expressive urgency, and (yes, believe it or not) such incredible orchestral playing. It’s impossible to praise the Royal Liverpool Philharmonic enough: they put their London colleagues to shame. The cellos and basses have a dark, tactile presence in pianissimo not heard since the old Kondrashin Melodiya recording. The horns play the daylights out of their solos in the first and third movements, while Petrenko has the violins sustaining, articulating, and phrasing the climax of the first movement with a passion and grit that’s beyond praise. Indeed, as an essay in Shostakovich conducting alone this performance deserves an honored place in every collection. Petrenko has the players digging into the second movement with unbridled ferocity at an ideally swift tempo.