Arthaus presents the world première of the unabridged version of Don Carlos at the Vienna State Opera, in a staging by the world renowned German director Peter Konwitschny. This staging in its unabridged version remains true to Giuseppe Verdi’s original vision of his grand opera, when it was premiered in Paris in 1867… Johannes Leiacker
In the summer of 1991 Gerry Mulligan decided to revisit Miles Davis's Birth of the Cool recordings. He discussed it with Miles Davis himself who said he might be interested in participating but sadly Davis died a few months later. With Wallace Roney (the perfect sound-alike) in the trumpeter's place, baritonist Mulligan got the band's original pianist and tuba player (John Lewis and Bill Barber), used his own bassist (Dean Johnson) and drummer (Ron Vincent), and found able substitutes in altoist Phil Woods (unfortunately Lee Konitz was unavailable to play his old parts), trombonist Dave Bargeron and John Clark on French horn.
Don Wilkerson was among the unsung heroes of the tenor sax. Although he backed heavyweights like B.B. King and Ray Charles, the improviser's own albums aren't nearly as well known as they should be. But those who were hip to Wilkerson swore by him, and one of his allies was alto saxophonist Cannonball Adderley. It was in 1960 that Adderley produced The Texas Twister, Wilkerson's first album as a leader. The tenor man (who was 27 at the time) shows a lot of promise on this album, embracing standards as well as bop-oriented material by Adderley, pianist Barry Harris, and obscure Texas musician Jim Martin.